Major Daniel Kirby takes command of a squadron of Marine fliers just before they are about to go into combat. While the men are well meaning, he finds them undisciplined and prone to always finding excuses to do what is easy rather than what is necessary. The root of the problem is the second in command, Capt. Carl 'Griff' Griffin. Griff is the best flier in the group but Kirby finds him a poor commander who is not prepared to make the difficult decision that all commanders have to make - to put men in harm's way knowing that they may be killed.

A popular singer, Marian Washburn, suddenly and unexplainably loses her voice, causing a shake-up at the club where she works. Her worried but loyal piano player, Luke Jordan, helps to promote a new, younger singer, Susan Caldwell, to temporarily replace Marian. Susan finds some early acclaim but decides to leave the club after a few performances. Soon after Susan quits, she is gunned down, and Marian quickly becomes a suspect.

Stephen Torino, who is tricked by his brother Marco into an arranged marriage with tempestuous Annie Caldash. Annie is willing to give the union a go, but Torino wants none of it.

Nicholas Ray ended his Hollywood career with his most expensive production, 55 Days in Peking (1963), and followed it ten years later with his least expensive, an experimental and politically radical independent feature made with his film students. Each movie is a shambles, though if I had to choose between them I'd probably opt for this one, which is certainly the more original. Ray and his students play themselves in docudrama situations that culminate in Ray's (fictional) suicide, and often he combines several images into crowded frescoes. The film reeks of countercultural alienation and anguish, and when it premiered at Cannes in 1973, Ray spoke of trying to make "what in our minds is a Guernica" out of such materials as "a broken-down Bolex" and "a Mitchell that costs $25 out of navy surplus." He tinkered with the film for years, and the 1976 date commonly assigned to it refers to a second unfinished version, which, lamentably, is unavailable. It's upsetting in many ways, but as a document of its time there's nothing remotely like it.
From 1971 to 1973, Ray taught filmmaking where he and his students produced We Can't Go Home Again, an autobiographical film employing multiple superimpositions. In the spring of 1972, Ray was asked to show some footage from the film at a conference. The audience was shocked to see footage of Ray and his students smoking marijuana together. An early version of the film was shown at the Cannes Film Festival in 1973, but Ray, never satisfied with the project, continued editing it until his death in 1979. He secured teaching positions at the Lee Strasberg Institute and New York University with the help of old friends.

An attorney defends a hoodlum of murder, using the oppressiveness of the slums to appeal to the court.

Having fought with the Confederacy during the Civil War, Jesse James and his brother Frank dream of a farm life in Missouri. Harassed by Union sympathizers, they assemble a gang of outlaws, robbing trains and becoming folk heroes in the process. Jesse marries his sweetheart, Zee, and maintains an aura of domesticity, but after a group of lawmen launch an attack on his mother's house, Jesse plans one more great raid -- on a Minnesota bank.

A sultry night club singer, a man who has also traveled to many exotic ports and a salesman meet aboard ship on the 45-mile trip from Hong Kong to Macao. The singer is quickly hired by an American expatriate who runs the biggest casino in Macao and has a thriving business in converting hot jewels into cash. Her new boss thinks one of her traveling companions is a cop. One is -- but not the one the boss suspects.

Odd little Western that gets off to a snappy start when a man (Matt Dow) is mistaken as a train robber. After the town's sheriff shoots the kid he's riding with, Dow clears his name and ends up as the new sheriff. He romances a Swedish woman and settles in to a peaceful life only to find that the boy has a few secrets of his own.

An Eskimo who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.

During the second world war, two British officers, Brand and Leith, who have never seen combat, are assigned a vital mission. Their relationship and the operation are complicated by the arrival of Brand's wife, who had a tryst with Leith years earlier.

Retired rodeo champion Jeff McCloud agrees to mentor novice rodeo contestant Wes Merritt against the wishes of Merritt's wife who fears the dangers of this rough sport.

Christabel fools everyone with her sweet exterior including her cousin Donna and Donna's wealthy fiancée Curtis. The only one who sees through her facade is Nick, a rugged writer who loves her anyway. Christabel also loves Nick, but she loves Curtis' money more. After convincing Curtis that Donna is only interested in him for his money, she tricks Curtis into marrying her. Of course, she still dallies with Nick on the side.

Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realised that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him decide to get a better reputation. But mob king Rico Angelo insists that he continues his services.

A film that might be regarded as Nicholas Ray's farewell to Hollywood (if not commercial filmmaking), as well as his tribute to Chicago in 20s, this 1958 feature is also one of his most affecting love stories. An unlikely alliance between a crippled and crooked lawyer (Robert Taylor) and a dancing showgirl (Cyd Charisse), both of whom try to escape the power of a tyrannical mobster (Lee J. Cobb), forms the basis for a flamboyant poem in delirious color and scope that is treated with a mixture of violence and lyricism that is unique to Ray.

在《阿飛正傳》愛過、痛過、反叛過之後，尼古拉斯．雷執導了。這部被喻為他最具感染力的愛情電影。二十年代的芝加哥，瘸腿律師（羅伯特．泰勒）遇上美艷舞孃（賽德．查里斯）……兩個本來不可能遇上的人，卻因為要逃避一個黑幫惡漢（李科布）而情牽一線。尼古拉斯．雷在這部一九五八年黑色電影中，繼續發揮他的看家本領，把浮誇色彩、浪漫意境及詩意暴力共冶一爐，叫人看得嘖嘖稱奇。影片更影響了日後的美國黑幫電影，哥普拉的《教父》和狄龐馬的《義膽雄心》都難免有《派對女郎》的影子。

Androcles is a Christian who follows that religion's teachings even as they apply to the treatment of animals. Seeing a lion in pain, he removes a huge thorn from the beast's paw, creating a friend for life. Androcles and a number of other Christians are evenutally arrested and condemned to death in the arena. They are to die by being eaten by lions. Is it too much to hope that one of the lions may have a paw that has healed recently and might remember who helped heal it?

Set in the early 20th century, the film follows a game warden who arrives in Florida to enforce conservation laws. He soon finds himself pitted against Cottonmouth, the leader of a fierce group of bird poachers.

Diplomats, soldiers and other representatives of a dozen nations fend off the siege of the International Compound in Peking during the 1900 Boxer Rebellion. The disparate interests unite for survival despite competing factions, overwhelming odds, delayed relief and tacit support of the Boxers by the Empress of China and her generals.

From IMDB: Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden, whom he finds attractive and independent. However, Mary's brother is chief suspect in the killing. And Mary herself is blind.

Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.

In the '30s, three prisoners flee from a state prison farm in Mississippi. Among them is 23-years-young Bowie, who spent the last seven years in prison and now hopes to be able to prove his innocence or retire to a home in the mountains and live in peace together with his new love, Kitty. But his criminal companions persuade him to participate in several heists, and soon the police believe him to be their leader and go after "Bowie the Kid" harder than ever.
Written by Tom Zoerner {Tom.Zoerner@informatik.uni-erlangen.de}