Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

Mario Montez in drag eats a banana.

An hour-long paean to the art of the kiss featuring fourteen couples, from passionate participants to lethargic lovers, engaging in the intimate act.

Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.

THE VELVET UNDERGROUND AND NICO (1966)
64 minutes, 16mm, black and white
Original English Version
Director: Andy Warhol
Producer: Andy Warhol
Cinematography: Paul Morrissey
Cameraman: Andy Warhol
Music: The Velvet Underground & Nico
Cast: The Velvet Underground & Nico (Lou Reed, guitar; John Cale, viola and bass guitar; Sterling Morrison, guitar and bass guitar; Nico, maracas, tambourine); Ari Boulogne, Gerard Malanga, Billy Name, Stephen Shore, Andy Warhol, New York police agents

Filmed by Jonas Mekas from the 44th floor of the Time-Life Building, “Empire” explores the passage of time without the use of characters or a traditional narrative. The film, that consists of one stationary shot of the Empire State Building, was made from standard 1,200-foot rolls of 16mm film with a more than eight-hour runtime.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.