In 1870 Friendship, Wisconsin, a small town of Scandinavian settlers still suffering the repercussions of the recent Civil War. When faced with a new and even deadlier threat, one man is forced to make a harrowing choice: save his young family or defend the community that gave him a second chance at life and meaning.

Swaggering, womanizing Jerry and his hen-pecked buddy Pat are in a bind: their clients aren't dying fast enough! They buy insurance policies from the terminally ill, and bet on them to kick the bucket on schedule. But their luck is about to change when they meet Barbara, who has a $2million policy and 3 months to live.

Tim and Eric, in their bizarre world, compete for attention in their respective martial arts display.

In the isolated desert of Winslow, Arizona at NASA’s Moon Base Simulator, three eager astronauts—Skip, Rook and their leader Cap—attempt to qualify for their first lunar mission. They encounter many obstacles including loneliness, self-doubt and their own incompetence. In spite of it all, they remain determined to prove they have the right stuff to reach the moon.

St. Moritz, Switzerland. On a snowy Christmas Eve in a grand mountain hotel, the lives of five people magically intertwine during a wild night full of extravagant adventures and joyous celebrations.

A crew of social media-savvy bank robbers broadcasts their daring heists, unaware that their growing viral fame has put them in the crosshairs of a veteran FBI agent and a brilliant software engineer. Despite the unlikely duo closing in, the crime ring pushes past their limits, putting everything on the line for their most ambitious heist yet.

When cowboy Billi and his sweetheart Rosa run away together, he is accused of her husband's death and becomes the symbol of a local uprising. Everyone wants his head and only Rosa knows the secret that could finally set them free.

Fight for Your Right Revisited stars Danny McBride, Seth Rogen, and Elijah Wood as the "young" Beastie Boys from the past and Jack Black, John C. Reilly, and Will Ferrell as the "old" Beastie Boys from the future. The story begins where the video for "Fight for Your Right (1987)" ended. It features music from the band's album Hot Sauce Committee Part Two.

"An Almost Christmas Story" follows Moon, a curious young owl who unexpectedly finds himself stuck in a Christmas tree destined for Rockefeller Plaza. In his attempts to escape the bustling city, Moon befriends a lost little girl named Luna. Together, they embark on a heartwarming adventure, discovering the magic of the holiday season and forming an unlikely bond as they journey back home to their parents. “An Almost Christmas Story” starts streaming, November 15 on Disney+.

从玛丝.坎普尔的讲述自己的暑假开始：她哥哥丢了工作，她妈妈差点疯了，她的继父则被兄弟杀死，一系列荒诞离奇的搞笑时间一出接一出！

True West is about the sibling rivalry between two estranged brothers who have reconnected. Austin, the younger brother, is a Hollywood screenwriter writing a screenplay while house sitting for his mother, who is vacationing in Alaska. His older brother, Lee, appears at the house after the two have not seen each other for years. Lee is a drifter and thief and has been living in the desert. The two are not on good terms, but Austin attempts to appease his older brother, who is more dominant. The play starts out with the two characters, Austin and Lee, sitting in their mom’s house-this is the first time they’ve seen one another in five years. We learn that their Mom is on vacation in Alaska and Austin is house-sitting for her. Austin is trying to work on his screenplay but Lee continually distracts him with non-sense questions. The two brothers seem on edge with one another and at one point Austin suggests Lee leaves but Lee threatens to steal things from their mother’s neighborhood. Austin tries to calm him down and the night ends with the two of them on neutral terms. Austin and Lee sit in their mother’s house and Lee talks about the security level of their mother’s house, and how Lee went into the desert to find their dad. Austin then tells Lee that he needs to leave the house because a film producer is coming by to look at Austin’s screenplay about a “period piece.” Lee says he will leave if Austin gives him the keys to his car. Austin is reluctant at first but eventually gives Lee the keys to his car and Lee promises that he will have it back by six. Lee departs. Saul and Austin have a conversation discussing the agreement they have made when Lee suddenly walks in with a stolen television set. Saul and Lee start up a conversation about golfing and make plans to go the next day. Austin is embarrassed because he does not know how to play golf, and he also does not want Lee to be involved in the relationship he has with Saul. Lee proposes a script idea to Saul and Saul likes it. Austin begins writing Lee’s story as he tells it out loud. Austin stops Lee and tells him that his story is bad because it doesn’t resemble real life. The two brothers begin to fight and eventually Austin asks Lee for his car keys back. Lee assumes this means Austin is trying to kick him out, and Lee makes the point that he can’t be kicked out. Austin says he wouldn’t kick him out because he’s his brother, and Lee suggests that being brothers means nothing because in family murders are the most common. Austin says they couldn’t be driven to murder over a movie script. The two admit to being jealous of each other’s lives, and Austin kindly returns the car keys. The scene closes with Austin typing Lee’s story again. Lee returning from his game of golf with Saul. He continues to tell Austin that Saul is going to give him an advance and continue with his idea from the outline that Austin had written for him. They begin celebrating but the celebration comes to a halt when Lee informs Austin that he is going to also be writing the screenplay for his idea. Austin questions this knowing he has his own work to be completed but Lee continues to inform him that Saul has chosen to drop Austin's idea for a screen play and just continue forward with his own idea. Austin informs Lee that he needs to be careful with who he messes with in this line of work and tells Lee that he has a lot at stake on his own project. The scene ends with Austin threatening to leave and go to the desert as Lee tries to calm him down before the lights go out and the scene ends. Austin confronts Saul about his decision to buy Lee’s screenplay. He argues that Saul only offered to buy the screenplay because he lost a bet. Saul wants Austin to write both his and Lee’s story but Austin refuses to do both. Austin thinks that Lee’s story is illegitimate and not relevant to the time period. Due to Austin’s rejection to the job, Saul decides to drop Austin’s story and to find a different writer for Lee’s story. The scene ends with Saul making plans for lunch with Lee and then exiting. Austin is drunk and annoying Lee, who is now the one trying to concentrate and create a screenplay. Lee makes a bet with Austin and Austin appears to be going crazy. Austin resolves to leave the house and they continue to bicker about the authenticity of Lee's ability as a screen writer. Lee finally gets frustrated and asks for Austin's help writing the script and starts drinking with him. Austin is polishing toasters that he stole while Lee is smashing a typewriter early in the morning. The two continue to do this while they are carrying on a conversation. Austin is proud of what he has done. Lee wants to see a woman, but Austin refuses because he is married. Lee throws a fit while on the phone with the operator because he cannot find a pen to write down what the operator is saying. Austin begs Lee to go to the desert with him because he thinks there is nothing for him where he is. The brothers make a deal that Austin will write the play for Lee if Lee takes him to the desert. In the final scene, the house is ransacked and Lee and Austin are working vigorously on their script. The mom comes in and Lee first takes notice to her. She seems confused by her son’s appearances and the state of her house. Austin tells her that he and Lee are going to take off into the desert, but then Lee says they might have to postpone the trip. He doesn’t think Austin is cut out for the desert life-style. Austin gets upset and starts strangling Lee. The mother is in disarray and storms out of the house. Austin finally lets go of Lee, and is worried for a second that he’s killed his brother. As Austin moves for the door, Lee rises. The two brothers face one another as the lights fade.

Blanche DuBois is a fading, but still-attractive, Southern belle whose pretensions to virtue and culture only thinly mask alcoholism and delusions of grandeur. Her poise is an illusion she presents to shield others (but most of all, herself) from her reality, and an attempt to make herself still attractive to new male suitors. Blanche arrives at the apartment of her sister Stella Kowalski in the Faubourg Marigny neighborhood of New Orleans, on Elysian Fields Avenue; the local transportation that she takes to arrive there includes a streetcar route named "Desire." The steamy, urban ambiance is a shock to Blanche's nerves. Stella, who fears the reaction of her husband Stanley, welcomes Blanche with some trepidation. As Blanche explains that their ancestral Southern plantation, Belle Reve in Laurel, Mississippi, has been "lost" due to the "epic fornications" of their ancestors, her veneer of self-possession begins to slip drastically. Blanche tells Stella that her supervisor allowed her to take time off from her job as an English teacher because of her upset nerves, when in fact, she has been fired for having an affair with a 17-year-old student. This turns out not to be the only seduction in which she has engaged, and, along with other problems, has led her to escape Laurel. A brief marriage marred by the discovery that her husband, Allan Grey, was having a homosexual affair and his subsequent suicide has led Blanche to withdraw into a world in which fantasies and illusions blend seamlessly with reality. In contrast to both the self-effacing and deferential Stella and the pretentious refinement of Blanche, Stella's husband, Stanley Kowalski, is a force of nature: primal, rough-hewn, brutish, and sensual. He dominates Stella in every way and is physically and emotionally abusive.[1] Stella tolerates his primal behavior as this is part of what attracted her in the first place; their love and relationship are heavily based on powerful—even animal-like—sexual chemistry, something that Blanche finds impossible to understand. The arrival of Blanche upsets her sister and brother-in-law's system of mutual dependence. Stella's concern for her sister's well-being emboldens Blanche to hold court in the Kowalski apartment, infuriating Stanley and leading to conflict in his relationship with his wife. Blanche and Stanley are on a collision course, and Stanley's friend and Blanche's would-be suitor, Harold "Mitch" Mitchell,gets trampled in their path. Stanley discovers Blanche's past through a co-worker who travels to Laurel frequently, and he confronts her with the things that she has been trying to put behind her, partly out of concern that her character flaws may be damaging to the lives of those in her new home, just as they were in Laurel, and partly out of a distaste for her pretense in general. However, his attempts to "unmask" her are predictably cruel and violent. In their final confrontation, it is implied that Stanley rapes Blanche, resulting in her nervous breakdown. Stanley has her committed to a mental institution, and in the closing moments, Blanche utters her signature line to the kindly doctor who leads her away: "Whoever you are, I have always depended on the kindness of strangers." The reference to the streetcar named Desire—providing the aura of New Orleans geography—is symbolic. Blanche not only has to travel on a streetcar route named "Desire" to reach Stella's home on "Elysian Fields" but her desire acts as an irrepressible force throughout the play—she can only hang on as her desires lead her. The character of Blanche is thought to be based on Williams' sister Rose Williams who struggled with her mental health and became incapacitated after a lobotomy.

The story of a large fifteen-year-old boy in a small town as he struggles to adjust to his difficult life.

A naive Midwesterner insurance salesman travels to a big-city convention in an effort to save the jobs of his co-workers.

Paul Thomas Anderson-directed music video of Aimee Mann's Academy Award-nominated song. Shot during production of Anderson's 'Magnolia' and featuring the film's ensemble cast.

Hell's Kitchen, New York. Terry Noonan returns home after a ten-year absence. He soon reconnects with Jackie, a childhood friend and member of the Irish mob, and rekindles his love affair with Jackie's sister Kathleen.

Fed up with boarding school and frustrated with the way others have planned his life, John Baker Jr. wants a change -- anything to shake up his staid routine. The moment arrives when he stumbles upon a woman, Patty Vare, unconscious in a field. Deciding to risk it, John takes her to his dorm to look after her, much to the disapproval of his friends. John's decision proves fateful as he and Patty grow close to one another. However, she may be keeping secrets from him.

从一九八九年便在福斯电视台播出迄今的热门卡通“辛普森一家"续约是美国电视史上最长寿的喜剧剧集。从一九八九年以来，“辛普森一家"总共拿下85座各类大奖，89项各类提名，其中包括23座艾美奖，1座金球奖提名。目前已经播完18季, 第19季正在热播中。 主人公辛普森一家在这里细细品位着单调而又不寻常的生活。每集开始的片头都要将家庭成员一一介绍一次，最受大家欢迎的坏小子——大儿子巴特，这个总是惹祸的孩子每集片头都会在黑板上写下自己的新“罪行”。在核电场工作的父亲荷莫•辛普森三十几岁就已经秃顶又大腹便便的顾家好男人，以自己一个人的力量养活着全家；二女儿丽莎是所有人眼中的全优少女，聪明且善解人意；还有声音沙哑，留着超高发型的母亲玛琦和永远叼着奶嘴的小女儿玛吉。每个片尾处全家人会冲向沙发集体亮相，而且每集的造型都不同。 在美国，《辛普森一家》（港译《阿森一族》）是最受欢迎的电视动画片。春田镇上的这个五口之家用他们荒诞的经历讽刺着当代美国社会的生活和文化。辛普森一家的形象随着电视剧的走红而成为世界性的流行符号，其中爱捣乱的长子巴特·辛普森已经成为一个大众偶像，连《时代》周刊也将他选为“20世纪演艺界最重要的人物"之一。 其实巴特在动画片里只能算是令人头痛，捣个乱撒个谎，没事爱跟大人对着乾，祸闯大了一样傻眼，这样的小孩世界上何止千千万万，不过当他被推到潮流前线，注册商标就变成了“春田镇的坏男孩（Bad boy of Springfield)"，因为他的坏已经等同于“酷"，“坏"的一面也被特别放大、突出，大家爱就爱他身上一股天不怕地不怕、我是小孩我怕谁的气质。 大人、小孩都爱看的“阿森一族"，最主要的成功因素应该归于将剧中人物刻划得精彩传神的六名配音员，这些幕后功臣也创下全美电视卡通配音员收入最高的纪录。“阿森一族"六名主要配音员的薪水从每集两万五千美元一路上涨，二零零一年更争取到每人每集十万美元的薪资，调薪幅度高达百分之四十三。平均算来，每名配音员参加一季的配音便至少可赚入两百二十万美元。

The Tonight Show with Conan O'Brien is an American late-night talk show that featured Conan O'Brien as host from June 1, 2009 to January 22, 2010 as part of NBC's long-running Tonight Show franchise. The program's host, Conan O'Brien, previously hosted NBC's Late Night with Conan O'Brien, which followed The Tonight Show with Jay Leno for 16 years, until O'Brien's brief succession over Leno.Many members of the Late Night cast and crew made the transition to The Tonight Show. The Max Weinberg 7, the house band from O'Brien's Late Night, served as the house band under the new name, Max Weinberg and The Tonight Show Band. Andy Richter returned to the show as announcer, and also began resuming his role as sidekick, shortly before the show's conclusion. The opening and closing theme song from Late Night was also carried over to Tonight, in a slightly altered form.In January 2010, after the show had been on the air for seven months, it was announced that NBC was intending to move Jay Leno from primetime back to his original timeslot at 11:35 pm, with O'Brien's show starting shortly after midnight. In response to the announcement, O'Brien released a press statement saying that he would not continue as host of The Tonight Show if it was moved to any time after midnight to accommodate The Jay Leno Show. He feared it would ruin the long and rich tradition of The Tonight Show. It had been on after the late local newscasts from the beginning. After two weeks of negotiations, NBC announced that they had paid $45 million to buy out O'Brien's contract, ending both his tenure as host as well as his relationship with NBC after 22 years.

A secretary's life changes in unexpected ways after her dog dies.