The efforts of an aspiring filmmaker to include an unwilling woman in his production.

Bill, an intellectually disabled man, ventures out into the world for the first time, having spent most of his life in a dreary inner city institution. He is taken in by a kind family and learns what it means to love and be loved for the first time in his life.

In a futuristic wasteland, a mercenary saves a woman and her son from lethal cultists.

A quartet of humanoid turtles, trained by their mentor in ninjitsu, must learn to work together to face the menace of Shredder and the Foot Clan.

The Turtles and the Shredder battle once again, this time for the last cannister of the ooze that created the Turtles, which Shredder wants to create an army of new mutants.

Nobody likes to be made a fool of, especially no the mafia. So, when it comes to light that a number of men from The Mob in New York have fallen for a Russian mail-order bride, who has blatantly ripped each of them off, their boss is not impressed. In fact, Tony Santini thinks the only way to prove that you shouldn't mess with the mob is to send his nephew to Russia to bring back the beautiful but manipulative Nina.

Charley Partanna is a hitman who works for the Prizzis, one of the richest crime families in the US. When he sees Irene Walker, it's love at first sight. But he soon finds that she, too, is a killer for hire. Charley can overlook his suspicions, but he can't turn off his heart. And the couple must remember that even if they love each other, the Prizzis love only money.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

1985 film by Woody Allen