From runaway brides to a typhoon, the continued adventures of Ushikata police station.

A mournful masterpiece by Kinugasa Teinosuke

A hard-working new employee at a trading company is promoted through the company president's business. However, he quarrels with his wife over something trivial, and her wife runs away from home, causing a fuss, but she returns to normal. Selected by Kinema Junpo as the 5th-best Japanese movie of 1926.

The story of a sailor who begins a love affair with a woman he saves from suicide.

Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.

Fourth entry in Toho's Wakadaishō series directed by Jun Fukuda and released on a simultaneous screening with Matango. Filmed on location in Hawaii.

A film by Katsumi Iwauchi.

Young Yuichi (Kayama) romances Sumiko (Hoshi) while helping out at his family's restaurant, singing in a band, and preparing for an important boxing tournament.

Eternal young guy, Yuzo Kayama stars in this fifth installment of the Young Guy series. Young Guy returns to the swim team from the first movie, boards his rival Blue Guy's boat, and meets a young woman on a small island.

College student Yuichi Tanuma is fired up for Nationals where his university Kyonan will face off against their rivals, Seihoku. Yuichi has his sights set on winning football gold, but his father, who wants him to take over his sukiyaki restaurant, isn't too keen on this. Set in Kyoto, Hong Kong, and Macau, we follow Yuichi as he falls in love and chases after his dreams.

As the film begins, Bunkichi (Takeshi Sakamoto), an affable ne'er-do-well who married late (after sowing quite a few wild oats in his own youth) is approached by members of the community to head a collection drive for a commemorative lantern, a level of responsibility for which his wife Okiyo teasingly calls into question his suitability. Bunkichi further proves his irresponsibility when his widowed sister Otoku asks him to speak her son Seiichi in order to advise him to concentrate on his studies (instead of frittering his time reading novels) and instead, takes the young man out for a night of drinking. However, when Seiichi becomes involved in an even more serious - and potentially life-altering - predicament, Bunkichi takes him under his wing and assumes responsibility to mitigate the consequences of the young man's indiscretion. Gosho's richly textured home drama is a refined and seemingly effortless examination of duty, sacrifice, and maturity. The film's curious title, a reference to the out-of-favor geisha turned Ginza bar hostess Terue, provides an evocative and haunting metaphor for human transience.

As the film begins, Bunkichi (Takeshi Sakamoto), an affable ne'er-do-well who married late (after sowing quite a few wild oats in his own youth) is approached by members of the community to head a collection drive for a commemorative lantern, a level of responsibility for which his wife Okiyo teasingly calls into question his suitability. Bunkichi further proves his irresponsibility when his widowed sister Otoku asks him to speak her son Seiichi in order to advise him to concentrate on his studies (instead of frittering his time reading novels) and instead, takes the young man out for a night of drinking. However, when Seiichi becomes involved in an even more serious - and potentially life-altering - predicament, Bunkichi takes him under his wing and assumes responsibility to mitigate the consequences of the young man's indiscretion. Gosho's richly textured home drama is a refined and seemingly effortless examination of duty, sacrifice, and maturity. The film's curious title, a reference to the out-of-favor geisha turned Ginza bar hostess Terue, provides an evocative and haunting metaphor for human transience.

Japanese adaptation of Marcel Pagnol's play "Marius", set in early XXth century Japan.

A young man falls in love with a prostitute and is disowned by his family. He is then drafted, and heads off to war. Script exists - considered to be a lost film.

A spirited young teacher challenges the conservative school employing her with liberal thinking and teaching methods.

京南大学水泳部の田沼雄一は、明治時代からの歴史を誇るすきやき屋「田能久」の若旦郡である。父久太郎は昔気質の頑固者で、最近は商売仇のステーキハウス「黒馬車」がぐんぐんのしてくるので機嫌が悪い。おまけに雄一が黒馬車で歌手のはるみと仲良く歌っているとあってカンカンに怒った。そんな時、祖母のりきがいつも雄一の味方となって父と子の仲を円くおさめていた。水泳部主催のパーティの日。雄一は同級生の団野京子や、はるみとばかり踊るので石山製菓のキャンデー・ガール中里澄子は面白くない。その夜、雄一は店の肉を持ち出して部員達にオゴってしまったためとうとう久太郎に勘当されてしまった。雄一は夏季休暇をさいわいに、芦ノ湖へアルバイトに出かけた。親友多湖もアルバイトでデパート会社の社長野村家の別荘の管理人をしていた。雄一は、ボート小屋に泊りこみ、ボートの貸し出しと看視人をやっていた。澄子も出張で「ビーチハウス」に来ており、はるみも湖畔ホテルで歌っていた。石山製菓社長のドラ息子で、雄一の同級生石山新次郎は澄子に惚れていて、澄子をヨットに誘った。ヨットの中で新次郎が澄子にケシカラン振舞いに出た時、雄一が澄子を救った。雄一は自分が本当に愛しているのは澄子だとその時悟った。カラリと晴れたある日、雄一は転覆したボートから野村父子を救った。夏休みが終り、水泳部の合宿が始ったある日、野村社長より娘の千枝子を貰ってくれるよう雄一はいわれた。多湖が千枝子を愛していることを知った雄一は、見合いの劇場に多湖を連れて行き、野村社長に千枝さんの相手にふさわしい人はこの人ですといって多湖を紹介した。そんなことを知らない澄子は大むくれである。そんな澄子に新次郎が言い寄った。澄子を乗せた新次郎の車は、通りがかりのりきをはねとばした。雄一の輸血でりきは危機を脱した。そして、澄子の誤解もとけた。雄一は急いで、対抗戦の始っているプールへ帰っていくのだった。

Saheita, the final heir of a once rich and respectable family, can't refuse the many villagers that come to him for favours and money, even though he is on the brink of bankruptcy. Around town he is better known by his nickname Mr. Shosuke Ohara.