1964 film by Mohan Kumar

Ajay alias Munna Babu is a semi-senile, gentle but naive young man who has a wealthy family estate. His employees and alleged well-wishers conspire against him and introduce him to his long-estranged mother, Shakuntala, and brother, Vijay. Munna is overjoyed, not knowing that they are devious impersonators. This joy is quite short-lived, as they soon show their true colors, and Munna gets killed. His restless spirit seeks out his real brother and appeals to him to avenge his death. Vijay, at first, thinks he is hallucinating, but when his mother confirms that he indeed had a twin brother, he agrees to accompany Munna's spirit back to where he was killed, and thus assist him complete his vengeance. Things do not go as planned, and Vijay himself becomes their victim, and may face the very same fate as Munna.

1980 film by Sanjay Khan

An upper-caste Hindu Brahmin struggles to make ends meet forcing his daughter, Shalini, to take the burden of maintaining the family upon her shoulders

A group of 7 thieves decides to rob a huge amount of money from a heavily guarded palace. Problem arises when one of them turns Gaddaar (traitor) and runs away with all the looted money. His other 6 accomplices trace him for a year and finally with the help of Raja, a small time crook, come to know that he is hiding in Himachal Pradesh. As the group reaches the traitor's hideout to confront him, circumstances and greed leads to a bloodbath, while the true identity and motive of Raja also gets revealed.

1969 film

In a small industrial town near Bombay lives Bholanath, who works at the local mill, and is the proud husband of Gauri, a daughter, Champa, and above all his son, Ramaiya, who is a graduate in the arts faculty, - the only one in this town who has attained this degree. But times are hard, and jobs are difficult to come by. When Bholanath loses his job, Ramaiya decides to find employment, and does so as a menial worker in the same mill his dad used to work. Ramaiya is very popular with his co-workers and they soon elect him as their new union leader. This puts Ramaiya in conflict with the Management of the Mill, headed by the owner, Kapoor, who has ordered that Ramaiya be eliminated post haste. But Ramaiya is determined to address the workers' grievances, and he gets himself framed for theft; has the police on the lookout for him, and so Ramaiya goes into hiding.

After being acquitted for the murder of his first wife Deepak is suspected for attempting to kill his second.

A man learns that the people who raised him are not his biological parents.

A sleep suspense thriller, from Vijay Anand (his directorial debut), Nau Do Gyarah is the story of Madan (Dev Anand) on his way to Bombay to inherit his uncle's estate. On the way, he picks Raksha (Kalpana Kartik), who has run away from home, rather than be married to a man she does not like. On reaching Bombay, Madan finds his uncle dead, and the estate taken over by Kuldeep, his aunt's nephew. The new will is missing. Madan has to find out, what really happened to his uncle and the missing second will. S. D. Burman's compositions embellish this fast paced and stylish thriller.

Widowed Radha lives in rural India in the 1960s, along with two sons: Bharat and Puran. While she would like to educate her sons and ensure that they lead good lives, she cannot do so on her own, and must sacrifice the career of one son so that the second can achieve this goal. Bharat sacrifices everything to educate his brother Puran. However, Puran turns into a greedy man and gets involved in drug trafficking in order to make money.

1975 film by Hiren Nag

Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. Shortly thereafter, his dead body is found under Calcutta's Howrah Bridge. Rakesh travels to Calcutta in order to find out the mystery behind Madan's death, and also try to recover the family heirloom.

1971 Indian film by K. Ramanlal

A village woman abandoned by her husband is forced into prostitution in Kolkata and forms nameless yet strong relations with a wealthy patron as well as an abused boy in the neighbourhood.