This way madness - or experimental filmmaking - lies. A solitary man in coat and tie enters an apartment. It's midnight. He appears agitated and distraught. He throws a glass of water in his face and laughs. He takes off the coat and tie. His moods swing. He stares at a light bulb. He removes his shirt. He lights a cigarette. He looks at a book. He does something drastic and self-destructive. He opens doors to a garden.

In “Mr. Tompkins Learns the Facts of Life”, Mr. Tompkins learns about biology. In a wild and entertaining dream, his creator, author George Gamow, sends him through his own blood steam to investigate how his body really functions. Professor Igor Gamow and legendary filmmaker, Stan Brakhage, made the film “Mr. Tompkins Inside Himself” based on George Gamow’s book. The film includes an introduction by George Gamow, himself.

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.