The scene is set during the Second Empire. Captain Bitterlin watches jealously over his lovely daughter Madeleine but he cannot prevent nature from demanding its rights and Madeleine soon finds herself a suitor in the person of Mario, a dashing young songwriter. Bitterlin, who wishes his daughter to "evade the grip" of the young man, takes her away to Monte Carlo. There, the captain does what he had sworn he would never do, he gambles in a casino. And even more upsetting: Mario might well be hereabouts...

At the beginning of World War I in a village in the country of La Marne, two families are against the marriage of their children. The war changes the positions.

During the First World War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young man discovers that his mistress is none other than the wife of Maury (Charles Vanel), an aviator friend.

Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous mushrooms!) for stealing...concluding that dishonesty pays. Through years of dabbling in crime and amusing adventures, two women appear and reappear in his life, a dazzling blonde jewel thief and a stunning brunette gambler. Finally, he meets the mysterious Charbonnier who had saved his life in World War I, leading to the surprising next phase in his career...

Paris, 1937. Winckler kills his enemy Gordon, a Chicago mobster, from the stage of a Parisian music hall, where he performs telepathy. He pays another artist, Helene, so that she tells the police they've spent the night together, which doesn't fool Callas, the police officer who investigates the murder. He hires one of his fellow officers in order to seduce Helene.

Opera singer Enrico Ferraro, tired of his too many engagements, jumps off the train escaping from his manager and changes to another going to the Riviera. He makes a friend and stops at a village, where (it seems) he can at last have some well deserved holidays, with the added interest of meeting a beautiful girl in the surroundings.

Released in France as La Kermesse Heroique, Carnival in Flanders is set during the long-ago war between the Dutch and Spanish. A tiny village in Flanders is invaded by Spanish troops. The townsfolk have heard of Spanish cruelties in other towns, and decide to deflect the vanquishers by playing dead. This isn't terribly effective (you have to take a breath once in a while), so the wife of the burgomaster tries to soften up the invaders with a lavish carnival. So successful is this venture that the Spaniards allow the village to escape being decimated, or even taxed. An award-winner many times over, Carnival in Flanders was banned in Germany; evidently, Goebbels caught on that director Jacques Feyder and scenarists Bernard Zimmer and Charles Spaak were drawing deliberate parallels between the Spanish and the then-burgeoning Nazis.