A troupe of French actors on tour in Normandy become involved in the events of WWII.

In Paris, two scoundrels kidnap a wealthy man's preteen son, disguised as Indians, only to find he's a savvy detective, making their ransom plan much more complicated.

1953 film by Jean Stelli

Based on the short story by Georges Simenon. Annoying Annette is bent on seducing Maurice, a handsome lawyer who has his eye on a haughty American Myriam who is running after bashful Bernard. The story takes place in hotels, prisons, and music-making apartments in Cannes.

Mathieu is a mild-mannered man engaged to a woman whose father is involved in running a house of prostitution. When the father dies, Mathieu inherits the bordello and is unprepared for his new position. He overcomes his shyness and becomes a sexual dynamo when his workers feed him some powerful amphetamines.

Just before wowing international critics and moviegoers with his adventure romp Fanfan la Tulipe, director Christian-Jaque dashed off the lampoonish Barbe-Bleue. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Bleue's newest spouse Aline (Cécile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleue is underlined by its pleasing utilization of the French Gezacolor process.

1956 film by Henri Verneuil

Fernand Sarrazin, who runs a nougat factory to perfection, is a happy bachelor, notwithstanding the acrimonious presence of his sister-in-law Julie. Love enters his life in the form of a young orphan, Cécilia, whom he saves from drowning, falls in love with and marries. The treacherous Julie uses a young pianist to lead Cecilia astray. She returns, however, repentant, after a short stay in Paris. Good Fernand forgives her, but when he learns of his sister-in-law's actions, he chases her out of his house.

Lyon, 1953. Maria Manzana is the oldest of a family with five children and the only one who has a job. Maria's mother is deceased and her father is regularly drunk and violent. One evening when he wants to beat his daughter Christine, Mary helps her sister and accidentally she kills her father. At Maria's advice the family would prefer to flee. Anna, the girlfriend of Mary's brother Michael, accompanies them. Michael doesn't want to leave her behind. A friendly trucker brings Mary and her company to the south. The group then walks on deserted roads to a village, that was abandoned more than 25 years ago due to lack of water.

17 year-old small-town girl Nicole Noblet comes to Paris dreaming of becoming a world-famous actress.

Ireland, 1922. In the midst of a national uprising, Catherine, a young orphan employed in household chores, goes in search of her brother whom she has heard in a dream calling for help.

Fernandel plays Albert, the unhappy brunt of jokes by his fellow office-workers who goes from the frying pan into the fire. Albert gets caught up in a robbery that also goes from bad to worse when it leads to several murders. Although he is not a killer and essentially innocent, there does not seem to be very much that Albert can do to convince others of the truth.

Mario, a bumptious sheep-shearer, discovers he has a inimtable touch that makes women, as well as sheep, swoon at his professional caress. He is soon the most sought-after hairdresser in France and is awarded the Legion of Honor...

Celestin works as an organist at a girl's school. By day, Celestin is the meek and mild target of the girls' incessant practical jokes. By night, however, he is the celebrated composer of popular operas -- and the romantic vis-à-vis of a celebrated stage star. When schoolgirl Denise stumbles onto Celestin's secret, she threatens to tell all -- but only if Celestin refuses to escort her to the opening night of his latest opera. As a result, Denise falls in love with a handsome young soldier, while Celestin is accidentally shipped off to an army camp. A series of silly coincidences brings happiness to all concerned by fade-out time.

The Marquis Rodolphe de Sombrueil accidentally runs over a working man with his carriage and helps his widow -- unjustly accused of robbery -- to find her missing daughter.

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

A struggling artist buys a talisman that gives him love, fame and wealth. The talisman is a severed left hand, and it works perfectly, in fact, magically. But of course there is nothing free in this world, and after one year the devil comes and asks for his due.