Sara discovers that agrochemicals sprayed by her neighbor for soy cultivation poisoned her daughter. The treatment compels them to travel to Buenos Aires. To get money for it, Sara devotes herself to drug trafficking. This becomes a threat to her freedom and the safety of her children.

Argentina, 1976. Con el inicio de la dictadura militar, un joven policía es acusado de pertenecer al grupo guerrillero ERP. Es torturado por sus ex compañeros y queda detenido durante dos años en la condición de preso político. Sobrevive a las brutales condiciones carcelarias y recibe la liberación condicional, pero unos meses después decide escapar del país. Dinamarca le concede asilo y vive en Copenhague durante quince años. Cuando regresa, ya en democracia, descubre que algunos de quienes lo torturaron no sólo seguían siendo policías sino que eran funcionarios de alta jerarquía.

Year 1866. Venancio, a young gaucho, embarks on a journey to escape from a curse through a war-torn region desperately seeking salvation among rustlers, priests, shamans and deserters. The stronger his fear is, the more real the legend becomes.

The hypocrites tells the story of Nicolás, a young cameraman who works filming social events, but doesn’t feel fulfilled with his profession. In the middle of a high profile wedding, he accidentally records a compromising situation between the bride, Martina, and her brother, Esteban. Realising about what is in the tape, he sees the opportunity of leaving his tedious life behind through blackmailing the people involved. However, he does not know this secret could endanger his own life.

Colección de breves historias que combinan la intriga, lo fantástico y el terror. En una atmósfera que remite a clásicos como "Cuentos de la cripta" o "La dimensión desconocida", cada episodio cuenta con un presentador e historias independientes entre sí, aunque todas interpretadas por un elenco estable: 6 personajes que cambian su caracterización pero conservan el nombre y personalidad. Mariela y Juan son los protagonistas en todas las historias, dos veinteañeros cuya ocupación varía de un episodio al otro. Este concepto se vuelve extensivo a la relación sentimental que los vincula. En consecuencia, todas las historias presentarán a la pareja interpretando un momento diferente en la relación, de modo que podremos verlos siendo recién conocidos como así también antiguos amantes que vuelven a encontrarse.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

Sobre las nubes (About the Clouds), the portrait of a city and a contemporary saga of a middle class viewed through its relationship with work, depicts the everyday lives of four people with an artistry that’s abundant yet sober, generous yet precise. The dramatisation, stripped of any effects, is entirely devoted to the attention it pays to the characters. Ramiro, Nora, Hernán and Lucía don’t know each other. The only thing they have in common is that they work or are looking for work, and they live in the same city. They never meet, but all of them cross paths with the young woman with aquiline features, a musical presence who discreetly harmonises the film, accompanying it with her gentle melodies. María Aparicio, observing in the background, leaves these solitary presences to develop in parallel. Without ever raising its voice, the film unfolds with restraint and moderation, focusing on humility. When, in the dead of night, a female police officer asks a cross-dressing singer to go and sing elsewhere as he lip-synchs Maria Callas’ rendition of Tacea la notte placida (How Peaceful was the Night), all the sadness of a world reduced to silence is encapsulated in a sequence of rare beauty. In this melancholic black and white painting, the poetics of the image elevate the everyday to the unusual, the gloom to sweet fantasy, in discrete epiphanies like those magic tricks performed with mischief or the savvy pleasure taken in reciting a theatrical script. “I was sad, but I’m better” says one of the characters at the end of the film. Just as the clouds over the city come and go, caught up in the infinite movement of time, the characters’ sadness eventually subsides and seems to disappear to “that place that no one has ever visited, that place we call the past”, in the words of Juan José Saer (Las Nubes).
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The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.