A group of men go on an expedition seeking sunken treasure, and wind up battling bad weather, rough seas and each other.

A naïve farm girl is duped by con men who promise her movie stardom in exchange for her savings.

Columbia's Spirit of Stanford is built around the talents of a real-life college football star, in this instance all-American quarterback Frankie Albert.

Honeymooners find a dead radio producer in their suite.

An expedition into the deep jungle discovers a native tribe led by a tall Caucasian blonde woman.

Filmed with the full cooperation of the U.S. Army, Breakthrough is a lean, no-nonsense war film set during the 1944 invasion of the continent.

A drifter claims the money in an old bank account. Soon he finds himself the target of two men who turn out to be the sons of the man's old partner, who is now in prison because of a conflict with him over the money in that account.

Recently returned from WWII combat, unable to find a job, finding his sweetheart engaged to another man, and generally aware of the changes which have occurred in his hometown while he was away, a young man becomes easily talked into joining the Ku Klux Klan. Banned by the Virginia Board of Censors, and financed independently because no bank would loan money for it.

This is commonly known as Jean Renoir's first American film (1941), although Renoir scholar Alexander Sesonske has established that Renoir's creative role in the project was severely hampered by producer Darryl F. Zanuck and that he didn't regard much of the film as his own. (The ending, for instance, was written by Zanuck and directed by Irving Pichel.) Nevertheless, the film has certain beauties and pleasures. Part of it was shot in Georgia's Okefenokee swamp, and the treatment of the small community living ~Censored~ is often pungent and distinctive.