A haughty politician, on seeing a satirical cartoon in a newspaper, rushes to the paper's offices to shoot the cartoonist. On discovering the cartoonist is a pretty woman, he falls instantly in love and wastes no time in trying to woo her.

An upper class drawing room. A gentleman breaks the curtain pole and goes in search of a replacement, but he stops into a pub first. He buys a very long pole, and causes havoc everywhere he passes, accumulating an ever-growing entourage chasing him, until he escapes them through a bit of movie magic, only to discover that the pole has already been replaced.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

George Redfeather, the hero of this subject, returns from Carlisle, where he not only graduated with high honors, but was also the star of the college football team. At a reception given in his honor by Lieut. Penrose, an Indian agent, the civilized brave meets Gladys, the lieutenant's daughter, and falls desperately in love with her.

A group of collegiates decide to go for a splash. A lunatic, having escaped from a nearby asylum, heads for the surf, brandishing a knife. Innocent seaside fun becomes a struggle against a maniac on the water.

A young woman (Linda Arvidson) is kidnapped by a band of opportunistic Chinese slavers, led by devious Pong Lee (Harry Solter). A resourceful female police operative (Marion Leonard) is determined to rescue her, and tracks the mastermind of the kidnap plot, Hendricks (George Gebhardt). Though successful in her rescue effort, the rescuer ends up being made a prisoner herself. The slavers plan to make her the victim of a pistol shot to be triggered by the hands of a clock. The heroine is rescued by police seconds before the hands of the clock reach the "fatal hour".

Old Ezra Perkins, his wife Matilda, and an English gentleman named Reggie take a "rubberneck" sightseeing tour of New York’s Bowery district. Led by a fast-talking guide, the naive visitors are tricked into a series of staged, dangerous scams that include a fake suicide, broken dishes, a sausage machine accident, and a fake murder in a saloon that makes them flee in terror leaving their money behind.

A thug accosts a girl as she leaves her workplace but a man rescues her. The thug vows revenge and, with the help of two friends, attacks the girl and her rescuer again as they're going for a walk. This time they succeed in kidnapping the rescuer. The girl runs home and gets help from several neighbors. They track the ruffians down to a cabin in the mountains where the gang has trapped their victim and set the cabin on fire.

The amateur dramatic society chooses the Joneses' residence as the location of its next meeting, and both Joneses catch 'the acting bug' in this split-reel subject.

A Boer woman and her daughter are captured by Zulu warriors.

Based on Shakespeare's play. Petruchio courts the bad-tempered Katharina, and tries to change her aggressive behavior.

Adaptation of a poem written by Thomas Hood.

Mr. Jones at the Ball is a 1908 American silent short comedy film, part of the once-popular Biograph series centered around the titular Jones and his long-suffering wife. In this film, Jones rips his suit pants and chaos ensues.

A young couple are enjoying a romantic interlude in the young woman's home, when her father discovers them and angrily chases the young man out of the house. They thus decide to elope, and they make plans accordingly. But as they are leaving, a thief discovers their plans, and he decides to turn the situation to his own advantage.

After a judge (Harry Solter) does his job and sentences a man, a gypsy woman (Marion Leonard) erupts in vehement protests and has to be taken forcefully out of the courtroom. Later the gypsy follows the judge to his home and plots a vicious revenge on his wife (Florence Lawrence).

A woman who is filled with romantic ideas is making no secret of her eagerness to find a husband. Her father decides to help her by pressuring and threatening an eligible bachelor, who reluctantly allows wedding plans to be made.

At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.

This early D.W. Griffith short shows the director's interest in Jewish ghetto life, portrayed here with sympathy and sentimentality. The melodramatic plot involves the conflict between generations in an immigrant Jewish family.

Mrs. Wharton, a dashing widow, gives a party at her beautiful villa in honor of the presentation to her of a handsome diamond necklace by her fiancé. During the evening bridge participated in by a number of the guests, among whom is Myrtle Vane. Miss Vane is playing in wretched luck, and is advised several times by Mrs. Wharton to desist, but she still plays on in the vain hopes of the tide of fortune turning, until at last, in the extreme of desperation, she stakes her all and loses. Shame and disgrace stare her in the face. What can she do to recoup her depleted fortune? As one of the guests there is Professor Francois Paracelsus, the eminent palmister, who of course, was called upon to read the palms of those present. Sheets of paper were prepared and each imprinted their hand on a sheet to be read by the erudite soothsayer at his leisure, and so were left on the drawing room table.

The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.