The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

Or "Moe in Bondage" - The "Moe" of the title is the Velvet Underground's drummer, Maureen Tucker, whose band-mates have tied her to a chair and are now hanging around nibbling on sandwiches and pieces of fruit.

The Velvet Underground's first public appearance, filmed in Super 8 at a Psychiatrist's Convention, at the Delmonico Hotel, New York, January 14, 1966. Andy Warhol was invited to speak at the annual banquet of the New York Society for Clinical Psychiatry. He brought along the Velvets and other factory regulars.

Velvet Underground's first public appearance.

Two nuns take a bath, then meet a sailor on the Staten Island Ferry.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

Writer-director Pablo Agüero's feature debut follows Inti (Joaquin Aguila), a 6-year-old boy caught up in the madness of post-"Dirty War" Argentina. Upon her release from prison, Inti's mother, Alba (Dolores Fonzi), a former dissident, whisks him away from his grandmother's care. Still unsure of her own direction in life, Alba takes Inti to live in a hippie commune in Patagonia. Velvet Underground founder John Cale co-stars.

A rock star falls in love with a common pickpocket without any personal history. But soon she finds herself in a contraband of drugs and both try to escape it.

This feature-length documentary is a cinematic biography of a song. Inspired by "The Holy or the Broken," Alan Light's critically acclaimed book, it is a definitive exploration of Leonard Cohen's "Hallelujah."

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.

Esther Robinson's portrait of her uncle Danny Williams -- Warhol's onetime lover, collaborator and filmmaker in his own right -- offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.(from imdb)

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

Feature documentary on the pioneering life and work of iconoclastic filmmaker/musician/composer/artist Tony Conrad.