A girl from the wrong side of the tracks is torn between true love and a life of sin.

World War I drama about a soldier and the wild horse he befriends.

A stranded actress turned manicurist affects the lives of people in a small American town.

Barbers Willy Nilly and Hercules Glub have opened a barbershop in an Indian reservation, where they have no customers. When suddenly a white man asks for a shave, several Indians of the Oopadoop nation also enter, hearing the usual barbershop banter about foreign debts, they force them to be ambassadors of their nation at the Peace conference in Geneva. Ammunition industry executive Winkelreid is scheming to prevent their mission becoming an success, but the vamp Dolores aboard the ship fails, falling in love with Nilly, and so does Fifi, the toughest person of the world in Paris, falling for Glub. Although Winkelreid is able to steal their secret papers, Nilly and Glub don't give up after being reminded by constant observation of their Indians and enter the Peace conference, which turns out to be a battlefield...

While breaking into a bank safe, a gangster overhears a bank employee singing and decides to put her in a Broadway revue

Radio singer Glory Eden is publicized as the ideal of American womanhood in order to sell the sponsor's product Ippsie-Wippsie Washcloths. In reality, Glory would like to at least sample booze, jazz, gambling, and men. When the strain of representing "purity" brings her to rebellion, the sponsor and his nutty henchmen pick her a public-relations "sweetheart" from fan mail, who turns out to be a hayseed.

Hips, Hips, Hooray! is a 1934 slapstick comedy film starring Bert Wheeler, Robert Woolsey, Ruth Etting, Thelma Todd, and Dorothy Lee.

A young man ruthlessly climbs the corporate ladder only to attempt suicide when the stock market crashes.

A young woman's ambitious boyfriend falls for a ditzy socialite.

After tricking him into marriage, a woman tries to win the love of her philandering husband.

Virginia, who studies at a boarding school for upper-class girls, falls in love with a medical intern who works as a waiter for a living. Both the director of the school and her mother oppose such a relationship.

"Dr. Cyclops" is known as one of the better "early sci-fi" films, made in '39 and released in 1940. (It is also in color.) But while the story has potential and there are some good moments, this is a very confused film.
The plot is simple - crazy mad scientist on some remote island can shrink animals, and wants to try it on humans. He manages this on a scientific team that came to check things out. They get angry, and the crazy scientist eventually gets really angry because his new shrunken subjects won't cooperate.
The thing is, the film doesn't seem to know if it wants to be a thriller, or a goofy movie. Dr. Cyclops (never called that but referenced to a Cyclops after one lens in his glasses breaks) looks cool in his "30's style sci-fi helmet" as he performs experiments and can be chilling at times. But there is so much "Disney-style goofy music" going on that it is hard to take anything seriously. The music belongs in a family comedy for the most part, and is played when the shrunken people do things like try to survive, and creep around the floor. Add that a few of them have pretty gruesome deaths and that just adds to the confusing atmosphere.
The FX aren't so bad but nothing special. The giant sets built are pretty impressive though. There is a scene where little fires are tossed at a real crocodile's head which probably made animal activists angry.
It also takes a long time for anything to really happen. This movie could have been done in a nice tight half-hour. Good for a viewing, but you probably won't watch again. The performance of the guy who plays Dr. Cyclops is definitely the main attraction.

A World War I British Army patrol is crossing the Mesopotamian desert when their commanding officer, the only one who knows their destination, is killed by the bullet of unseen bandits. The patrol's sergeant keeps them heading north on the assumption that they will hit their brigade. They stop for the night at an oasis and awaken the next morning to find their horses stolen, their sentry dead, the oasis surrounded and survival difficult.

Carl Bellairs and Lindsey Lane, his daughter, meet many years after he deserted her and her mother. They don't much like each other, but wind up working in the same nightclub. Bellairs discovers he has some fatherly instincts and Lindsey that he's not as useless as a parent as she thought.

Eva Lovelace, would-be actress trying to crash the New York stage, is a wildly optimistic chatterbox full of theatrical mannerisms. Her looks, more than her talent, attract the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom or the "casting couch"? Will she fade after the brief blooming of a "morning glory"?

Three outlaws on the run discover a dying woman and her baby. They swear to bring the infant to safety across the desert, even at the risk of their own lives.

Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, even though she is already engaged. His Yankee Clippers band is hired to open the new Hotel Atlântico in Rio and Roger offers to fly Belinha part way home. After a mechanical breakdown and forced landing, Roger is confident and makes his move, but Belinha plays hard to get. She can't seem to decide between Roger and her fiance Júlio. When performing the airborne production number to mark the Hotel's opening, Júlio gets some intriguing ideas... Written by Gary Jackson <garyjack5@cogeco.ca>