In his 1988 film Summer of No Return, George had to make the beautiful lead actress disappear, So, thanks to her, the plot advanced considerably.

"In the late spring of each year the Great Plains states of the U.S. experience a season characterised by destructive tornadoes of awesome force. This is the time of year when the underground film- and video-maker George Kuchar leaves his San Francisco home to make his annual pilgrimage to the nidus of these frightening storms. As hail and twisters batter the heartland, Kuchar holes up with his video camera in an inexpensive motel room somewhere in the vast prairies of Oklahoma and waits." - Jesse Lerner, Storm Squatting at El Reno (at cabinetmagazine.org)

A man, his dog, and the regions they inhabited, each leaving his own distinctive mark on the landscape. Not even time can wash away the residue of what they left behind.

Featuring Donna Kerness, Bob Cowan, Mike Kuchar, Cynthia Mailman, George Kuchar & Larry Leibowitz.
Preserved by Anthology through the Avant-Garde Masters program funded by the Film Foundation and administered by the National Film Preservation Foundation.
“LUST FOR ECSTASY is my most ambitious attempt since my last film…. I wrote many of the pungent scenes on the D train, and when I arrived on the set I ripped them up and let my emotional whims make chopped meat out of the performances and the story…. Yes, LUST FOR ECSTASY is my subconscious, my own naked lusts that sweep across the screen in 8mm and color with full fidelity sound.” – George Kuchar

Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.

An actress and a director run through a melodramatic scene, speaking to a mannequin.