It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.

Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners' children pick on him and adults condemn him as no’ right . But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.

Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst’s The Line of Beauty , it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.

From the Booker-winning author of Shuggie Bain and Young Mungo comes a vivid, moving, and beautifully crafted novel following a young man returning to his Hebridean island home, a portrait of a close-knit community and a fraying family, of a father’s expectations and a son’s desires

Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the island of Harris to find that little has changed except for him. In the windswept croft where he grew up, Cal begrudgingly resumes his old life, stuck between the two poles of his childhood: his father John, a sheep farmer, tweed weaver, and pillar of their local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian who has kept a faltering peace with her son-in-law for several decades. Cal wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair and how he seems unwilling to be Saved. As lambing season turns to shearing season, everything seems poised to change as the threads holding together the fragile community become increasingly knotted.

John of John is a singular novel about duty and patience and the transformative power of the truth. It is a magnificent literary work that shows Douglas Stuart working at an even higher level of artistic creation.