At 38, Seiu marries Masako, who is emotionally distant and attempts suicide. Masako’s past includes being sold into servitude and an unrecognised pregnancy. Seiu learns the truth and accepts Masako and the unborn child, embracing his roles as husband and father. He also reforms a troubled youth at his institution. In a climactic speech, Seiu inspires his students with resilience and love.

Living Things a film by Heinosuke Gosho

Based on an original story by Yojiro Ishizaka, this well-made drama is set in a Christian school in a beautiful northern harbor town. Teacher Masaki (Obinata) speaks up for Keiko, one of the girls at the school, every time she causes problems because he feels sorry for her, a child born out of wedlock. Sumi (Natsukawa), one of Masaki’s colleagues and who is secretly in love with him, strongly disagrees with him about Keiko. Then Sumi hears a rumor that Keiko is pregnant with Masaki's child . . . .

Kenji and Chuko travel to Hokkaido as migrant workers and enlist as miners under the strict leadership of Guzuyasu. On the boat journey to Hokkaido, Kenji attracts Ohama, who is travelling to Hokkaido to open a bar. When Kenji visits the bar, he chases away a sailor who was hassling a shy girl, Ofuji, which makes Ohama jealous.

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

A young man discovers that the woman who raised him is his stepmother. His stepbrother, who is unaware of the revelation, resents his mother for always punishing him more severely than his stepsibling.