Leonora, a 16 year old teenager with a dangerous gift, when she draws a person, either by divination or by the action of the same drawing this person dies. Grandma knows and doesn't want to expose the world to such evil power. Leonora lives locked at the top of a huge apartment building believing that she's a Princess and the world is full of monsters and other dangers so she thinks one day her Prince savior will come.

Julia is a single mother who takes care of Camila, her 10 year old daughter who suffers from a borderline disorder. After experiencing a crisis where Camila gets hurt, Julia makes a decision which will change her relationship with her daughter and with herself.

Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.

1993 film by Alejandro Pelayo

Claudia is a troubled teen confined in a very particular support center ruled with roughness by renowned psychiatrist Bernarda Alquicira. Coexisting with girls who have experienced similar trances, Claudia confronts horrible visions of Andrea, a beautiful intern who committed suicide a year ago. Another strange patient -Josefina- and doctor Lucia Franyutti -the right arm of Bernarda- seem to know the key to the bizarre return of Andrea, but even they are disturbed by the supernatural events that take place when the wind starts to blow.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

Oshinica Mataraso and Rifke Groman are from two families from Europe: the Mataraso are Sephardic who came to Mexico after being expelled by the Catholic Monarchs, and the Groman are Ashkenazi and their lineage had to face the Holocaust. Oshinica and Rifke are Mexican-born Jews, although they feel treated as foreigners. Anxious to find their identity, Oshi and Rifke confront the traditions of their relatives.

Adolescence can be tough, especially for young queer people who haven’t quite figured it out. We Will Never Belong charts one teenager’s quest for the truth with style and grace. Emi has recently discovered that her mother is in love with another woman, and Emi’s not handling it well. She retreats to the community, where she was born, to stay with her father and his new family and to spend time with her maternal grandmother. Things are much less confusing at her father’s, at least until her extremely intriguing stepsister shows up. Emi soon begins to understand why her mother living her life authentically was so difficult to face. With nuanced performances and gorgeous cinematography, We Will Never Belong deals with complicated family and identity issues, and does so with incredible thoughtfulness and care.