Nora and Peter constantly fight and wish to divorce. Nora's uncle Eberhard, however, believes the two belong together and comes up with a plan to bring the two back together again: as a lawyer, who is processing the divorce, he explains to them that the paperwork for the divorce is completed, but will only go into effect once they undertake a reconciliation attempt. For the first reconciliation meeting, Eberhard enlists the help of his friend Christa and together, they turn Nora into such a hot tamale, that Peter burns with jealousy that any other man might look at her. At the second meeting of the two, which takes place a year later (how long do divorces in Nazi Germany take?!?!), Nora plays the girl abandoned by everyone. In the interim, she's given birth to Peter's son -- which apparently does not count as a reconciliation -- and Peter has become a successful composer. When Nora again disappears after this meeting, Peter does all he can to win her back.

This semi-musical stars Lenv Marenbach as Jana, a naïve farm girl who falls in love with a neighbor boy. It isn't long before she realizes that the romance is a mistake, but by now the couple is engaged. At the very last moment, Jana balks at the altar and runs off with her true love, her fiance's brother. This is the German-language version of the Czech film, JANA, starring Helena Busova.

Christian Kempenich, a pedantic law firm manager, attends a christening in Cologne, leading to a boozy night. He wakes up in a stranger’s bed and is accused of stealing bed linen from the hotel. Meanwhile, his wife Hedwig had her own fling and wants to keep it secret. When she learns of Christian’s predicament, she reveals her affair during a heated discussion. Realising their marriage is at risk, they decide to work on their relationship.

1937 film directed by Joe Stöckel