拉文因为网赌把未婚妻的婚戒输了，只能想办法把自己做的精致木床拿去卖掉换钱，赎回婚戒，背着木床一路跋涉的他，遇到了一系列有趣的人与事，有跟女友打野战的大屌男，有寂寞难耐想红杏出墙的警长夫人，还有一群沉醉在酒色之中开淫趴的00后学生男女...

2011 film by Wincy Aquino Ong

2014 film by Mae Czarina Cruz-Alviar

2014 film by Antoinette Jadaone

Gold在消失数月后重新出现。他的车在偏远地区抛锚了。他在一所房子里遇到了奇怪的人。他在车里醒来，怀疑这是梦还是现实。

The Philippines, 1974: as Marcos’ oppressive regime becomes increasingly entrenched after he imposed martial law in 1972, Servando Monzon III, heir to his powerful clan’s hacienda and family business, refuses to capitulate to the dictator’s plans to control the country. In this adaptation of Ricardo Lee’s short story and screenplay Servando Magdamag, Lav Diaz, the unrelenting and incisive prober of Philippine history’s shadowy areas, offers a film of epic proportions. The aim, as unequivocally indicated by the title, is nothing less than to scrutinise Filipino violence and explore its roots from Spanish colonisation to the present day. Feudalism and power struggles are closely examined. Borne aloft by a remarkable cast – John Lloyd Cruz in the main role is a huge television and film star in the Philippines – this “sine novela”, according to the opening credits, mixes up the codes of the telenovela with Lav Diaz’ ostensibly very different filmmaking. The story unfolds of the mutual relationships of a profusion of characters over time, shot in the sumptuous black and white that is now the stuff of most of his movies. The filmmaker himself frames these magnificent shots that stretch out, sensuous experiences of living tableaux attentive to the bodies set in a place as well as to the languages used, to the inner movements and down-time. In this film that’s both a tragic saga set in the past and the tale of an “endless nightmare”, Diaz takes on a dual allegorical dimension – the figures of the philosopher and the blind man – and an informative one, like the revolutionary education meetings that pepper the story. This “tale of violence” is also an epic with very contemporary resonances, as the recent election to the presidency of another Marcos, a devoted son of the previous president, reminds us. (Nicolas Feodoroff)
源自：