Set in Brussels, where Suzanne Beulemans, the daughter of a rich brewer is promised to marry Séraphin Meulemeester, the son of a rival brewer. The young man and his father both seem particularly motivated by the dowry of the young fiancée. But Séraphin has a rival in Albert Delpierre, a young Frenchman who is learning brewery from Ferdinand Beulemans and who is discreetly enamoured with the young woman. Albert learns Séraphin's secret that he is having an affair with a worker and that they have had a child. He promises Séraphin that he will never reveal any of it to Suzanne, but she is told by Isabelle, her maid.

Alfred Boulard, a good-natured electrician, gives his blood to save Mona Thalia, a great theater actress. Mona Thalia survives and Boulard becomes the man of the hour. Grateful to him, Mona helps Alfred to become a singing star. But his fame will be short-lived.

Bastien and Ségard decide to leave France for Canada. They buy tickets aboard a rickety craft, the Tenacity, that never quite seems able to leave port. While stuck there they both fall for the innkeeper's daughter, which causes them to rethink their Canadian notions.

A neglected Baroness falls in love with her oldest son's military officer friend, their adulterous romance leading the two to flee to Algeria.

In the absence of his wife, a clarinet player is induced by a friend to meet a call girl, but arrived after a crime. Perceived by some people leaving the scene of the crime covered by his raincoat, he became the only suspect for the police. His only hope is to discover the murderer before is name is mentionned publicly, specially in front of his wife.

A girl in search of sailors lost in the Pacific.

Framed for two crimes he didn't commit, and betrayed by his girl, Cliff Banks finds himself on the run from the police. Now distrustful of everyone, he finds a safe haven hiding out at a quaint country cottage under the care of a kindly old farmer and his daughter, a Cinderella-like blind woman who seems to be able to communicate with nature. There he is forced by their love to question his misanthropy.

A condemned murderer named Clement is "liberated" when the Nazis bomb the French jail that holds him. During his escape, Clement comes across the body of a French soldier; he steals the dead man's uniform and identification papers, then hides from the law by joining the Resistance movement. Clement's new identity and purpose in life reforms him, and in due time he has sacrificed himself in service of his country.

Au Royaume des Cieux takes place in in a dreadful girls' reformatory. A couple of lovers will try to escape from this living hell.

Lydia MacMillan, a wealthy woman who has never married, invites several men her own age to her home to reminisce about the times when they were young and courted her. In memory, each romance seemed splendid and destined for happiness, but in each case, Lydia realizes, the truth was less romantic, and ill-starred.

When one of their number tries to tear away the veil from the face of a woman of Morocco, five French tourists find themselves cursed by an Arabic sorcerer to die in a specified order before the next new moon appears - and one by one, in different ways, they begin to die as predicted...

Georges Dewalter, un homme ruiné, sur le point de quitter la France, passe pour richissime, grâce à une automobile Hispano-Suiza qui lui a été prêtée, au moment où il rencontre Lady Stéphane Oswill, une femme riche mal mariée à un homme brutal. Ils tombent amoureux.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

Lily is in love, but with a man she has never seen. She and Erich both work as switchboard operators, she in Paris, he in Berlin. They talk to each other every day and now they are hopelessly in love. Finally, they decide to meet up in Paris. Lily has a photograph of Erich and so is surprised when the man who meets her at the station looks nothing like the man she had been expecting. Not realising that the man is an impostor, Lily allows herself to be courted by him. Meanwhile, Erich has mistaken another woman, Annette, for Lily, and ends up seeing far more than he expected to on a first date. The weekend adventure over, Lily and Erich return to their humdrum lives, only to be dismissed by their employers for their unorthodox method of cementing Franco-German relations over the phone. Just when all seems lost, Fate conspires to bring the two young lovers together...

Prosecutor Etzel discovers that his father has sentenced a man, Leonardo Maurizius, on mere presumptions. He then makes it a point of honor to trace the sources of the case to uncover the truth.

A former professor and devout Catholic living in Jerusalem is unaware that his son supposedly studying in Paris has actually become the leader of an anarchist network under the codename Sirias.

Landry Smith, lives with Minnie, his ward, in Corrèze, in France. Kate Lockwood, his servant, asks Bill Stanley, a sadistic Mexican cowboy, to come kill her master and fins his money. Bill arrives in the area in the same time of Jean Didier, a man whose father suicided because of Landry Smith.

French version of the Selma Lagerlof story, most famously filmed in 1921 by Victor Sjostrom, about a poor sinner who only realizes what misery he's wrought when he dies on New Year's Eve and is collected by Death in his carriage.

Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier’s earlier silent version of 1925, also named Poil de Carotte.
The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.