When the German Afrika Korps smashes through the allied lines in North Africa during WWII, a group of British soldiers are determined to get back to their own lines. Picking up more Allied survivors along the way, their journey is fraught with danger and Germans at every turn.

Deep in the African Congo, revolution rages and explosive documents have fallen into the hands of nationalist guerillas. The Red Berets are the government's only hope of retrieving papers which could change the course of the war.

1969 film directed by Mario Camus

Cliff works as a narcotics investigator for the police and infiltrate a mafia gang. Soon it turns out that Cliff has bigger plans than just to bust bad guys.

Hoping to overthrow his brother as ruler of the planet Metropolis, the evil Graal enlists the help of the insane Dr. Kraspin, who has invented a chemical capable of turning an ordinary person into a perfect soldier. They test this chemical on the pilot Golob, turning the unsuspecting victim into a mindless but indestructible automaton possessing superhuman strength. The people of Metropolis must somehow outwit Graal before he can create an army of these soldiers, or their planet will be destroyed.

After a female art student purchases a life-size wooden sculpture of a crucifixion from an abandoned church, she has a vision of herself being nailed to a cross and soon becomes sexually tormented by the sculpture when it comes to life.

A reporter travels the world's hot spots, looking for lurid stories that usually involve her sexual participation in gaining those behind-the-scenes exclusives.

This film is in a league of it's own: I won't bother to re-state what every other person has already posted regarding the plot. Needless to say it makes no sense what-so-ever in the big scheme of things, but there is plenty of violence and preposterous characters such as the "Crystal Skull" liven things up no end. The best line in the whole film has to be "We can't move; we're immobilised" (by an invisible force field), so how come he can still move his jaw to speak? As I say ultimately in a league of it's own and one of the best examples of how practically any script was considered during the 80's as a potential blockbuster!

A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HORSE, which I liked better. Ivan Rassimov is pretty good as the photographer, but it is Me Me Lai as the chief's daughter who is memorable and great. I have always been a Me Me Lai fan ever since her breathtaking performance in JUNGLE HOLOCAUST and she is never given credit for her acting chops because she hardly speaks in her films. She is still very talented and charming. Lots of real animal mutilation is the one thing about DEEP RIVER that could make it a horror film, but even that doesn't execute well.
THE MAN FROM DEEP RIVER is good to see for those who want to see what started the cannibal subgenre, but as an entry in the genre, is easily eclipsed by Deodato's entries and even Lenzi's own later entries. Recommended only for completists and Me Me Lai fans.

”Candelabra-bearing Evelyn Stewart and her guests have a procession through an old basement filled with festive costumes and spirits of death.“

A woman's search for her missing sister leads her to the jungles of New Guinea, where she and an expatriate guide encounter a cult leader and flesh-hungry natives.

Emanuelle Around the World (Emanuelle - Perché violenza alle donne?), also known as The Degradation of Emanuelle and Emanuelle Versus Violence to Women, is a 1977 sexploitation film by Italian director Joe D'Amato, starring Laura Gemser and George Eastman. The film was one of the most expensive films ever made in Italy at that time, not just in cast but in locations. The filming was done in many countries; Hong Kong, Iran, India, America and in a studio in Italy. It features a notable cast, including Gemser, Karin Schubert, Ivan Rassimov and Eastman.

An oil prospector escapes from capture by a primitive cannibal tribe in the Philippine rain forest and heads out to locate his missing companion and their plane to return home.