In the Flat Field was released on 3 November 1980 by record label 4AD. It was met with a negative response from critics, but topped the UK Independent Albums Chart and made the UK Albums Chart for one week, peaking at No. 72.
The album was first released on CD by 4AD in April 1988, with eight bonus tracks including three non-album singles: "Dark Entries", "Terror Couple Kill Colonel" and a cover of T. Rex's "Telegram Sam." Five of these bonus tracks had been previously compiled on the 4AD EP in 1983.
On 19 October 2009, 4AD/Beggars Banquet reissued the album as an "Omnibus Edition", featuring the 24-bit John Dent remastered CD of the original nine-track album in a replica mini-LP sleeve (with corresponding inner sleeve featuring the lyrics), plus a 16-track bonus disc of singles, outtakes, alternate recordings and original versions. The set came inside a semi-long box, coupled with a 48-page book that included comments from band members, photos, complete lyrics, complete tour date information for 1979 and 1980, and an essay by Andrew Brooksbank on the formation and creation of the band, the singles and the album.
or journalist Andy Gill, the dark atmosphere of the record was reminiscent of previous works by groups like Siouxsie and the Banshees, Adam and the Ants, and Joy Division. In his AllMusic review, critic Ned Raggett described Bauhaus as a "glam-inspired rock band", said that singer Peter Murphy channeled both Iggy Pop and David Bowie, and compared Daniel Ash's guitar playing to Mick Ronson's. Raggett noted that the album concluded with "a dramatic ending" with the song "Nerves"

Third full-length, originally released in 1982, and their first for A&M in the States. Opening with a shredding run through the Brian Eno track "Third Uncle", featuring some of Daniel Ash's most thrilling guitar work and Peter Murphy's strongest lyrical content yet. Limited edition.

Bauhaus expanded their style a bit on Mask, particularly by incorporating keyboards and acoustic guitar on songs such as "The Passion of Lovers", and funk rhythms and saxophone on tracks like "Kick in the Eye", "Dancing" and "In Fear of Fear".
The album cover is a drawing by guitarist Daniel Ash. The original artwork for the album was a gatefold sleeve with blue text on the inside and a stark black-and-white image of the band. On later editions this inside was replaced with white text and a montage from the promotional video for the song "Mask".
In his retrospective review of the album, Ned Raggett of AllMusic called the album "arguably even better than the band's almost flawless debut".Trouser Press described the album as "[Bauhaus'] finest achievement".[6] The album was also included in the book 1001 Albums You Must Hear Before You Die. In the album's entry, Australia's Fiend Magazine editor and contributing critic Alexandra Heller-Nicholas wrote that "The sounds were harder edged than those of Bauhaus' debut, but the introduction of more pop-friendly melodies helped to make Mask digestible for a mainstream audience."

CD single for their most famous song, backed with 'Boys'.Slimline jewel case. 1979 release on Small Wonder, reissuedon CD in 1988 for the label.

1988 reissue on Beggars Banquet of their final studio album from 1983 with four bonus tracks not on the U.S. A&M edition: 'Lagartija Nick', 'Here's The Dub', 'Departure' and'The Sanity Assassin'. 14 tracks total, also featuring the single 'She's In Parties'.

The second 'best of' collection that the goth band released on Beggars Banquet in 1986. 17 tracks, including 'Kick In The Eye', 'Ziggy Stardust', 'Lagartija Nick', 'She's In Parties' and 'Third Uncle'.

Bauhaus 鲍豪斯乐队
鲍豪斯乐队是哥特摇滚的先锋任务，成军于1978年，以一支单曲《Bela Lugosi′s Desd》走入乐坛。乐队的名称由德国同时期的鲍豪斯思想激发灵感，演唱会现场也受到这一风格的影响。主唱Daniel Ash在惨淡的白光下吟唱着阴郁黑暗的歌曲，变幻的鼓声和诡异的吉他传来隐隐的不安。1979年乐队签约4AD唱片公司，陆续推出《Dark Entries》等3支单曲，都传达着恐怖阴森的气息。1980年他们的首张专辑《In The Flat Field》推出，以迷幻独特的风格迅速打入排行榜。鲍豪斯乐队很快又推出第二张专辑《Musk》，并且在很大程度上扭转了乐队的音乐方向，少了些疯狂，多了些成熟冷静。专辑中更多的重金属和舞曲元素使他们更容易被大众所接受。1983年，由于主唱Daniel Ash和贝司手David Jay之间产生了严重的分歧，导致了乐队的解体。
主要专辑 《Must》 1981年
《Press The Eject And Give Me The Tape》 1982年
《Burning From The Inside》 1983年
发展时间 1979~1983
主要成员 Daniel Ash、David Jay、Kevin Hashins、Peter Murphy
专辑我听了，感觉有些闷，个人还是更倾向于DCD CT之类的类型···

1988 reissue on 4AD of their debut with eight bonus tracks: 'Dark Entries', 'Telegram Sam', 'Rosegarden Funeral Of Sores', 'Terror Couple Kill Colonel', 'Scopes', 'Untitled', 'God In An Alcove' and 'Crowds'. 17 tracks in all. First released in 1980 on 4AD.

Bauhaus重组，2008新专辑！

Bauhaus魅力無窮，重組演出震撼人心！

Fourth release, originally released in 1983, this managed to succeed despite massive setbacks and features some of the strongest performances of the band's career.

UK edition of 1992 live release now out-of-print in the U.S.. A soundboard recording made by the band's loyal soundman Pete 'Plug' Edwards. 23 gothic-rock classics including, 'Burning From The Inside', 'Stigmata Martyr' and of course 'Bela Lugosi's Dead'. Recorded live at the Hammersmith Palais, London on July 5th, 1983. Slimline double jewel case.

1989 Beggars Banquet release of the influential goth band's'Swing The Heartache: The BBC Sessions', a collection of 18tracks from their five sessions for the BBC between 1980-1983. Out of print in the U.S., it includes 'Telegram Sam','In The Flat Field',