标签: “naomi”
面纱 (2006) [电影] 豆瓣 TMDB
The Painted Veil
8.1 (533 个评分) 导演: 约翰·卡兰 演员: 爱德华·诺顿 / 娜奥米·沃茨
其它标题: 페인티드 베일 / The Painted Veil
电影讲述了20年代一对年轻的英国夫妇来到中国乡村生活的故事,在这美丽却凶险的环境中,他们经历了在其英国家乡舒适生活中绝对无法想象和体验的情感波澜,并领悟到了爱与奉献的真谛。故事以女主角吉蒂开篇,为了逃离20年代伦敦浮华却又空虚的社交圈,也为了防止自己变成一位老姑娘,吉蒂接受了沉默寡言的医生沃特·费恩的求婚。费恩在把吉蒂带到上海后,便迅速地投入到了他的细菌学研究中去。孤独的吉蒂和迷人的已婚男子查理·唐森发生了婚外情,当费恩发现时,他羞恨交加。为了报复,也为了重整自己的生活,费恩决定孤注一掷,带着吉蒂远走霍乱肆虐的偏远城镇。沃特从一尘不染的研究室走向了瘟疫流行的最前线,他慢慢地协助控制了当地的疫情。吉蒂则开始在一家由法国修女住持的修道院兼医院中做义工,并逐渐找回了生活的勇气和意义。沃特和吉蒂终于可以互相敞开心扉,但就在他们日渐亲密的同时,沃特染上了霍乱。沃特的生死决定了他们新近迸发出来的激情能否转化为永恒的爱情……
坦克女郎 (1995) [电影] 豆瓣 TMDB
Tank Girl
6.3 (20 个评分) 导演: 瑞秋·塔拉蕾 演员: 罗莉·佩蒂 / 娜奥米·沃茨
其它标题: 탱크 걸 / タンク・ガール
  2033年的未来,由于彗星的撞击,地球成为沙漠废土,整个星球已经11年没有下过一滴雨。水威力公司控制仅存的水资源号令天下,不从者要被榨干水分而死。坦克妹蕾贝卡的反抗军朋友被水威力公司悉数杀害,坦克妹被关进集中营。为了给朋友报仇,坦克妹与飞机妹联手越狱,夺走一辆坦克和一架飞机,率领一群变异基因袋鼠人展开绝地反攻,打垮水威力公司拯救地球。   根据英国流行cult漫画改编,一部古灵精怪的后启示录/反乌托邦朋克电影。
Turn Turn Turn [音乐] 豆瓣
8.5 (12 个评分) Naomi & Goro
发布日期 2002年1月1日
Naomi & Goro是一对年轻充满阳光气息的Bossa Nova男女组合,演出者是Naomi和Goro。女声主唱Naomi是日本人,吉他手Goro Itou是日裔巴西人。人声与吉他和弦虽然是轻缓的、简单的,但是却很容易把人们的思绪带到金黄的Ipanema海滩…… S\gP=.G
日本人对于Bossa Nova是很狂热的,甚至于比南美人更狂热,Bossa Nova艺人在日本是一种专门的职业,受到广泛的重视和尊敬。他们的Bossa Nova女王小野丽莎便是一个例子。但是这对年轻的组合Naomi & Goro比起小野丽莎,的确显得稚嫩和单薄一些,但是风格却更显得青春阳光。 X{9o8 *V
Bossa Nova所散发的魅力在于调调中流淌的巴西的野性气味,律动着桑巴的节奏脉搏,同时又融合了jazz的温婉,轻快的节奏中带有浓厚的地中海风情,有内涵,却不激烈;慵懒,却不颓废。饱受了紧张生活节奏的摧残,我们应该享受一下Bossa Nova所带来的和煦慵懒,陶醉在这种音乐形态中,一切都变得悠闲惬意,细胞也会情不自禁地开始跳舞,的确很是惬意。
NO LOGO [图书] 豆瓣
7.8 (12 个评分) 作者: [加拿大] 娜奥米·克莱恩 译者: 徐诗思 广西师范大学出版社 2009 - 5
品牌、LOGO、广告和赞助在我们的生活中已无孔不入……在当下的中国,品牌和广告无所不在,存在于各种公共空间里,无论是电视、报纸、户外、电梯、大堂还是洗手间你都能看见企业广告。
《NO LOGO》一书,让读者大众看到这些打造品牌的跨国企业背后,出现了什么样引人讨伐的勾当。本书主要探讨全球化的黑暗面、探讨跨国企业如何将品牌不断地深入消费者的私领域、探讨跨国企业如何剥削第三世界的人民以图自身利润。此书中剖析知名品牌如何征服世界,对此现象提出深刻反思,也分析反全球化的风潮将如何反扑。反对LOGO就是向NIKE这样的跨国大公司争取工资、争取工作、争取公共空间。
这本书促生了一个新族群,NONO族,即远离和唾弃名牌,不靠名牌来显示社会地位,他们提倡简约,崇尚自然,回归纯真的“新节俭主义”生活。
The Shock Doctrine [图书] 豆瓣 Goodreads
作者: Naomi Klein Metropolitan Books 2007 - 9
The bestselling author of No Logo shows how the global free market has exploited crises and shock for three decades, from Chile to Iraq
In her groundbreaking reporting over the past few years, Naomi Klein introduced the term disaster capitalism. Whether covering Baghdad after the U.S. occupation, Sri Lanka in the wake of the tsunami, or New Orleans post-Katrina, she witnessed something remarkably similar. People still reeling from catastrophe were being hit again, this time with economic shock treatment, losing their land and homes to rapid-fire corporate makeovers.
The Shock Doctrine retells the story of the most dominant ideology of our time, Milton Friedman s free market economic revolution. In contrast to the popular myth of this movement s peaceful global victory, Klein shows how it has exploited moments of shock and extreme violence in order to implement its economic policies in so many parts of the world from Latin America and Eastern Europe to South Africa, Russia, and Iraq.
At the core of disaster capitalism is the use of cataclysmic events to advance radical privatization combined with the privatization of the disaster response itself. Klein argues that by capitalizing on crises, created by nature or war, the disaster capitalism complex now exists as a booming new economy, and is the violent culmination of a radical economic project that has been incubating for fifty years.
From Publishers Weekly
The neo-liberal economic policies—privatization, free trade, slashed social spending—that the Chicago School and the economist Milton Friedman have foisted on the world are catastrophic in two senses, argues this vigorous polemic. Because their results are disastrous—depressions, mass poverty, private corporations looting public wealth, by the author's accounting—their means must be cataclysmic, dependent on political upheavals and natural disasters as coercive pretexts for free-market reforms the public would normally reject. Journalist Klein (No Logo) chronicles decades of such disasters, including the Chicago School makeovers launched by South American coups; the corrupt sale of Russia's state economy to oligarchs following the collapse of the Soviet Union; the privatization of New Orleans's public schools after Katrina; and the seizure of wrecked fishing villages by resort developers after the Asian tsunami. Klein's economic and political analyses are not always meticulous. Likening free-market shock therapies to electroshock torture, she conflates every misdeed of right-wing dictatorships with their economic programs and paints a too simplistic picture of the Iraq conflict as a struggle over American-imposed neo-liberalism. Still, much of her critique hits home, as she demonstrates how free-market ideologues welcome, and provoke, the collapse of other people's economies. The result is a powerful populist indictment of economic orthodoxy.
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