流行组合Chairlift前成员Caroline Polachek全新专辑Pang将于10月18号正式发布

夏洛特·埃瑪·艾奇遜，藝名酷娃恰莉，是一名英國歌手和詞曲作家，出生於英國劍橋。 恰莉於 2008 年發布了自己的第一支獨立單曲，並在倫敦的倉庫舞會首次表演。她於 2010 年與 Asylum Records 簽約，並發布了分別名爲 "Heartbreaks" 和 "Earthquakes" 混音帶。"

FKA twigs ends months of speculation by announcing details of her highly anticipated second album. Titled MAGDALENE, the album will be released on 25th October 2019 and is the follow up to FKA twigs’ critically acclaimed Brit Award and Mercury Prize nominated debut LP1. Indie edition is pressed on Red Vinyl. Created in a period where her confidence was knocked following heartbreak and laparoscopic surgery, MAGDALENE is the sound of twigs reconfiguring, emotionally and physically. As she sings on ‘Mary Magdalene’, the MAGDALENE album track that opened her highly-praised, sold-out live shows earlier in the year, “A woman’s time / A woman’s work / A woman’s time to embrace / She must put herself first”. MAGDALENE is produced by FKA twigs and, as with LP1, the recording process has been directed by her at every stage. It was recorded between London, New York and Los Angeles over the last three years and features major contributions from Nicolas Jaar alongside a host of other collaborators. MAGDALENE sees FKA twigs creating a whole new artistic universe and it is, without doubt, her most masterful, innovative work to date.

The phantom zone, the parallax, the upside down_there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood, a.k.a. Natalie Mering, has designed her own universe to soulfully navigate life's mysteries. Maneuvering through a space-time continuum, she plays the role of melodic, sometimes melancholic, anthropologist. Tellingly, Mering classifies Titanic Rising - which was written and recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album's willful expansiveness ("You can tell there's not a guy pulling the strings in Enya's studio," she notes, admiringly). The former relays her imperative to connect with listeners. "The clarity of Bob Seger is unmistakable. I'm a big fan of conversational songwriting," she adds. "I just try to do that in a way that uses abstract imagery as well." The Weyes Blood frontwoman grew up singing in gospel and madrigal choirs. (Listen closely to Titanic Rising, and you'll also hear the jazz of Hoagy Carmichael mingle with the artful mysticism of Alejandro Jodorowsky and the monomyth of scholar Joseph Campbell.) "Something to Believe," a confessional that makes judicious use of the slide guitar, touches on that cosmological upbringing. "Belief is something all humans need. Shared myths are part of our psychology and survival," she says. "Now we have a weird mishmash of capitalism and movies and science. There have been moments where I felt very existential and lost." As a kid, she filled that void with Titanic. (Yes, the movie.) "It was engineered for little girls and had its own mythology," she explains. Mering also noticed that the blockbuster romance actually offered a story about loss born of man's hubris. "It's so symbolic that The Titanic would crash into an iceberg, and now that iceberg is melting, sinking civilization." Today, this hubris also extends to the relentless adoption of technology, at the expense of both happiness and attention spans. But Weyes Blood isn't one to stew. Her observations play out in an ethereal saunter: far more meditative than cynical. To Mering, listening and thinking are concurrent experiences. "There are complicated influences mixed in with more relatable nostalgic melodies," she says. "In my mind my music feels so big, a true production. I'm not a huge, popular artist, but I feel like one when I'm in the studio. But it's never taking away from the music. I'm just making a bigger space for myself."

Jacob Collier is an English musician. His music incorporates elements from many musical genres, and often features extreme use of reharmonisation. In 2012, his split-screen video covers of popular songs, such as Stevie Wonder's "Don't You Worry 'bout a Thing", began to go viral on YouTube.

Lover is the upcoming seventh studio album and major-label debut by American singer-songwriter Taylor Swift. It was released on released on August 23, 2019. The album is Swift's first release under Republic Records and Taylor Swift Productions. The lead single "Me!" featuring Brendon Urie of Panic! at the Disco was released on April 26, 2019. The second single "You Need to Calm Down" was released on June 13, 2019. The title track was released as the third single on August 16, 2019. Aside from Urie, Lover also features a collaboration with the Dixie Chicks.

Gabriella Wilson, better known professionally as H.E.R., is an American singer and songwriter. Before gaining notability as H.E.R., Wilson rose to fame by participating in Radio Disney's Next Big Thing in 2009.

Norman Fucking Rockwell is the sixth studio album and fifth major-label record by American singer Lana Del Rey, set to be released in early 2019.[1][2] The lead single, titled "Mariners Apartment Complex", was released worldwide on September 12, 2018, and the album title was announced on September 18, 2018.

i,i is Bon Iver s most expansive, joyful and generous album to date. If 'For Emma, Forever Ago was the crisp, heart-strung isolation of a northern Winter; Bon Iver the rise and whirr of burgeoning Spring; and '22, A Million', a blistering, crazy energy Summer record, i,i completes the cycle: a fall record; Autumn-colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music. The sales and accolades are well-known multiple Gold albums, multiple Grammys, chart-topping collaborations and festival headlines. But even more significantly, with each release Bon Iver quietly shifts the state of modern music. From the boundaries of folk, to the rules of autotune, to production work for others, Bon Iver s fingerprint finds its way across the mainstream every time. Vernon has always been a master collaborator, and on i,i that desire becomes maximal, with guests ranging from Moses Sumney and Bruce Hornsby to Wye Oak s Jenn Wasner and the Brooklyn Youth Chorus. Here, the music and band, and themes, and creative space are bigger than ever.

「thank u, next」is the upcoming fifth studio album by American singer Ariana Grande, set to be released by Republic Records on February 8 , 2019. Its title track was released as the album's lead single on November 3, 2018, with the second single "7 Rings" releasing on January 18, 2019. The album is a follow-up to her fourth studio album, Sweetener (2018).

Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.” Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.” Figuring out her dreams: Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.” Getting out of her own head: Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.” Being a teen nihilist role model: Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?” Embracing sadness: Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.” Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.” Staying present: Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.” Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”

自身のソロデビューアルバムであり、邦楽ポップス史に燦然と輝き続ける名盤=『HOSONO HOUSE』(1973年5月発売)をまるごと新録!『HOSONO HOUSE』とはエイプリルフール、はっぴいえんど、ティン・パン・アレーで活動したのち、狭山市/アメリカ村の自宅へレコーディング機材を持ち込み制作された、細野晴臣初のソロ作品であり、以降の邦楽シーンに多大なる影響を与えた金字塔。2019年にデビュー50周年を迎える細野晴臣が、「HOSONO HOUSE」をいかに新構築するのか? 50周年のキックオフアイテムとしての鮮烈な一撃!

2013年リリース「sakanaction」以来、約6年ぶりとなるオリジナルアルバム。「新宝島」「多分、風。」「陽炎」など 6年間の代表曲に加え、最新音源を多数収録したCD2枚組仕様。 [商品仕様] 通常盤：2CD ※収録されているCDの内容をスマホで簡単再生できる「プレイパス」サービス封入（ダウンロード期間：2020年4月30日まで） ＜CD＞ 「新宝島」「多分、風。」「陽炎」「グッドバイ」「ユリイカ」「さよならはエモーション」「蓮の花」など2013年以降のシングル、 代表曲を網羅しつつ、さらに新曲を多数収録した充実の2枚組。現在、鋭意制作中により、総収録曲数などは後日発表！

椎名林檎、5年ぶりの新作オリジナル･アルバム発売決定！ 昨年、デビュー20周年を記念した作品リリースや全曲ストリーミング配信、アリーナツアーの開催など、 アニバーサリーイヤーを盛り上げた椎名林檎。 その締めくくりを飾り、前作『日出処』より実に5年振りとなるオリジナルフルアルバムをリリース。 デビュー記念日となる5 月27日(月)に発売！ 新作タイトルは『三毒史』。 人の善心を害する三種の煩悩とされる、貪(むさぼり=豚)、瞋(怒り=蛇)、癡(迷妄=鶏)。 それら「三毒」を、本作では全13 曲に編み上げています。 「獣ゆく細道」(w/宮本浩次、日本テレビ系「news zero」テーマ曲 2018～) 「目抜き通り」(w/トータス松本、GINZA SIX オープニングテーマソング2017) 「長く短い祭」(「コカ・コーラ」2015年サマーキャンペーン CMソング) 「神様、仏様」(au スマートフォン「isai vivid」CM ソング2015)他、 2014 年に発表した前作「日出処」以降に制作された番組テーマ/ CM ソング/ドラマ主題歌など お馴染みの楽曲を交えながらも新たに描かれるフルアルバム！ 【初回限定生産盤】 ケース付きハードカバー・ブック仕様 【通常盤】 CDのみ

上原广美，英文名Hiromi，1979年出生于日本静冈。日本新生代爵士女钢琴手，2010年上原广美加入The Stanley Clarke Trio with Hiromi & Lenny White开始北美与日本各地的巡演，2011年2月14日以The Stanley Clarke Band FEAT. Hiromi乐团的成员身份获得「第53届格莱美奖」的「BEST CONTEMPORARY JAZZ ALBUM」的殊荣。

太陽と"雨"をテーマに掲げた、約2年半ぶりとなる待望のオリジナルアルバムを2タイトル同時リリース! 太陽をテーマにした『Sun Dance』には「ONE」を筆頭にしたダンスチューンに加え、「花びらたちのマーチ」「コイワズライ」などのハートウォーミングな楽曲を収録。