★入围葛莱美、全英音乐奖座，“恶女文化”代言人、“女孩力量”倡导者，再一次送上完美艺术呈现，大力倒毁流行的不变定律，彻底大胆突破的全新专辑！ ★添入更多复古节奏，流窜80年代电子舞曲风格，同时展现十足率性调调，包覆在浓烈黑暗气息之中，发挥与魔鬼打交道的想法！ ★〈New Shapes〉邀请揉合法式浪漫的电音女伶Christine And The Queens＋布鲁克林独立摇滚劲旅Chairlift主唱Caroline Polachek，共同高歌女孩力量；提名全英音乐奖肯定，走红国际的日本籍电气精灵Rina Sawayama助阵〈Beg For You〉，託付英国超级DJ/制作人Digital Farm Animals掌控！ 虽然一路大摇大摆的在流行领域放声演唱，但是，相当有想法的Charli XCX，你永远抓不准她下一步要怎麽玩，要呈现什麽样的音乐风格，就连服装造型也是百变的令人惊呼连连！“恶女文化”代言人、“女孩力量”倡导者，拥有十足抢眼外型及呛辣声调，推翻花瓶的做作包装，笔触中写出强烈自我风格，大力倒毁流行的不变定律，现在听Charli XCX高声挑衅宣告，亲身示范现代与未来的流行结构走向，绽放扎实纯熟且魅力无限的感官尺度！ 入围葛莱美、全英音乐奖座的Charli XCX，来自英国剑桥，自从协助瑞典电音双姝Icona Pop的〈I Love It〉、澳洲饶舌呛妞Iggy Azalea的〈Fancy〉、替励志电影【生命中的美好缺憾】撰写/演唱〈Boom Clap〉，累积出一张漂亮成绩单后，2014年火速送上创作专辑《Sucker》，获得滚石杂志、SPIN杂志的‘年度最佳专辑’名单，登上26国iTunes专辑榜前10强。2019年出版睽违5年之久的《Charli》，传媒一面倒的送上极高且近满分推崇，也出现在各大年终最佳专辑榜单裡头，登上Variety杂志榜首！才过短短8个月，Charli再端新碟《how i`m feeling now》，充分展现过人实验精神，拿下超过20家传媒高分推崇和年度最佳专辑礼讚。Charli XCX的每发专辑，就是一次完美的艺术呈现，对流行音乐的大胆突破！ 全新第五张录音室专辑《Crash》，添入更多复古节奏，流窜80年代电子舞曲风格，同时展现十足率性调调，以及敢爱敢恨、忠于自我的“恶女文化”，包覆在浓烈黑暗气息之中。Charli分别扮演了邪恶之人、恶魔以及没有灵魂的角色，发挥与魔鬼打交道的想法。视觉效果包括“蛇蝎美人的力量”和大量的“黑暗咒语和诅咒”，其标题和整体美学灵感来自“肉体恐怖大师”David Cronenberg的1996年惊世骇俗钜作《超速性追缉 Crash》，邀请多达14位的各领域制作群联手操盘，就是要给乐迷在听觉和视觉双感官的强烈衝击！ 完全沉浸在80年代Synthpop主打〈New Shapes〉，由瑞典的电舞/流行好手Linus Wiklund(David Guetta、Rita Ora)操刀，快速破千万串流量，邀请揉合法式浪漫的电音女伶Christine And The Queens＋布鲁克林独立摇滚劲旅Chairlift主唱Caroline Polachek，共同高歌女孩力量；协助过The Weeknd、Taylor Swift的瑞典当红炸子鸡Oscar Holter参与制作/撰写的〈Good Ones〉，混搭Synthwave和Electropop元素，感叹自己总和对的人擦肩而过，老是爱上坏坏的男人，入选Pitchfork“2021年百大金曲”名单；往欧洲音乐风格吸收菁华，混搭UK Garage和Eurodance的〈Beg For You〉，登上英国金榜第29名，入围全英音乐奖肯定，走红国际的日本电气精灵Rina Sawayama助阵，託付英国超级DJ/制作人Digital Farm Animals掌控；跳脱至Post Disco和New Jack Swing风格碰撞出的〈Baby〉，牵动著无比跃动式灵魂；难得推出抒情作品的Charli，要让〈Every Rule〉感动你心！《Crash》兼具流行与丰富多样性，成熟洗鍊，几乎每首歌都可是主打等级！

Inspired by a childhood dreamworld and the pop radio hits of the 2000s, Bea Kristi’s second album is simultaneously heavy and light, dense and playful, melodic and dissonant.

Her most introspective body of work to date, The Loneliest Time expands on the emotionally potent songwriting and effervescent sound that Carly Rae Jepsen has showcased on past work like 2015’s critically lauded and culture-shaping E*MO*TION. In bringing her new album to life, Jepsen worked with collaborators Tavish Crowe, Rostam Batmanglij (who helmed production on The Loneliest Time’s acclaimed lead single “Western Wind”), Bullion, Captain Cuts, John Hill, Kyle Shearer, and Alex Hope among others.

The Australian dream-pop artist’s second album widens her sparkly shoegaze into a brasher, more ambitious sound, locating the edge between noise and melody.

The full-length debut from the shapeshifting UK duo is a virtuosic display of theatrical mayhem, dazzling production, and surprisingly lustrous pop music.

Natalie Mering’s majestic fifth record is a dispatch from the center of catastrophe—an idiosyncratic set of love songs and secular hymns with lushly orchestral arrangements.

As the shadows deepen on Sophie Allison’s third album, she sees into the lie on the other side of success: You can win, but you still have to live with yourself.

The Toronto band’s third album is a triumph of power pop, a densely layered, witty, blithe, and beautiful record that sets a new benchmark for the genre.

María Natalia Lafourcade Silva is a Mexican pop-rock and folk singer and songwriter who, since her debut in 2002, has been one of the most successful singers in Latin America. Lafourcade's voice has been categorized as a lyric soprano.

TVアニメ『ぼっち・ざ・ろっく!』の劇中バンド《結束バンド》による、OP・ED・劇中曲、アルバム新録曲などを含めた全14曲収録のフルアルバム。 Blu-rayには、アニメ『ぼっち・ざ・ろっく!』ノンクレジットOP・ED映像を収録。バックステージパス風#01タイトルステッカー封入。 ※2023年12月27日までのメーカー期間限定生産

Laufey is a LA based singer, composer, producer and Muti-instrumentalist whose isongs combined indie and jazz quite well. As an Icelandic Chinese artist grew up with enriched jazz and classic music, she became hooked on the jazz standards of Ella Fitzgerald, etc. Her style of lyrics are quite sentimental, young and modern generation like while the tone and melody are bit vintage.

The Spanish superstar’s third album is a showcase for Rosalía’s exceptional range. It aspires to stretch itself out across genres and play with form, and attains exactly what it sets out to achieve.

The British indie rock duo have hooks stuffed with bait and a keen eye for assessing self-delusion. Their debut is the sound of two women stoking mutiny from a slow descent into madness.

Retaining all of the light-hearted surreality that made its first two records so bewitching, the UK synth-pop duo makes the sound of grief and joy glimmer on the dancefloor.

Sweeter and more inviting than anything she’s done before, the second-full length by Sarah Beth Tomberlin finds peace in the unraveling.