折坂悠太、3年ぶりとなる4作目のアルバム『呪文』のリリースが決定! BS-TBS 木曜ドラマ23「天狗の台所」主題歌の「人人」や、書き下ろしの新曲、以前からライブ/フェスでも演奏してきた曲やインスト曲を含む全9曲を収録。

米津玄師、待望の 6th アルバムリリース決定! 珠玉の作品を彩った、名曲の数々で届けられるマスターピース 数々の記録を樹立し、自らを更新し続けるアーティスト・米津玄師。累計出荷190万を突破したモンスターアルバム「STRAY SHEEP」から 4 年ぶりにリリースされる待望の 6th アルバムが遂にこの夏リリース! 今期話題のドラマNHK連続小説「虎に翼」の主題歌「さよーならまたいつか!」、今夏公開の映画「ラストマイル」の主題歌「がらくた」をはじめ、アカデミー賞 長編アニメーション賞受賞作、スタジオジブリ宮﨑駿監督作品「君たちはどう生きるか」の主題歌「地球儀」、Spotify グローバルランキングにて TOP50 に国内アーティスト初ランクイン、アメリカレコード協会(RIAA)よりゴールド認定を受ける快挙を成し遂げたTVアニメ「チェンソーマン」のオープニングテーマ「KICK BACK」、映画「シン・ウルトラマン」主題歌「M 八七」、ゲーム「FINAL FANTASY XVI」テーマソング「月を見ていた」など、日本屈指の作品を彩った、数々の名曲で届けられるマスターピース。全世界、全世代必携のオリジナルフルアルバム。

2022年5月に発表した「ぼちぼち銀河」にて新境地ともいえそうな変化を遂げた「柴田聡子」。 2024年2月28日に7枚目のアルバム「Your Favorite Things」のリリースが決定。 2024年2月28日に新しいアルバムが出ます!タイトルは「Your Favorite Things」です。実はまだまだ制作中です。みんなで色々試しながら作っていてすごく楽しいです。前作までともまた一味違う作品になる予感です。こうしてまた一枚アルバムを作る機会に恵まれたこと、ほんとうにうれしく感謝ばかりです。一緒に作っている皆さま、聴いて下さっている皆さま、いつもありがとうございます。どうぞお楽しみに! (柴田聡子)

「相思相愛」は、4月12日公開の劇場版『名探偵コナン 100万ドルの五稜星（みちしるべ）』の主題歌となっております。

milet为日剧《反英雄》献唱并共同创作主题曲《hanataba》！正义的反面是否就是完全的邪恶呢？和歌曲《hanataba》一起感受精彩的剧情吧！

距离方大同发布双碟专辑《JTW》转眼九年，该专辑为他赢得了2017年备受瞩目的金曲年度最佳男歌手奖。自此之后，他便将注意力转向了幕后的创意项目。 最近的几年由于身体有恙而足不出户，目前虽然身体仍然在康复阶段中，方大同决定在这段时间携最新专辑《梦想家 The Dreamer》回归。这张新专辑不仅展现了他奇思妙想的音乐才华和机智，还收录了一些思考人生和爱的歌曲。他说道，「我的目标是创作一张能给人带来安慰的专辑。近年来，在世界的一片混乱中，我从生活简单瞬间、青春记忆、时光流转的反思以及那些让我觉得怪趣事物中获得启发而创作的歌曲之过程中找到了安宁」。 「这次在录制每一首歌曲前，我得在脑海中，先完成这张专辑接近百分之八十的内容。包括了歌曲的结构和绝大部分的歌词。然后，当我开始录制和编曲时，只需要填补一些空白并改进某些细节。这是我第一次以这种方式制作专辑，这对我来说既有趣，不同以往也充满挑战。我的情况也可以被领会为塞翁失马，焉知非福，在整个过程中，必须重组我的思维模式，挑战自己，如何在这个受限的状态及条件中去创作有趣又赏心愉悦的音乐作品。经过新冠的封锁及个人需要面对的健康问题的两个阶段，潜藏的创作细胞已经迫不及待，夺堤而出。我告诉自己，就创作这个专辑来纪念这段特别的生命之旅吧！」 「这个专辑在一定程度上是兼收并蓄，不拘一格的，包括瞬间的简约回归。整个专辑都是在家中制作，当身体状态允许，我就会拿起麦克风，不管窗外是否下雨，邻居是否在装修。」 曲目列表 1. **XZMHXDXH** 是一首受复古爵士电放克启发，以器乐为主导，使用了电音合成器（声码器）和颇有态度的铜管。重复出现的短语是一个经典的上海笑话，乍听之下像日语。翻译过来的幽默就是「鞋子没坏，鞋带先坏」。 2. **江湖中人** 这是一首从茶馆老板的角度创作的幽默歌曲，以神秘客人为背景，将传统中文说唱与民族乐器和西方管弦乐元素融为一体。 3. **GF** 这首宏伟的管弦乐作品，为这部史诗般的 Urban 歌剧，铺垫了一种舞台感的基调，灵感来自迈克尔·柯里昂的悲剧故事。「 从十几岁开始，在一位朋友的推荐下，我一直想看《教父》三部曲。最终在疫情期间观赏了这部作品，受到了这个故事的启发，而写下了这首歌。这首歌就像一部瑰丽壮观的歌剧，但在整个编曲中，有一些微妙的瞬间夹杂着不和谐或‘破裂’感，象征着主角内心充斥着的精神失调和混乱。」 4. **Tango** 「 在重看了《闻香识女人》这部电影后，创作了这首歌。这是一部温馨的电影，其中探戈的场景我想很多人都很熟悉。我觉得创作一首带有浓郁探戈风格的 Urban流行歌曲会很有趣。我认为这首歌的一些段落具有相当原味的探戈元素，其他部分则带有灵魂乐和爵士乐的意味。」 5. **才二十三** 这首歌反思了时间的流逝，强调了衰老的必然性和人生旅程中所学到的人生道理。「 时间不等人，随着年龄的增长，更能深入理解时间的现实与虚幻。生活给我们带来了各种各样的转折和挑战，但我认为我们的目标之一应该是以雅致得体的态度去走完生命之路。」 6. **谁知爱是什么** 「 这是一首温暖而轻悠的歌曲，思索爱是什么。即使是伟大的头脑，也发现难以理解和定义爱的真义，时至今日，我们仍试图解读她。对我来说，这首歌有点像摇篮曲或是对爱的颂歌。」 7. **我不是农人** 这首歌融合了灵魂乐意味的小号、俏皮的吉他和机器人的嗓音，融合了复古和未来的元素，呈现出一首别具一格的雷鬼风格歌曲。「受到一则以假乱真的社交媒体谣言的启发，称我放弃了音乐，转行当了农人，我将它改编成歌曲，内容彰显网络诈骗和欺骗的普遍性。」 8. **那沙漠里的水** Soulboy再次回归，带来了一首浪漫的灵魂R&B情歌，让人想起史提夫·汪达的黄金时代和Boyz II Men的R&B流畅风格。回想歌曲背后的创作过程时，他说：「这首歌的名字不期然溜进了我的脑袋，有点不寻常，又有点神秘。从那里开始，歌词自然而然地就出来了。我被找到爱就像在沙漠中找到绿洲的浪漫比喻所吸引。」 9. **回留** 这是一首温馨及带点伤感的钢琴歌曲，偏离了方大同之前专辑中典型的R&B风格。回顾它的起源，大同回忆道：「十多年前，在台湾为我的第三张和第四张专辑进行宣传之旅时，经常去一家名为”回留”的茶馆. 在繁忙的工作之余，它是一个让我身心重获和平与宁静的庇护所。茶馆独特而富有诗意的名字，成为了这首旋律的灵感来源。」 虽然喜欢这个demo，他承认之前未能将此曲纳入其他的专辑，「这首歌不太符合我早期专辑的方向。然而，我很高兴这次终于把它用上，并且与《三人游》作词者崔惟楷再次合作。我就请他就依照歌曲的名字带给他的启发和灵感去攒写歌词，就几天的时间，他就回馈了给我这首词。」 10. **没啥好说** 这首真挚感人的歌曲探索爱，及人与人之间沟通的难处与层层的复杂性，以充满怀旧感的 60 年代流行摇滚之编曲为铺垫。大同说：「 在 2008 年发行了我的专辑 《橙月》 后，我就写了这首歌的副歌，虽然当时无法完成它，但是我心底一直知道终有一天，这首歌会收录在我以后的专辑。去年，那缺失的部分到位了，我终于把旋律完成。」

魏如萱waa 2024全新专辑《珍珠刑》12.24 数位正式发行！

On an album whose title is rooted in self-doubt, Eve Ai explores questions of confidence and uncertainty with aplomb. Working with long-time producer George Chen, the singer-songwriter expands her sound by drawing on her touring experience, incorporating rhythmic elements that capture the intensity and passion of live gigs. Album opener “Never Good Enough” acts as a statement of purpose, lashing out at a loss of composure through a theatrical funk stomp, while three upbeat tracks on the LP’s second half are the result of a writing session in Bangkok with bassist Joy Liu and guitarist Theo Chou. These include “Quitter”, a frustration-fuelled house cut, and “Catching Butterflies”, whose skittery dance beat and sitar accents emerged during a jam session. By no means has the singer abandoned her trademark ballads: “By Your Side”, a lush duet with Rhydian Vaughan, the album’s sole guest singer, finds poignant beauty in a breakdown in communication, while the touching closer, “For You”, offers encouraging words co-written by quotable talk-show host Kevin Tsai. Fast or slow, the tracks on the album are unified by the common theme of loss—loss of patience, loss of love, loss of faith in the world. Even the confidence of “Who Dares”, a slice of ’80s synth rock that mutates into an aggressive, brass-accented march, is imbued with fears of losing control. Below, Eve Ai shares with Apple Music her thoughts on selected tracks. <b>“Never Good Enough”</b> “This lively song makes you want to dance. When I’m home alone, I’ll hum along and start dancing. Hopefully you’ll be like me and feel like dancing yourself. ‘Never Good Enough’ describes how I often don’t measure up, no matter how I act. We need to cast aside what ties us down and delight in ourselves.” <b>“This is Heartbreak”</b> “An interesting thing about the album’s first single is that I was walking my dog when the melody came to me. The writing came naturally, but I also wanted it to have emotional heft, so after I got back home I went straight to work, using direct language and direct emotions to stir up feelings. I didn’t spend too much time revising and polishing the lyrics. I just hope that, when you hear the song, your thoughts will naturally be drawn to your own story. I highly recommend this song.” <b>“By Your Side” (feat. Rhydian Vaughan)</b> “This is the one song on the album that features another singer, Rhydian Vaughan. Our vocal lines complement each other well—the addition of his voice really enriches the song. It was finished pretty early, but at the time I didn’t think of it as a duet. So Vaughan’s participation was a wonderful surprise and I appreciate the additional levels he brings to it.” <b>“For You”</b> “This song was among the earliest album tracks to be completed. My only aim was to give encouragement to myself and lots of my friends. As you get older, with each additional year, you may feel wistful about your youth. But to me, so long as you have a handle on it—and never stop thinking back and examining yourself—your youth will never slip out of your grasp. These words of encouragement are what keep me moving forward.”

许愿多年，命运般的音乐缘份 小巧获偶像林宥嘉献曲填词《神爱世人》 只要心存信念，你我都值得被爱 一向视Yoga林宥嘉为偶像的小巧，几年前与朋友闲聊，希望歌手生涯中能演唱Yoga写的作品，默默为这个看似不可能的空想播下种子。也许是意念创造实相、信念改变命运，小巧再次许愿与偶像合作的报道，辗转间竟然被Yoga看到。结缘的种子，渐渐从二人多年间在演唱会后台合照、Yoga在小巧生日会上拍片祝贺等，发芽成为今天音乐路上的相遇。 神来之笔的灵感 梦寐以求的旋律 自有安排的缘份 收到对方的demo后，小巧今年三月亲身飞到台湾拜访Yoga，Yoga回想当初看到她的新闻，因为正在忙着筹备新专辑，本来也觉得合作机会不大；但或许上天真的自有安排、缘份便是如此奇妙，过了一阵子，Yoga在跟公司开会前，预早想到一间餐厅悠闲地享受午餐，怎料在附近怎样也找不到车位泊车，就在烦躁的等待期间，获得命运般的灵感降临：“我真的很生气，因为已经很饿！但当时很奇怪，很快有一个灵感来了。我在脑内编辑，好像是日漫很热血的快歌，但我担心会不会很像什么动画，便思考变成慢歌会怎样⋯⋯欸！好听！然后突然想到你。” Yoga曾看过小巧其他新闻，得悉她刚刚成为人妻，脑内便出现一对夫妇的画面：一位在床上病危，另一位在床边守候，最后由等候车位到成功泊车的短短十分钟内，大致完成整首歌的旋律，过程神来之笔得像“原曲下载”。他觉得歌曲十分有流行元素，像首琅琅上口的K歌，是自己也梦寐以求的作品：“我常常努力想写出一首流行曲，可是没那么简单！不是用力便能写出来。连我专辑都没有这种歌，我也很想要一首你知道吗！但因为我在创作过程已经想到你的报导，包括整个画面，便知道这首歌是要给你的。” 相信才有希望 渺小的我们都值得被爱 加上旋律听起来十分适合以广东话演绎，又想起台湾电线杆上经常看到的“神爱世人”四字，Yoga便跟《玛莉晚安了(林家谦分担合唱曲)》的词人陈铭洋合作，花了三、四个月填词，在制作专辑与筹备小巨蛋演唱会的空档中，抽空跟band leader研究demo，赶紧寄给小巧试听。收到来自偶像的惊喜，小巧当然一听爱上，特别是歌词中的“相信 活着 忍耐”，大家只要努力生活、心存希望，便能捱过每个难关，人类纵然渺小，仍有机会被爱。“今次歌曲好像是我疗癒的歌的一个总结、一个句号，你的看法，取决于你选择相信什么。《神爱世人》未必是情歌，却一定有爱。” 《神爱世人》由林宥嘉谱曲、并与陈铭洋合力填词，林家谦监制，愿你感到迷惘、没有气力时，能在这首歌获得一点勇气。 词：陈铭洋/林宥嘉 曲：林宥嘉 编曲：Perry Lau 监制：林家谦 编程 Programming：Perry Lau 钢琴 Piano：Perry Lau/林家谦 木结他 Acoustic Guitar：Loka 电结他 Electric Guitar：Perry Lau 贝斯 Bass：Daniel Kwong/Perry Lau 弦乐编写 String Arrangement：Perry Lau 弦乐 Strings：国际首席爱乐乐团 和声编写 Backing Vocal Arrangement：林家谦 和声 Backing Vocal：林家谦 录音 Recording：Kim Lee 混音 Mixing：Frankie Hung 录音室 Recording Studio：Zoo Music Studio 混音室 Mixing Studio：The Shed OP：HIM Music Publishing Inc. admin by EMI MT SP：EMI Music Publishing Hong Kong/Warner Chappell Music, Hong Kong Limited

獻給有那麼一些時刻 仍相信永恆的自己 每首歌都是一段奇妙的際遇 讓我們在此相遇 ☆這是一張濕度很重的專輯。或許你不會因此感到人生就此清爽，卻能被她充滿情感顆粒的嗓音溫潤包覆著。 ☆集結新生代金獎幕後團隊張晁毓、黃偉駿、槍擊潑辣、林孝親、蔡周翰助陣錄音編曲；文學藝術家雷驤獻聲朗讀、林強跨刀混音；奧地利電影節「最佳聲音設計獎」得主 Christoph Amann 擔任母帶後期處理。 ☆邀請國際藝術動畫導演王登鈺以壓克力作畫，將每首歌的靈感切片繪製成主視覺; 設計師陳昭淵操刀視覺設計，呼應專輯名稱。把多重的點與線連結成面，以此彰顯在故事裡發生的每個一瞬。 ☆特別收錄重新詮釋替魏如萱詞曲的〈我們〉、〈不想忘記的聲音〉實況收音 live 版等 11 首記憶之聲。 新專輯命名為《小故事》，隱喻每個生命都是由許多微小的故事所構成。雖然看似微不足道，對身處其中的人事景物卻有著深刻意義。這是一張以「短暫的生命，漫長的相遇」為題的音樂寫生本，延續著雷光夏獨特氣質的詩意文字與感性的旋律，每首歌曲皆從不同文本背景所採集及共振而來。她將生活及旅行經歷、思想感悟、影像及文學的影響都融入其中。「小」不僅是字面意思，更連結到更廣闊的視野，正如每一個角度都能看見不同的景象，每一個時刻都孕育新的可能——或許是曾經的夢境，在某個時間的長廊上相會；或者是從記憶讀取的景色，偶遇在未來的某次旅行途中；甚至，將那些尚未完結的待續做出了結語。

唱作人陈婧霏的春日限定EP《春色》正式上线。 透过她丝绒般的嗓音、唯美浪漫的词曲创作、充满故事性的演绎，诉说着恋人的絮语。

“If my first album was like a film of my life, then this second one is like a cinema—or a mysterious space-time portal to parallel-universe versions of my life,” Jingfei Chen tells Apple Music. Four years after her self-titled debut, the singer-songwriter stages the drama of her second LP, 猩红 [<i>Crimson</i>], using the colour of pain, excitement and desire. With eclectic arrangements and evocative vocals, the album surfaces hidden emotions, from ambition and romantic yearning to self-doubt and stubbornness. Often categorised as a retro artist due to her penchant for creating atmospheres that recall vintage cinema and theatre, Chen doesn’t object to that label, although nostalgia isn’t her driving force. “Speaking as a creator, I love it when something’s a classic but not outdated,” she says. “I integrate my themes, arrangements, styles and lyrics with today’s situations.” Her songs remain a treasure trove of references to art and literature, some transparent—the disco-esque “Seize the Night, My Girl”, inspired by a Tomihiko Morimi novel, or the haunting piano anthem “After Many A Summer Dies the Swan”, after Aldous Huxley's Hollywood existentialist exploration —while others require deeper dives. The album’s subtitle, “The Truth & Fiction of A Crimson Heart”, suggests that these autobiographically inspired narratives aren’t necessarily intended to be a factual document of the artist’s life. “From the moment the writing starts, a song no longer belongs to its creator but is a joint creation with those who see and hear it,” Chen says. “It’s true that being misunderstood is the fate of any communicator, so I can totally accept that every individual will have their own version, their own understanding.” ` Below, Chen shares with Apple Music stories about the creation of the album and selected tracks. <b>How did you arrive at the album’s colourful theme?</b> “At first, ‘crimson’ didn’t seem capable of encompassing all of the spiritual exploration and all of the parallel universes I wanted to show. But eventually I found that the colour really suits the hidden thread that runs through the album. First of all, it nicely matches the style of the lyrics and arrangement. There’s a musical and emotional density to every song, as if each is a different crimson exclamation point. Secondly, the sense I get from the word ‘crimson’ is exactly what I want for my style: three-dimensional, synaesthetic, cinematic and contrastive. ‘Crimson’ is an expression of the album’s tone—a touch of desire, a touch of darkness, a touch of the call of hunger. I’m sort of like the colour crimson—I love a wine-dark red. It represents my aesthetic, my attitude. It’s an extension of my first album’s logo, which represents danger and desire. “Fourthly, red is hidden in every song on the album, from the red hair in ‘The Sunset Playhouse’ and red lips in ‘Seize the Night, My Girl’ to the nostalgic feeling about a red scarf in ‘Homecoming’. The ‘Lonely Bloom in Desert’ is red in colour, there’s crimson blood in ‘After Many A Summer Dies the Swan’ and there’s three red exclamation points in ‘The Show Must Go On’ [Chinese title ‘演!演!演!’]. Also, ‘Eros of Polaroid’ has a bit of the feel of Eileen Chang’s novella <i>Red Rose, White Rose</i>.” <b>How true to life are the album’s many self-portraits?</b> “I’ve always been interested in acting and stage personas. In life, everyone’s playing a role they can’t set down—even when you’re alone, you’re performing the self that exists in your subconscious. Which one is the real me? What does it mean to find myself, to be myself? It’s a false dilemma most of the time, since each person’s process of finding and understanding themselves is different. I’ve always maintained that we don’t live our lives for an end goal. Sure, where my work is concerned, I’m a creator, so I’ve got to push myself to ever-greater heights. But more often in our lives, we’re living in order to experience who we are, to find out answers to inner peace and personal happiness. “For the past two or three years, I’ve felt that limitations were breaking down around many of my personality defaults—the things that operate under inertia. Lots of things aren’t as weighty as we imagine at first. We can experience life with a more relaxed and playful mindset. Life should be richer and more colourful, more deserving of celebration, and should allow us more agency to make choices rather than be full of restrictions, stress and passivity.” Chen recommends three of her favourite album tracks below. <b>“Eros of Polaroid”</b> “The inspiration for this one came from Japanese artist Nobuyoshi Araki’s photographs—not any specific shot, just that feeling of intense desire in his work that I’ve always appreciated and am pretty good at depicting. I add in lots of emotional stories. The result doesn’t come from any particular source but is a feeling, a mix of flavours. What I want is a flavour that is totally Jingfei Chen.” <b>“The Show Must Go On”</b> “Before I picked this song’s Chinese title, ‘演!演!演!’ [literally ‘Perform! Perform! Perform!’], I knew what it would be called in English, because of three celebrity clips I watched in the space of a few days. The actor Huang Bo was a guest on <i>U Can U BB</i>, and one of the things he said was: ‘The world is other people, but ultimately the world is yours.’ That became a key line in this song. Then on <i>Thirteen Talks</i>, when host Xu Zhiyuan was talking to historian Cho-yun Hsu, he said: ‘Faced with an uncertain world, we must go inwards and settle ourselves.’ I thought that might make for a good song. And when South Korean actor Han Ye-seul posted a video where she interviewed an elderly fashion vlogger who always wore gorgeous clothing to shoot her videos, she asked the vlogger: ‘Why do you put so much effort into it?’ And the woman responded: ‘The show must go on.’ And that’s my attitude: No matter how bleak or undesirable things may seem, we still exist in this world, so we might as well continue inwards, explore ourselves and let the show go on.” <b>“The Narcissism Spell”</b> “This song originated as a response to my first album, where the song ‘我的孤独认出你的孤独’ [‘My Loneliness Meets Yours’] has the line: ‘At the best age, it turns out you’ve lost the ability to love.’ This song answers with: ‘I’ll keep me for myself and love myself alone.’ The feeling is lonely and pessimistic—and that deep-down loneliness is hard to communicate. I’ve always tended to be rational, with an INTJ [introverted, intuitive, thinking and judging] personality, but in recent years I’ve become a pure FP [the feeling and perceiving personality type]. It’s an internal contradiction, but both coexist within me. I think you’ve got to find a balance point for yourself. ‘The Narcissism Spell’ is an interesting take on that. It doesn’t mean blind arrogance or egocentrism, but more a feeling of finding a place where you can be balanced.”