†▲ 2021 HUMANFOBIA ALBUM †▲. ▽▽▽ Also released by Skull Triangle Skull netlabel (Japan): ▽▽▽ Check out V/A X Humanfobia - LILITH at: Humanfobia is a dark experimental, ghostly computer music project from Rancagua, Chile. links: humanfobia updates: female vocals, lyrics: Mist Spectra. Sound programming, mixer, male vocals: Sábila Orbe.

Two artists, two shades of horror.... DREAM BLACK opens with “Samara”, dark, grungy bass heavy witch house out of Salem, Massachusetts. Hazy and hypnotic, vocals buried in the fog while a spoken voice whispers underneath, the kind of track that doesn’t chase you so much as count down. Then ΣΕΘ(SET) drags it onto the dancefloor with “Take It”, witch house with electro teeth and industrial bite, equal parts fun and menace. The Club Version strips the dialogue intro for a clean, DJ-ready cut built to drop straight into a set. -The Admin ECR / SubGoth

Cliff and Ivy – Angels Eyes ©2026 Livingston/Thrasher-Livingston Released by House of Extreme Darkness Angels Eyes release date: Aug 7, 2026 Available on all streaming platforms, CD, and Vinyl. Physical media, merch and downloads available on Track listing: 1. Lockdown 2. The Healer 3. The Raven and The Wolf 4. Tidalwaves 5. Of Love and The Rain 6. Kiss of Death 7. Black Pyramid 8. The Collapse 9. Stone and Mind 10. Propaganda 11. (digital/cd only) The Healer Alt Mix Cliff Livingston: Composer, Guitars, Bass, Arrangement, Co-Production, Backing Vocals on “The Collapse”. Guitars Bass and Vocals recorded at House of Extreme Darkness Studio Anchorage Alaska. Ivy Silence: Lyrics, vocals, art and design Paul Roessler: Production, Engineering, Recording of Drums, Mixing, Keyboards, Piano, Synth, at Kitten Robot Studio, Los Angeles, CA Paul Roessler has played in many bands including The Screamers, Nina Hagen Band, has worked with Gitane Demone on the composition and performance of New Young Kings of Midnight. Tom Coyne: Drums, recorded at Kitten Robot Studio, Los Angeles. Tom Coyne plays in 45 Grave and Kommunity FK. Mastered by Maor Appelbaum at Maor Appelbaum Mastering, CA, USA – http//maorappelbaum.com Contact Cliff and Ivy: Instagram: @cliff_and_ivy Tiktok: @cliff_and_ivy Facebook:

<i>Memento Mori: Mexico City</i> is an audio accompaniment to <i>Depeche Mode: M</i>, a 2025 concert film that captures the band’s performances at Foro Sol stadium during the 2023-2024 Memento Mori World Tour. What’s striking about the live album is just how vital the band sounds well into their fifth decade: They offer up epic renditions of modern standards like “Enjoy the Silence” and “Personal Jesus,” both taken from 1990’s <i>Violator</i>. The band, which now consists of founding members Dave Gahan and Martin Gore, put as much emphasis on their newer work as their sturdiest hits, kicking off the performance with “My Cosmos Is Mine” from 2023’s <i>Memento Mori</i>. The live album makes clear that no matter what era they’re combing onstage, Depeche Mode remain pioneers of synth-pop, New Wave, and its many modern iterations.

When a rock band releases a remix album, it’s often treated like an afterthought, with execs enlisting high-profile dance producers to slap new beats onto old singles and promoting them to club audiences who wouldn’t typically buy rock albums. This has never been the case for The Cure’s remix albums. Ever since their first—1990’s <i>Mixed Up</i>, which yielded the Balearic classic “Lullaby (Extended Mix)”—the band’s singer and principal songwriter, Robert Smith, has had a close hand in the process, doing many of the mixes himself. The tracks rarely veer into proper club-music territory. Instead, certain motifs are teased out and built upon, and are occasionally augmented with new instruments or lengthened for more languid DJ sets. The band’s third remix album generally hews to that ethos. Even a towering name like Paul Oakenfold (who previously remixed “Close to Me” on <i>Mixed Up</i>) treats “I Can Never Say Goodbye” with a light touch, delicately accentuating its majestic vibe, while Orbital gives the downcast “Endsong” just a dab of industrial grit. Daniel Avery seems to even tone down the aggressive guitars and drums of “Drone:Nodrone” for his slightly more propulsive version. There is, of course, a lot of variation across these 24 remixes (each of <i>Mixes of a Lost World</i>’s eight tracks gets three), and it comes most notably in the form of more traditional dance remixes. But rather than seeming like a crass attempt to gain favor in other musical spheres, Smith’s list of respected electronic music producers here indicates just how deeply his tastes run. Germans Anja Schneider, Gregor Thresher, and Âme manage to turn Smith’s tunes into restrained and elegant techno and house cuts, while Four Tet gives “Alone" some of his signature garage-y shuffle.