卢米埃尔兄弟
Tables Turned on the Gardener (1895) WikiData IMDb TMDB Douban
L'arroseur arrosé
director:
路易斯·卢米埃尔
actor:
François Clerc
/
Benoît Duval
other title:
水浇园丁
/
L'arroseur arrosé
…
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.
Sedgewicks' Bioscope Show Front (1895) WikiData IMDb TMDB Douban
Neuville-sur-Saône: Débarquement du congrès des photographes à Lyon
director:
路易斯·卢米埃尔
actor:
皮埃尔·朱尔·塞萨尔·杨森
other title:
摄影协会成员到达
/
Neuville-sur-Saône: Débarquement du congrès des photographes à Lyon
…
Down the gangway, photographers leave the deck of a riverboat in large numbers.
Baby's Dinner (1895) WikiData IMDb TMDB Douban
Repas de bébé
director:
路易斯·卢米埃尔
actor:
Mrs. Auguste Lumiere
/
Andrée Lumière
…
other title:
婴儿的午餐
/
Repas de bébé
…
1895 film directed by Louis Lumière
The Arrival of a Train at La Ciotat (1896) WikiData IMDb TMDB Douban Eggplant.place Min reol +3
L'arrivée d'un train à La Ciotat
director:
奥古斯特·卢米埃尔
/
路易斯·卢米埃尔
actor:
Madeleine Koehler
/
Marcel Koehler
…
other title:
火车进站
/
L'arrivée d'un train à La Ciotat
…
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.