女声
The Everybody Else IS Doing it
Douban
The Cranberries genre: Rock
release date 2002-07-30 publisher: Island
The Cranberries were an Irish rock band formed in Limerick, Ireland, in 1989 by lead singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan, and drummer Fergal Lawler. Quinn was replaced as lead singer by Dolores O'Riordan in 1990.
Roses
Douban
★ 7.2 21 ratings
The Cranberries genre: Pop
release date 2012-02-27 publisher: Cooking Vinyl
爱尔兰王牌乐队The Cranberries(小红莓)华丽回归,献上情人节贺礼。在满地凋零的蔷薇中绽放生命最后的光华...... 日前有消息称,爱尔兰国宝级乐队The Cranberries(小红莓)即将推出他们阔别乐坛十年的首张新专辑。 The Cranberries 1990年代成立于爱尔兰利默里克,与U2、Sinead O’Connor(谢妮德-奥康娜)、Enya(恩雅)等一样,被誉为是带领爱尔兰音乐走向世界的重要力量。2001年乐队发行了《Wake Up and Smell the Coffee》之后就再也没有作品问世,此后乐队陷入沉寂。2003年,随着乐队成员们纷纷宣布“单飞”,乐队沉寂了六年。这期间,Dolores曾经发行过两张个人专辑。日前Dolores O´Riordan确认说,他们目前已经回到了录音室,正在录制新专辑。 Dolores O´Riordan在接受采访时表示,“我们现在差不多算是从我们停止的地方重新开始。。。整个过程非常有意思,我们也是很顺其自然的有了想法,我们写的很多歌都是没有过多考虑就写出来的,灵感很自然的就来了。” “我想我们每个人都对彼此以及我们所做的事情尊敬有加。在2003年年那会儿,我们最后的日子里,我们大家都跟装样子差不多,现在我们真的很开心,也真的对我们一起拥有的东西感到欣赏。” 据悉,The Cranberries的这张新专辑名为《Roses》,将于2012年的情人节发行。
In the End
Douban Discogs
★ 7.9 39 ratings
小红莓乐队 The Cranberries genre: Rock
release date 2019-04-26 publisher: BMG Rights Management (UK) Ltd
Thirty years after forming in Limerick (initially as The Cranberry Saw Us) THE CRANBERRIES are set to release their eighth and final album, "In The End", on April 26. With Stephen Street once again taking producer duties, the 11-track record brings a remarkable career to a fitting and powerful closure. Announcing the album, the band has shared the first single "All Over Now" that blends rock, alternative and catchy almost pop-sounding melodies to deliver a classic CRANBERRIES sound. THE CRANBERRIES — Dolores O'Riordan, Noel Hogan, Mike Hogan and Fergal Lawler — emerged from the pre-Brit-pop scene of the early '90s, with their trademark indie guitar sound and Dolores's distinctive Celtic-tinged lilting vocal style — described by Melody Maker as "the voice of a saint trapped in a glass harp". Their rise to global fame was nothing short of meteoric; best known for their now classic songs "Linger", "Zombie" and "Dreams", the band have sold more than 40 million albums worldwide. While it is tinged with sadness following Dolores's unexpected death on January 15, 2018, "In The End" is not a valediction, it is a celebration, one that stands as a powerful testimony to the life and creative work of Dolores and her brothers in music Noel, Mike and Fergal. The genesis of "In The End" began in May 2017 while the band were on tour. By winter of 2017 Noel and Dolores had written and demoed the eleven songs that would eventually appear on the album. "Dolores was so energized by the prospect of making this record and to getting back out on the road to play the songs live," recalls Noel. In coming to terms with her tragic passing Noel, Mike and Fergal listened to the songs and, with the support of Dolores's family, wanted to honor their close friend, and collaborator by completing the record. Speaking about the band's concerns at the time, Noel said: "we knew this had to be one of the, if not the, best CRANBERRIES album that we could possibly do. The worry was that we would destroy the legacy of the band by making an album that wasn't up to standard. Once we had gone through all the demos that Dolores and I had worked on and decided that we had such a strong album, we knew it would be the right thing and the best way that we could honor Dolores." With the songs at various stages of completion they turned to Stephen Street — who had produced four of their previous albums including "Everybody Else Is Doing It", "So Why Can't We?" and "No Need To Argue" — and spent four weeks in a London studio building the sounds around her vocals from the original demos. "It was a bittersweet time. The joy of recording new tracks is always exciting and one of the best parts of being in a band. At the end of every day when we'd laid down our parts there was a sense of sadness, knowing that Dolores wouldn't be in that evening to work on that day's track," remembers Noel. The album is a strong goodbye from the band to their fans, a fitting tribute to their bandmate and friend and, most importantly, a collection of powerful songs that can take their rightful place with THE CRANBERRIES' previous six records. Speaking about the single and the album, Dolores's mother said: "I miss her awfully, specially today, as does the entire family. That said I can't think of a more fitting way to commemorate the first anniversary of her passing and to celebrate her life than to announce to the world the release of her final album with the band. She was very excited about this new album and was really looking forward to its release. I have no doubt that she is happy now and would be delighted with today's announcement."
sometimes i just can't remember all the things we did together
Douban
★ 8.2 10 ratings
the pancakes genre: Folk
release date 2010-05-31 publisher: rewind records
the pancakes (a.k.a. Dejay) released her debut album les bonbons sont bons in early 2000, and the stylish singer-songwriter has since been a major presence on the Hong Kong indie music scene. In the last 10 years, a prestigious film award and a certain degree of international recognition have flown the pancakes' way. In addition to numerous albums and live gigs, she's also made a short film, published a book, contributed music to a bunch of TV commercials, and lent her voice to the McDull movies. So there's really no wonder the pancakes would christen her first best-of collection sometimes i just can't remember all the things we did together. In this "old and new songs compilation", Dejay selected 14 songs (such as fake bossa nova, automobile CM song tell me the truth before one of us dies) from past albums and also threw in 4 new tracks.
Blue
Douban
★ 9.2 131 ratings
Joni Mitchell genre: Folk
release date 1971-06-01 publisher: Reprise
民謠女歌手 Joni Mitchell 於一九七一年發行的經典之作。在六○年代的社運、學運已成過往雲煙後,回歸藝術家身分的Joni Mitchell,以纖細、感性之筆,寫下Blue中連篇美麗的樂章:“My Old Man”描繪無須法律約束就能地老天荒的愛情;“Blue"和“California”則以略帶憂傷的口吻,描繪社運結束後,發現社會仍無改變的惆悵; "The Last Time I Saw Richard"深刻描繪了知識分子的犬儒與失落……清淡如詩的口吻,娓娓道來日常的生活情境,蘊含的卻是極為深刻的社會觀察與生命哲思,充分展現「女性創作歌手第一人」的實力。
Lady Soul
Douban
★ 9.4 33 ratings
Aretha Franklin genre: 放克/灵歌/R&B
release date 1995-06-20 publisher: Atlantic / Wea
The best black female singer of the 20th century. This is a stunning album. the definitive late 60’s Aretha Franklin, bold, beautiful, vulnerable, earthy, sexy, defiant, spiritual and strong.. Full of great songs. A seminal session that furthered her deep soul agenda with key backings from Arif Mardin and Tom Dowd! The Sweet Inspirations provide sublime backing vocals behind Franklin’s maturing delivery of the lyrics — and the music is by an all-star group of players that includes Spooner Oldham, Bobby Womack, Jimmy Johnson, King Curtis, Tommy Cogbill, Roger Hawkins, and even Eric Clapton! After all, she is the Queen, the Lady Soul!! 1 Ranked #84 in Rolling Stone’s “500 Greatest Albums of All Time,” Aretha’s position as soul music’s premier female vocalist was consolidated by Lady Soul. Her strident reading of “Chain of Fools” set the tone on which the singer unveiled several stellar original compositions and reinterpreted a batch of classic songs. Franklin’s gospel roots were clearly displayed on “People Get Ready” while her interpretation of “(You Make Me Fell Like A) Natural Woman” showed both her vulnerable and assertive qualities. The album also features the fine soul ballad “Good to Me as I Am to You” with Eric Clapton on guitar. Lady Soul captures a performer at the peak of her power, restating her ability to take material and make it uniquely her own. This 1968 tour de force is one of the absolute pinnacles of the Queen’s incredible artistic legacy. 2 At a 1968 concert in Chicago, Aretha Franklin was publicly and officially crowned the Queen of Soul in front of her fans by a DJ named Purvis Spann. This body of work shows why Aretha continues to reign supreme. The Queen takes on the Kings of Soul/Rhythm & Blues and pulls no punches as she covers Ray Charles’s “Come Back Baby” and “Be as Good to Me as I Am to You,” James Brown’s “Money Won’t Change You,” and Curtis Mayfield’s “People Get Ready”. She’s classical, bluesy, funky, and right-down soulful on every cut. The poet Nikki Giovanni once wrote–”Aretha can sing Money Won’t Change You, but can James Brown sing Respect?” In other words, when the Queen covers a song, it becomes hers and one can easily forget about the original artist. For example, Carol King wrote and recorded “Natural Woman” but that song is and probably will always be associated with Aretha Franklin. Aretha wails and gets right-down funky on cuts like “Chain of Fools” and “Nikki Hokey.” She’s operatically soulful on “Ain’t No Way”–which to this day no female artist, including Whitney Houston, has been able to successfully cover.You have an absolutely classic and indispensable piece of American music history here. The one and only Aretha Franklin: “Lady Soul.”
欲言又止 Lost for Words
Douban
★ 7.2 21 ratings
喜辰晨 genre: Jazz
release date 2022-01-28 publisher: JZ Music
还没学会说话,好像就已经先学会了唱歌,而学习用音乐说话,我只能算刚刚开始。说些什么呢?从小到大被太多人形容淡定和冷静,这种张口而来的“夸赞”似乎可以映射我有时候在音乐表达上的阻碍和冲突,这种欲言又止的气质会不会也是音乐中的“我”?原创专辑的开启,是我对自己更真实的触摸,是2018年发布第一张爵士改编 EP 和之后的一次升级,而正在阅读这些文字的你,从三个分开的章节到现在的完整篇,也是这些声音共同的书写者。 2018、2019年的时候因为一些机会曾多次去往台北。那里淡淡的空气、街道、朋友以及角角落落,都十分令人眷恋,有让我“寄人篱下”的瑛兰、华劲和他们的一双腊肠狗狗,有同我一起写词并曾经是我年少时崇拜的押韵博士老莫以及最好吃的小潘凤梨酥,还有明明刚在纽约西村俱乐部偶遇而又在其家乡一起玩耍的子瑜等等。许多新鲜事贯穿于每次往返的前后发生,许多灵感萦绕在不同的纬度与温度之间,我把这些都留在<星期一的歌 Monday Spirit>, <蝴蝶 Butterfly, A Hyaline Beauty>, <Wolverine (Silent Chaos)> 这三首歌里,和2019年玉成戏院录音室的夏天。 <星期一的歌 Monday Spirit> 歌词中写到过一个词:灵感啼叫。这应该是创作者们都很期待的发生吧。非常庆幸我自己也遇到过此般情况。两年多前,吉他大师 Gilad Hekselman 在上海演出,他的三重奏充满魅力和能量,音乐产生的磁力把我吸了进去,一首 <Stumble> 听完我脑海中便产生故事的开始——We stumble around in this infinite world……回家路上我奋笔疾书一首诗 <Magnetic Field>,试图形容对“磁场”这个词的感知。还有另一个仙子 Becca Stevens,我曾跟她上过一节宝贵的私课,那次经历根本不像是课堂,而是从词汇卡到小王子绘本的激发式聊天实验,我像个被启发的小孩子一样写出了 <Turn On the Planet>,它是我为数不多从刚下笔就感觉很确信的一首。这些音乐所传递的,都想要好好珍藏在我的心球。跟我一起完成这两首歌编曲与演绎的好朋友肖骏说:“如果人生是无常的,希望我们的音乐也是无常的。”<真空垃圾 Vacuum Improv> 是我们这次的共创 Bonus。 与之呼应的另一首半即兴曲目是 <晶澈 Crystalline Improv>,这首和我对话的是大淮(王晨淮),还有他特别好听的合成器,很幸运能把这些充满灵力的声音记录下来。在这张专辑的多首曲目中,我也用上了我自己的“小武器”,虽做不了真正的乐手,但也多了一份实在的参与感,就像自己动手装修着自己家的角角落落。 还没被大众发掘的宝藏制作人 Sdewdent 帮助我一起完成了专辑同名歌曲,他创作的独特敏感最终营造出我们想要的主题氛围。专辑中还记录着他们贡献的声音:Eric Lau、Kaidi Tatham、Toby Mak、杨光、安雨、小黑(刘恒)、周润青、Danny Zanker,这些令我敬佩的佼佼者们。 这几年,音乐人的身份让我认识了很多新伙伴,交流和学习着不同项目,而我也一直保留着以「Little Happiness Group」为名义的爵士演出,我想它会一直存在。三年前陪我记录 <DEBUT> 的张雄关、李世海、Joseph,继续在新专辑中为我的写作加持,我爱不受限制的新奇声响,也爱单纯动人的原声音色,当被熟悉的 LHG 包裹,身上会立刻爆出幸福的鸡皮疙瘩。这次潜力巨大的鼓手俞国俊也正式加入进来,跟我完成了风格迥异的几首歌。<七下烂调 Seventh> 是「爵士与诗歌」的试验,<梯子 Ladders> 是人声与管乐的“再续前缘”,而如果你听过我的 <4 Loops in Her Way> ,肯定就能立刻认出 <催眠师 Hypnotist> 。 在做这张专辑期间,我也进行了一些合作项目,有的是词曲,有的只是加一点 backing vocals,每一次小小的尝试能给我带来对自己声音的加深记忆与多维理解。但着实痛恨自己做东西还是慢,不然也不至于要把一张专辑的发行战线拖成如此这般绵长,在此感谢后期主力胡仕俊老师。如果说每首歌是一个故事,那要怎么把它们串联起来?这对我来说并不容易,有人声的曲子比纯器乐可能会多一些想象的限制,但同时也有了引导的权力,我更享受在音乐里倾诉,哪怕只是在对自己说。 <欲言又止 Lost for Words> 没有在说什么社会观点,它就是我的生活记录,是另一种时间的刻度,它刻画的是融汇着人声美感与想象力的意境,一种背靠着爵士乐和各种不同音乐的广阔与自由的勇敢,不能说特别完美,但我真的非常爱它,快要做完的时候已经有了不舍的感觉。感谢所有人的帮助,音乐上的和音乐之外的,再一次感谢你们聆听新的小喜。等我们在专辑音乐会时相见,我一定也会欲言又止,让音乐说。 喜辰晨 Voision Xi 于 2022.1
Listened
Aug. 17, 2022
Magnetic Field、梯子、Act Like Adults
女声 中国 jazz
Parallel Lines
Douban
★ 8.7 42 ratings
Blondie genre: Rock
release date 1978-01-01 publisher: Capitol
本专辑在滚石杂志评出的500张历代最强专辑中排名第140位,还在2005年被英国电视4台评为100张最经典专辑之一,排名第94位。
Listened
Aug. 19, 2022
One Way or Another、11:59、Sunday Girl、Heart of Glass、Just Go Away
女声 摇滚 Post-Punk
Heart Like a Wheel
Douban
★ 8.2 10 ratings
Linda Ronstadt genre: Folk
release date 1990-10-25 publisher: Capitol
琳達·瑪麗亞·羅什塔,又譯琳達·朗絲黛,是一位美國歌手和唱作人,在1970年代取得了巨大的成功,在長達四十多年的音樂生涯中跨越鄉村、民謠、搖滾、流行、拉丁音樂、爵士音樂等風格。她已於2011年宣布退休,在2012年末被診斷出患有帕金森氏症。
Listened
Sept. 16, 2022
我也觉得这不算民谣……You're No Good、Faithless Love 、Heart Like a Wheel 、When Will I Be Loved? 编曲细致但又不至于繁复,整张的氛围非常舒服。
女声 乡村 美国
Close to You
Douban
★ 9.1 57 ratings
Carpenters genre: Folk
release date 1970-08-19 publisher: A&M
Listened
Sept. 23, 2022
很好听!看了下是翻唱啊。。。我就说要是全自己写的怎么会一首烂曲都没有。。。
女声 乡村
海马森林(Seahorse forest)
Douban
★ 7.5 14 ratings
表情银行 Mimik Banka genre: Rock
release date 2024-04-23 publisher: 硬地加速Indie Booster
「海马森林 (Seahorse forest)」 2014年我们在德国杜塞尔多夫录制了第一张专辑,录音棚不远处有一片大森林,我们时常会去逛逛。那里古老的巨树遮天蔽日,把脖子后仰到极限也望不到枝桠蔓延的边际。 2024年我们在混音间隙重游这片大森林,听着啄木鸟嘴撞击树干的声音,闻着熟悉的苔藓味,脑中海马体种下的回忆也像森林般生长。这片森林一直在那里,每到做音乐的时候我们就会走进林中逡巡。我们时不时想起自己在起点时的样子,也时不时感慨自己怎么“变了这么多"或“一点也没变"。 这张专辑叫作「海马森林」,与其称之为精选辑,我们更愿意把它叫作回顾辑。专辑中收录的并不是所谓的“代表作",而是我们自己觉得有必要新做一个版本,并且放在一起能形成完整专辑气质的八首歌曲。 表情银行向来不喜欢回头,这次的回头也是“向前回头",我们不是想简单找几首自己的老歌新编一下,而是想用自己2024年的身心状态和制作能力赋予歌曲新鲜的质感,让它变成一张"新"专辑。「海马森林」整体呈现出Chamber Pop式的木质声响,编配不追求浓烈,而追求让人声与每种乐器都清晰可辨、充满情感,乐手们仿佛在一座森林木屋中围绕着你演奏。这些充满"人味"的编配想法有我们这些年在现场和排练室中逐渐堆砌起来的,也有专辑制作过程中与伙伴们一起Jam出来的。 熟悉的歌曲,全新的旅程。亲爱的听友们,欢迎走进我们的「海马森林」。 「海马森林 (Seahorse forest)」 词:思雨/韦坤劫 曲:思雨 演唱:思雨 和声:思雨/通通 「重生摇篮曲」Featuring: 陈思江/艾迪娜 编曲:表情银行乐队 吉他:Robin人友 鼓:张有超 贝斯/钢琴/合成器/采样/铃鼓:通通 萨克斯/长笛/长号:张艺威 大提琴:陈顺顺 制作人:通通 录音:通通/李轩(鼓组录制) 混音:通通 母带制作:通通 录音棚:思雨和通通的客厅/绿村GreenVillage Studio(鼓组录制) 封面及内页摄影:通通 平面设计:柳文锋 艺人经纪:赵欣 发行:硬地加速(北京)文化科技有限公司 特别鸣谢:李智勇、陈磊、Michael