The visionary solo work recorded during Alexander "Skip" Spence's last days as part of the seminal San Francisco band Moby Grape. Sundazed restores the original Columbia album version of Oar directly from the 2-track master tapes, circa 1968. Our CD edition contains previously unheard material from the original sessions, unpublished photos and in-depth annotation by David Fricke, Greil Marcus and Jud Cost. The bonus cuts included are exact representations of what Skip recorded during the last day of the heady and historic Oar sessions.

朋克的摧毁在作用于外部世的同时，同样也在心灵深处进着，Stooges和Iggy Pop开拓了形式后的朋克精神，这是一支相当心灵化的朋克乐队。

当你面对一个颤抖着的、具强大震撼力的灵魂时，你能做些么呢? ——跟随着它一起颤抖吧，是最好的感受方式了。Stooges的音乐中弥散着一种摄人心魄的失重的坠落感(尤其体现在伟大的杰作《Fun House》中)，你所需要做的就闭上眼睛，任凭心灵被lggy Pop发自灵魂深处的声音牵引着一起下坠。

一座铁索桥架在两壁悬崖间，他跪在桥上，一块块地用双拆着木板，脸上是神经质般纯洁笑客——这是Iggy Pop给予人的那令人恐惧、指向地狱的坠落感。

然而，在享受Stooges的恐惧、堕落的同时，我们所感受到的不只是自虐、受虐的痛苦，痛苦的背面是压抑后被释放的自由的快感，这正是Stooges的伟大之处——在压抑中发泄，在绝望中获得解放，在痛苦感受快乐，这些矛盾的揉合体形成Stooges音乐复杂、丰富的个性，并展现了一个勇敢面对矛盾冲突，进入其中以求得到解答(甚至不惜以牺牲自己为代价)的灵魂，这是Iggy Pop无畏的伟大，是沼泽中求生存，悬崖边求学援，压抑中求释放的勇敢——人一旦屈服于命运便失去了真正造就人的东西，也不能再称为"人"，因为人不能没有精神。

在感受Stooges的音乐时，我们总是无法摆脱一种窒息与释放相交错而成的炽烈、强大的生命力，强大得令人畏惧，这种危机与生命的复合形成了Stooges音乐中无休止的挣扎--如果不想被流沙淹没，只能不停地奔跑，摇滚／生命一刻也未停止过这种挣扎，这种挣扎是痛苦的，但却能给人快感和幸福。

如果生命是为了屈服，不如从死亡中解放；如果生存是为了斗争／革命，那么当你投身其中时，便已经理解生存的含义，并与使命融为一体了。

生存便是为了摧毁，而摧毁就是解放，但或许真正的解放只有在来生中才能找到——人若想要不妥协，恐怕只有放弃肉体，才能保全精神。

Stooges的音乐是极其震撼力的，那种痛苦地受虐／自虐性的快感使人不由自主地把自己整个地交给颤栗。乐队1969年的专辑《Fun House》绝对是一部伟大的作品，其中最突出的是大量的萨克斯风，以连续跳跃，不断变化的表达方式体现了摇摇欲坠的危险感——痛苦、恐惧，却很快乐。Iggy Pop像个站在悬崖边上向激流里的岩石张望的舞蹈者，在快感进发的吼叫声中，Iggy Pop将自己奉献给痛苦和死亡，在这死神的舞蹈中，Iggy Pop竟用充满自虐感的声音喊出了“I feel alright，I feel alright，Feel alright……”，这是精神的一种伟大的挣扎。

Stooges音乐中的跳跃感像是一团火，Iggy Pop似乎在烈焰中舞蹈，撕扯看自己，带着纯洁、撕裂、快慰的微笑——这是临近死亡的体验，是享受痛苦的欢乐。在《Fun House》结尾，你可以听到Iggy Pop绝对自虐性的，带看微笑的呻吟，就如神经质一般的纯洁、真实。

感受Stooges的音乐与Iggy Pop的体验是十分痛苦的——如果你真正理解它，而非头脑简单地把它仅仅当作重金属，或无聊的渲泄，或是站在旁边去做什么"欣赏者"的话，溶入Iggy Pop式的生命释放，你将对灵魂的涵义有一次更为彻底的理解和再创造，这种心灵的再生是极为可贵的，人的一生之中又能有几次这样的再生?

在Iggy Pop充满自我折磨的快感的吼声中，我们找到了弥散着摧毁欲的朋克源头。

4th solo album from the enigmatic rocker who influenced the vocal styles of David Bowie & Bryan Ferry, formerly of the British Invasion act the Walker Brothers he started his career as a teen idol who recorded under the name Scotty Engel. Originally released in 1969, '4' was released too much critical acclaim & was the first Walker album to feature entirely original material. Tracks include the Ingmar Bergma influenced 'The Seventh Seal' & 'The Old Man's Back Again' Other songs show engaging folk, country, and soul influences that were largely buried on his previous solo albums. 2000, 24 bit digitally remastered edition with restored original sleeve. Fontana. Standard jewel case.

<a herf=
>英国民谣</a>

<a herf=
>1968年5月Sandy加入了伟大的Fairport Convention乐队，成为主音歌手。1969年发行的 [What We Did On Our Holidays] 专辑成为FC乐队最好的作品之一，此后的[Leige and Life] 专辑更是名声大噪，成为folk-rock最著名的作品，江湖传说其影响了不下5000支乐队咧。在此期间美国歌手Judy Collins演唱了Sandy的作品[Who Knows Where The Time Goes]，使得Sandy的作曲才华也得到了广泛认可。</a>

Hot Buttered Soul was Isaac Hayes' second studio album. Released in 1969, it is recognized as a landmark in soul music.

Elephant Mountain is an album by the American folk rock band The Youngbloods, released in 1969. It reached number 118 on the Billboard 200 chart.

Remastered reissue of third album, originally released in 1969, includes two bonus tracks, 'Dear Landlord', 'The Ballad Of Easy Rider', & a slipcase with the first pressing. Includes sleevenotes by co-founder Ashley Hutchings. 10 tracks. Universal Island. 2003.

2008 digitally remastered two CD set from the infamous underground rockers prepared and mastered by founder member, Wayne Kramer. Featured tracks include the original, uncensored version of 'Kick Out The Jams' recorded in 1968, the original 'A Square', the single version of 'Looking At You' and a previously unreleased version of 'Sister Anne' featuring Lemmy, recorded at the 100 Club, London in 2003. Liner notes provided by founder members Michael Davis and Dennis Thompson. 25 tracks in all. Landmark

The Band was a rock music group active from 1967 to 1976 and again from 1983 to 1999. The original group (1967–1976) consisted of four Canadians: Robbie Robertson (guitar, piano, vocals); Richard Manuel (piano, harmonica, drums, saxophone, organ, vocals); Garth Hudson (organ, piano, clavinet, accordion, synthesizer, saxophone); and Rick Danko (bass guitar, violin, trombone, vocals), and one American, Levon Helm (drums, mandolin, guitar, bass guitar, vocals).

地下丝绒的第三张专辑，由于录音前期发生设备遗失的事故，以及创团成员John Cale的离开，这张专辑的声音平静内敛富有张力

Odessa is a studio album by the Bee Gees, released in 1969. It is their sixth album, the group's fourth album released internationally, and their first released as a double LP. Odessa is noted in Robert Dimery's book 1001 Albums You Must Hear Before You Die.[1]
Odessa would be the final album for the band's original incarnation. Guitarist Vince Melouney would pursue other interests, and Robin Gibb would leave the band over personal and artistic differences with brother Barry Gibb. Barry and Maurice would continue to record with drummer Colin Petersen as the Bee Gees, but disintegrated when Petersen was fired.

John Fogerty是creedence clearwater revival乐队(简称CCR)的灵魂人物，他的嗓音高亢有力，极为独特，具有摇滚的穿透力及蓝调的凄厉与沉郁。他擅长用写实的手法描写六零年代美国社会低下阶层人物的故事，每一首歌都是一则市井小民的悲喜曲，没有深奥的哲理，也没有难懂的词汇，有的只是一部部有血有泪的生活记录，有人甚至指出工人皇帝 Bruce Springsteen其实就是CCR的信徒。从CCR的创作素材来看，在歌词方面来自美国本土低层的真实生活，音乐方面融合了蓝调，摇滚，以及一些不太复杂的放客，Boogie等相当活泼有力的音乐风格，以极诚恳的态度表达出美式摇滚特有的纯朴，以及有时低俗(大量的俚语)的平民精神。

Given total creative control by producer and friend Frank Zappa, Beefheart and his Magic Band rehearsed the material for this 1969 album for over a year, wedding minimalistic R&B, blues, and garage rock to free jazz and avant-garde experimentalism. Warner Brothers Records.