Reissue of 1966 album with 4 bonus tracks 'Shake It Up', 'Little Girl In The 4th Row' (Italian language version), 'SS 396' and 'Corvair Baby'. Also includes archival flyers and rare photos. 2000 release. Standard jewel case.

Black Monk Time is the debut studio album by Germany-based American rock band The Monks. It was released in May 1965 through Polydor Records and was the only album released during the band's original incarnation. The album's subversive content was radical for its time and today is considered an important landmark in the development of punk rock.

Neil's 1966 Capitol debut contains some of his best known (and most covered) songs including "Dolphins," "That's The Bag I'm In," and the future theme song to the 1969 blockbuster film Midnight Cowboy (and Harry Nilsson hit) "Everybody's Talkin'." Original artwork. Detailed liner notes. Water. 2005.

2000 HDCD remaster of the original MONO mixes. Does not include the bonus tracks that were on previous issues.

My Generation is the debut album by the English rock band The Who, released by Brunswick in the United Kingdom in December 1965. It was released in the United States by Decca in April 1966 as The Who Sings My Generation with a different cover and a slightly different track listing.

Highway 61 Revisited is a landmark -- recorded in 1965, during the same tumultuous summer that had seen him plugging in his electric guitar at the Newport Folk Festival, Highway 61 Revisited is Bob Dylan diving head-first into the rock and roll maelstrom, backed by the studio prowess of Al Kooper, Michael Bloomfield and others on such devastating classics as the epochal "Like A Rolling Stone." This Sundazed edition is an exact reproduction of the rare original 1965 mono album, featuring the original sleeve-notes and photos, and all-analog mastering from the absolute original source tapes.

Innovative, influential guitarist and founder member of the groundbreaking folk band Pentangle. Pentangle on the Journey into Love TV programme in 1971, from left, John Renbourn, Danny Thompson, Jacqui McShee, Terry Cox and Bert Jansch.

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." EMI. 2005.

Limited edition Japanese pressing of this album comes housed in a miniature LP sleeve.

珍妮絲·琳恩·賈普林，美國歌手、音樂家、畫家和舞者。她在1960年代以大哥控股公司樂隊主唱之姿崛起，後來單飛，由柯茲米克藍調樂隊和衝擊布吉樂隊伴奏。

First CD reissue of the album.

Sgt. Pepper's Lonely Hearts Club Band (often referred to simply as Sgt. Pepper) is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

«Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman»

Credits:

Phonographic Copyright ℗ – EMI Records Ltd.
Copyright © – EMI Records Ltd.
Artwork [Cover Staged By] – Jann Haworth, Peter Blake (4)
Artwork [Cover] – M C Productions, The Apple
Artwork [Wax Figures] – Madame Tussauds
Design – Paul Wilkinson (3)
Design Concept [Cd Packaging Design Idea] – Kathryn Varley
Engineer [Recording] – Geoff Emerick
Engineer [Second] – Richard Lush (tracks: 1 to 8, 10 to 13)
Liner Notes – Peter Blake (4)
Liner Notes [Quote] – George Martin
Liner Notes [Words] – Mark Lewisohn
Photography By [Cover] – Michael Cooper (8)
Producer – George Martin
Written-By – Lennon/McCartney* (tracks: 1 to 7, 9 to 13)
℗ 1967 Original Sound Recordings made by EMI Records Ltd.
© 1967 EMI Records Ltd.
© 1987 EMI Records Ltd.

Made in the U.K. (on back cover). Made in Italy (on CD).

Comes in a jewel case enclosed in a cardboard box with a 28 page booklet including Sgt. Pepper's cut-outs.

Track 1 recording started in studio 2 at Abbey Road on February 1, 1967. Album version mixed from take 10.
Track 2 recording started in studio 2 at Abbey Road on March 29, 1967. Album version mixed from take 11.
Track 3 recording started in studio 2 at Abbey Road on March 1, 1967. Album version mixed from take 8.
Track 4 recording started in studio 2 at abbey Road on March 9, 1967. Album version mixed from take 15.
Track 5 recording started at Regent Sound Studio, Tottemham Court Road, London on February 21, 1967 and later completed at Abbey Road. Album version mixed from take 3.
Track 6 recording started in studio 2 at Abbey Road on March 17, 1967. Album version mixed from take 9.
Track 7 recording started in studio 2 at Abbey Road on February 17, 1967. Album version mixed from take 9.
Track 8 recording started in studio 2 at Abbey Road on March 22, 1967. Album version mixed from take 2.
Track 9 recording started in studio 2 at Abbey Road on December 6, 1966. Album version mixed from take 4.
Track 10 recording started in studio 2 at Abbey road on February 23, 1967. Album version mixed from take 11.
Track 11 recording started in studio 2 at Abbey Road on February 8, 1967. Album version mixed from take 11.
Track 12 recording started in studio 1 at Abbey Road on April 1, 1967. Album version mixed from take 9.
Track 13 recording started in studio 2 at Abbey Road on January 19, 1967. Album version mixed from takes 6 & 7.

Black and white photograph courtesy of the Michael Cooper Collection.

The rear of the booklet states all tracks except 8 are by Lennon/McCartney, but the liner notes are more specific.