In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.

关于她的犹太身份；关于她十四岁读了康德后确定将读哲学专业；关于她一直刻意不要忘记自己的母语；关于她说的“对于个人而言，问题其实不在于敌人做了什么，而在于我们的朋友做了什么。”

Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.

On the 30th anniversary of the fall of the Berlin Wall John Simpson, the BBC’s world affairs editor, will go back in time to examine his reports on one of the most defining moments of the 20th century. As he examines the BBC’s extensive archive he will consider why history has not turned out quite the way he hoped, and why global politics now is in fact even more complex and worrying now than it was then. On 9 November 1989, as the Berlin Wall’s check points opened up, Simpson rushed to Berlin to cover this incredible event which he thought, like many others, would change the world for the better. Three decades on, Simpson wonders if he was wrong to be so optimistic and talks with historians and other experts to try and understand just how accurate his reporting was. He’ll examine why the Cold War battle that built the Berlin Wall was replaced with other destabilising global power-struggles, why he didn’t predict that the pace of change across Europe would lead to the terrible war in Yugoslavia, and why Russia would find a new guise in which to become a bitter enemy to the West. At the heart of the film is an intense and personal interview where he describes how he grew up in the shadow of the Cold War power battle between the capitalist West and the communist East and how he never thought the Berlin Wall would fall in his lifetime. He believed, like everybody else, this global stand-off would continue for many more decades, ending sooner or later in nuclear war.

The first UK film biography of the world-renowned Japanese artist Katsushika Hokusai (1760-1849), whose print The Great Wave is as globally famous as Leonardo's Mona Lisa. With Andy Serkis reading the voice of Hokusai, the film features artists David Hockney and Maggi Hambling, and passionate scholars who study, admire and venerate this great Japanese master. The film focuses on Hokusai's work, life and times in the great, bustling metropolis of Edo, now modern Tokyo. Using extraordinary close-ups and pioneering 8K Ultra HD video technology, Hokusai's prints and paintings are examined by world experts. In the process they reveal new interpretations of famous works and convey the full extent of Hokusai's extraordinary achievement as a great world artist. Hokusai spent his life studying and celebrating our common humanity as well as deeply exploring the natural and spiritual worlds, using the famous volcano Mount Fuji as a protective presence and potential source of immortality. He knew much personal tragedy, was struck by lightning and lived for years in poverty, but never gave up his constant striving for perfection in his art. Hokusai influenced Monet, Van Gogh and other Impressionists, is the father of manga and has his own Great Wave emoji.

了解一个城市最好的去处，是它的菜市场。 那里有当季的本地食材、地道的特色美食和真实的人文风情。 每一样食材，每一位摊主都有自己的故事要讲述。 比如，意大利都灵的宫门卖场，摊主会告诉你菜蓟蘸什么料好吃；匈牙利布达佩斯的中央大市场有着100多年的历史，建筑本身就是一处景点； 而在德国弗莱堡的明斯特市场，你会找到特别的食材——白芦笋…… 城市的菜市场，回应着人们的每日生活所需，传统仍在延续，新鲜事物也逐渐展现。 ------------------------------------- Ep1 Torino - Porta Palazzo One of Europe's biggest open-air food markets, Turin's Porta Palazzo, is a vibrant core of fresh smells, bright colors, and lovely people. Ep2 Budapest - Központi Vásárcsarnok Nestled in an impressive three-leveled building, picturesque Budapest's central indoor market is not only one of the largest but also one of the most elegant food destinations in Europe. Ep3 Vienna - Naschmarkt With more than one hundred food and vintage stalls plus numerous restaurants, the popular Naschmarkt--Vienna's vast 16th-century food market--is a colorful culinary destination. Ep4 Lyon - La Croix Rousse Located on a hill in the city of Lyon, the neighborhood of La Croix-Rousse (Red Cross), is the town's coolest district, and one of the best itineraries of taste. Ep5 Barcelona - La Boqueria According to many, La Mercat de Sant Josep de la Boqueria, or simply, La Boqueria, is the best public food market in the Ciudad Vieja and a tourist's ultimate destination in Barcelona's La Rambla.

在全球视野里审视中国美食的独特性，在历史演化过程中探究中国美食的流变，深度讨论中国人与食物的关系。这种立足于全球的视角，成就了一个多元的“美食探索纪录片”。

去年社運電影節有套殺死人的六小時影片〔巴黎公社，1871〕，你可以視這片為該片的 making of (製作特輯)，但本片也有本片的意義。Peter Watkins通過呼召集體學習及重新演繹一段被遺忘的草民抗爭歷史（巴黎公社）來追縱現代抗爭的意義，以及讓現代人民參與創造歷的意義，而本片則追縱這個過程，並訪問好多個角色，讓他們以自己的日常生活影像與〔巴黎公社，1871〕中的角度互相映照，並再對照全球媒體如何操作「真實」與「歷史」，最後對比出一幅複雜的「真實」圖像，讓你不能不想想：如果每天看到的影像都比「真實」更「真實」時，你又如何？

In this avant-garde classic, protagonist Louise deals with a change in her lifestyle in which she must learn to negotiate domestic life and motherhood.

数百万年前，不可思议的神奇力量将地壳撕扯得支离破碎，由此创造出七个蔚为壮观的大陆。时光荏苒，每个大陆都孕育了别具特色的野生动物。 从郁郁葱葱的南美洲丛林深处到冰雪覆盖的亚洲山峦之巅，从欧洲熙熙攘攘的都市到非洲的广袤平原，《七个世界 一个星球》将开启一次七大洲之旅，呈现匪夷所思的动物行为，讲述鲜为人知的动物故事。我们将探索在这七个世界，丰富多样的生命如何在地球上生长繁衍，同时揭示在人类主导的世界，动物们所面临的不同挑战。

2014年11月10日，日本著名男演员高仓健因恶性淋巴瘤去世，享年83岁。 在超过半个世纪的演艺生涯中 他一直塑造着笨拙、寡言的男子汉形象，1976年，他在电影《追捕》中眼戴墨镜、身穿高领风衣的铁汉形象，更是在中国造成史无前例的轰动。 而在生活中，他坚毅外表下的细腻和温柔总是让周围人如沐春风。当被问到“什么是人生的幸福？”时，他回答，当触摸到人的善意和温情的时候，他认为人与人之间的关怀体谅是世上最美好的事情。 本期节目将特别回顾高仓健的电影人生，以及他独特的人格魅力。

1918. As the roar of the First World War cannons is dying out, in Vienna, the heart of Central Europe, a golden age comes to an end. The Austro-Hungarian Empire is beginning to disintegrate. On the night of October 31st, in the bed of his home, Egon Schiele dies, one of the 20 million deaths caused by the Spanish flu. He dies looking at the invisible evil in the face, in the only he can do: painting it. He is 28 years old. Only a few months earlier, the main hall of the Secession building had welcomed his works: 19 oil paintings and 29 drawings. His first successful exhibition, a celebration of a new painting idea that portrays the restlessness and desires of mankind.A few months earlier, his teacher and friend Gustav Klimt had died. From the turn of the century, he had fundamentally changed the feeling of art and founded a new group: the Secession.

日系アメリカ人映像作家ミキ・デザキが慰安婦問題をめぐる論争をさまざまな角度から検証、分析したドキュメンタリー。慰安婦問題について、デザキの胸をよぎるさまざまな疑問。慰安婦たちは性奴隷だったのか、本当に強制連行はあったのか、元慰安婦たちの証言はなぜブレるのか、日本政府の謝罪と法的責任とは……。この問題を検証すべく、日本、アメリカ、韓国、肯定派と否定派それぞれの立場で論争の中心にいる人びとに取材を敢行。さらに膨大な量のニュース映像や記事の検証を交え、慰安婦問題を検証していく。

《斯大林/Stalin: from Revolution to Superpower》是1993年德国剪辑出版的关于斯大林传记的记录片，哈默特·卡明斯基（hartmut kaminski）导演，著名历史学家德密崔·安东诺维奇·沃尔科戈诺夫（Dimitri Antonowitsch Wolkogonow）担任主持。 影片由4集构成，分别是“革命/The Revolution”、“乡村和工厂/Village and Factory”、“大清洗/The Great Terror”、“苏维埃超级大国/The Soviet Superpower”。这部长达三个半小时的记录片引用大量珍贵的影象资料和历史数据。 4集时长分别是：革命52分36秒、乡村和工厂52分42秒、大清洗52分59秒、苏维埃超级大国53分05秒。 历史学家沃尔科戈诺夫的中文译著：

「負けないで」「揺れる想い」など、数々のヒット曲を世に送り出してきたZARD。そのボーカルでもある坂井泉水さんの創作活動に迫る特集番組が、4月20日に放送されます。 2007年、40歳の若さで亡くなった坂井さん。生前、彼女は作詞のために毎日のように言葉をメモしていました。番組では、その膨大なメモをご紹介するとともに、歌詞に込められた意味や楽曲の魅力、坂井さんご本人の思いや人柄にも迫っていきます。また、“幻の音源”や、これまでほとんど世に出ていなかった坂井さんの“収録現場での素顔”も紹介。数々のヒット曲を生み出した創作の舞台裏を読み解く120分です！ 番組を企画したのは西ヶ谷力哉プロデューサー。見どころとともに、坂井さんの魅力について聞いてきました！

2014 film

新加坡首部以校园民谣为题材的纪录片，娓娓叙述了新加坡关闭华校之后 ，海外华侨在失语的处境中创作自己的歌。纪录片搜集珍贵的档案资料，以一首悦耳的歌曲，追溯七八十年代的诗乐与新谣（新加坡年轻人自创歌谣），重温了着短暂但亮丽的音乐篇章，以及从边缘迈向主流并走入历史的过程。

“We tried to draw a broad picture showing that the class which, theoretically at least, was said to be the ruling class, had somewhat different views from those which were printed on the front page of the Trybuna Ludu.” — Krzysztof Kieslowski Robotnicy – Nic o nas bez nas tells a story about Gdańsk Shipyard and its workers after so called Grudzień 1970 (1970 protests). After those events Edward Gierek replaced Władysław Gomułka as party first secretary and promised redical change in style and methods of ruling. Kieślowski shows the skepticism of workers and their attitude to party members. He also pictures conflicts inside the party (PZPR) and usual work in shipyard. The political criticism of this movie made it a target of censorship – it was suspended and cut against the will of director.