Born in the USSR: 21 Up is a 2005 British documentary, directed by Sergei Miroshnichenko. Following in the tradition of the original UK Up Series, this documentary revisits a group of Russian children at seven-year intervals to track their development against a backdrop of social and political change. Following the success of the UK original, this film looks at life for a group of young people from the former Soviet Union. The adults here, all introduced to viewers at the age of seven and seen again at 14, were born in a country that no longer exists. Their stories provide an insight into the break-up of the former Soviet Union as well as a reflection of what life has become without Communism. Since filming started 14 years ago, some of the youngsters have left the former USSR to go to Israel or the United States, some have stayed in their family home, but all have had their lives changed. Archival footage of them at the ages of seven and 14, and now new material at 21, shows life in a society that was once shut off from the world. The documentary was followed by Born in the USSR: 28 Up in 2012.

Dreams, fears, and hopes of today's 28-year-olds in Russia. Revisiting its protagonists every seven years, the film provides a unique glimpse into the turbulent life trajectories of the "last Soviet generation." Following the idea of Michael Apted, film director Sergey Miroshnichenko documented the lives of the “last Soviet generation” from across the former Soviet Union. Starting when they were seven – just before the collapse of the communist empire – the director returned to the protagonists every seven years to re-examine their lives, decisions, and opinions. Now 28 years old, most of them seem rather disillusioned with the modern Russia in which they find themselves. While some are pining for the old order of their childhood, others are determined to master their own destinies.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015

日本官方开记招，只视作例行公事，偏偏有一人穷追不舍，要求官员讲人话。《东京新闻》记者望月衣塑子以打烂沙盆问到笃的求真态度，追究填海工程忽视污染，跟进伊藤诗织遭性侵案，质疑政府高层利益输送。其故事曾被改编成电影《新闻记者》The Journalist（藤井道人2019年导演作品），引起社会回响。森达也（《我在真理教的日子》，23 届）找来望月衣塑子本人，纪录她如何在父权社会挑战贪腐高墙，在强调集体和服从的社会，坚持「我」的独立思考，维护传媒作为第四权监察政府的责任。

３年に１度、瀬戸内の里海に知られざる絶景が現れる。瀬戸内国際芸術祭。島々を舞台にさまざまな現代アートが展開する美の祭典だ。これらのアートと風景が織りなす極上の美を俳優の吉高由里子が訪ねる。浜辺に現れた１９６の子どもの砂の像、森につるされた４００の風鈴の音色、古い集会所に作られた４００の建具のトンネル。暮らしや風土と一体化したアートが生み出す絶景は刻一刻とその姿を変え、いつしか里海に溶け込んでゆく。

This documentary tells the story of film director Aleksandr Medvedkin, throughout his life a sincere believer in communism

The centuries old Japanese art form has gone high tech. Building with examples in biology and applying sophisticated mathematics, computer software and good old fashion imagination it looks like any structure can be folded and practical applications are everywhere.

The Man Booker Prize is the world’s most distinguished literary award for English fiction. Its winners instantly acquire a level of fame and wealth which most writers could only dream of. To commemorate its 50th birthday, this documentary looks back over the six decades of the prize, exploring how from humble beginnings the Booker quickly went on to revolutionise the sleepy world of literary fiction and become a central part of British cultural life. We hear the inside story of scandal, gossip and intrigue from a host of former winners, judges and prize administrators. Over the years the prize has changed its rules, its sponsors and its name. But it’s never lost sight of its core purpose: to stimulate debate and encourage the reading of literary fiction. This is a tale of bruised egos, bickering judges, and most importantly of all of - countless brilliant books. Contributors include Booker winning authors Peter Carey, Penelope Lively and John Banville.

杜甫仁科的遗作，一部成功的人物传记电影，描述了苏联著名的植物育种家米丘林的生平。米丘林提出生物学的基本原则是主物体与生活条件的统一，在果树培育方面做出了杰出的贡献。他认为生物对生活条件有高度选择性，而生活条件对生物的发育和遗传变异则起主导作用。 影片真实地还原了米丘林奉献的一生，导演所拿手的蒙太奇处理也有不错的表现力，当然电影带有厚重的红色题材味道，有高大全的脸谱化，但在那个年代里确实产生过很大的震撼力。在国内上映时，就曾经鼓舞了不少立志投身植物研究的热血青年，与《乡村女教师》的政治教育功能类似。上影厂的配音也是经典，其中邱岳峰的声音更让人十分难忘。

Two-part documentary which deals with two of the deepest questions there are - what is everything, and what is nothing? In two epic, surreal and mind-expanding films, Professor Jim Al-Khalili searches for an answer to these questions as he explores the true size and shape of the universe and delves into the amazing science behind apparent nothingness. The first part, Everything, sees Professor Al-Khalili set out to discover what the universe might actually look like. The journey takes him from the distant past to the boundaries of the known universe. Along the way he charts the remarkable stories of the men and women who discovered the truth about the cosmos and investigates how our understanding of space has been shaped by both mathematics and astronomy. The second part, Nothing, explores science at the very limits of human perception, where we now understand the deepest mysteries of the universe lie. Jim sets out to answer one very simple question - what is nothing? His journey ends with perhaps the most profound insight about reality that humanity has ever made. Everything came from nothing. The quantum world of the super-small shaped the vast universe we inhabit today, and Jim can prove it.

船板上健身、餐廳裡跳康加舞、與船長合影、不分齡選美大賽⋯⋯豪華遊艇 上什麼都有什麼都不奇怪。魏斯安德森般精確對稱到超現實的構圖，描寫豪 華遊艇上的種種奢糜奇觀，道出消費主義至上的荒謬社會。

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.

The Ister is a 3000km journey to the heart of Europe, from the mouth of the Danube river on the Black Sea, to its source in the German Black Forest. Hailed by Scott Foundas of Variety as "a philosophical feast—at which it is possible to gorge oneself yet leave feeling elated,” the film is based on the work of one of the most influential and controversial philosophers of the 20th century, Martin Heidegger, who in 1933 swore allegiance to the National Socialists. By joining a vast philosophical narrative with an epic voyage along Europe’s greatest waterway, The Ister invites you to unravel the extraordinary past and future of ‘the West.’

Examined Life pulls philosophy out of academic journals and classrooms, and puts it back on the streets. Offering privileged moments with great thinkers from fields ranging from moral philosophy to cultural theory, Examined Life reveals philosophy's power to transform the way we see the world around us and imagine our place in it.

ŽIŽEK! trails the thinker as he crisscrosses the globe, racing from New York City lecture halls, through the streets of Buenos Aires, and even stopping at home in Ljubljana, Slovenia. All the while Žižek obsessively reveals the invisible workings of ideology through his unique blend of Lacanian psychoanalysis, Marxism, and critique of pop culture.

四十分钟的纪录片短片《走进约翰·凯泽尔》（I Knew It Was You：Rediscovering John Cazale）于4月26日下午在美国马萨诸塞州萨默维尔市影院放映。 约翰·凯泽尔是意裔美国人，他的一生中只塑造过五个角色，但个个都被影迷们奉为经典。在他出演电影之前，已经凭舞台剧《印第安人想要布朗克斯》(TheIndianWantstheBronx)赢得多项大奖。凯泽尔与阿尔·帕西诺是老朋友，所以在阿尔有机会出演弗朗西斯·福特·科波拉的《教父》时，凯泽尔也受邀出演片中的弗雷多。在《教父II》中他继续扮演了这个人物，并成为他个人表演生涯中的一个最为知名的角色。 1974年凯泽尔同吉恩·哈克曼及哈里森·福特合作了惊悚片《窃听大阴谋》，在片中他扮演哈克曼的助手斯坦。此片也是科波拉执导的。凯泽尔的第四个角色是在影片《热天午后》中的银行劫匪萨尔，此片为他赢得了当年金球奖最佳男配角的提名。 凯泽尔的最后一部电影《猎鹿人》是与梅丽尔·斯特里普合作的，影片拍摄时凯泽尔已经身患癌症。在拍摄过程中他与斯特里普相互吸引并订婚。导演迈克尔·西米诺在得知凯泽尔的病情之后，决定把凯泽尔的戏分先拍完。后来剧组发现他得了骨癌，想让他退出剧组时，斯特里普表示如果凯泽尔退出，她也将辞演。影片拍摄完成后不久凯泽尔即与世长辞。 约翰·凯泽尔参演作品列表： 《猎鹿人》(The Deer Hunter)(1978) 《热天午后》(Dog Day Afternoon)(1975) 《窃听大阴谋》(The Conversation)(1974) 《教父2》(The Godfather：PartII)(1974) 《教父》(The Godfather)(1972) 制作人动机：很多影迷对《教父》电影中的明星都已耳熟能详，然而提到扮演弗雷多的演员时，人们脑海中常常一片空白。这部纪录片则详细介绍了这位英年早逝的意大利裔明星：约翰·凯泽尔。 Admired by actors and directors, adored by friends and lovers, yet unknown to most movie-goers, the venerable stage and screen actor John Cazale appeared in some of the most iconic films of the 1970's - Francis Ford Coppola's The Godfather, The Godfather: Part II and The Conversation, Sidney Lumet's Dog Day Afternoon and Michael Cimino's The Deer Hunter. The critically-lauded films collectively earned 40 Oscar nominations, including 14 for Cazale's co-stars, and raked in millions at the box office. In 1978, just after wrapping The Deer Hunter, Cazale died tragically at age 42 and cinema was robbed of one its brightest. In I Knew It Was You, director Richard Shepard talks with Cazale's co-stars and friends, Al Pacino, Meryl Streep, Robert DeNiro, Francis Ford Coppola, Israel Horovitz, Phillip Seymor Hoffman, Steve Buscemi and Sam Rockwell, and paints a loving tribute to a talent taken too soon. John Cazale's resume as a film actor isn't long, but it's distinguished. Cazale appeared in five feature films, and each one received an Academy Award nomination for Best Picture, while three of them -- The Godfather, The Godfather Part II and The Deer Hunter -- won the category. Al Pacino, who made three films with Cazale, considered him one his finest acting partners, and many film buffs cite Cazale as one of the best actors of his generation. But Cazale was thirty-seven years old before making his film debut after distinguishing himself in the New York theater community, and shortly after completing work on The Deer Hunter, cancer claimed his life in the spring of 1978. I Knew It Was You: Rediscovering John Cazale is a short documentary celebrating the life and art of Cazale, featuring clips from his memorable performances and interviews with friends, colleagues and fans, including Meryl Streep (who was also Cazale's wife), Al Pacino, Robert De Niro, Gene Hackman, Francis Ford Coppola, Sidney Lumet, Steve Buscemi, Philip Seymour Hoffman and many others. I Knew It Was You was an official selection at the 2009 Sundance Film Festival.

日本电影频道将播出是枝裕和导演与奉俊昊导演的特辑。10月12日晚9点将播出《特集：是枝裕和×奉俊昊》。 奉俊昊导演的最新作品《寄生虫》（2020年1月日本上映）荣获第72届戛纳国际电影节最高奖金棕榈奖。恰逢韩国电影诞生100周年，值此周年纪念日之际，这部电影取得了傲人的成绩——韩国电影史上第一个金棕榈奖。在第71届电影节上，电影《真实》（10月11日上映）的导演是枝执导的《小偷家族》也获得该奖项，即东亚国家连续2年荣获金棕榈奖。 日韩、亚洲乃至全世界都在热切地期盼两位导演的新作，而今，在日本电影频道独家播出的《从日韩开始 讲述“家族” 是枝裕和×奉俊昊》这一节目上，他们终于完成了时隔2年的会面。

A documentary capturing the creation of the album Junun inside Rajasthan’s 15th-century Mehrangarh Fort. Paul Thomas Anderson follows Jonny Greenwood, Shye Ben Tzur, Nigel Godrich, and the Rajasthan Express as they record a cross-cultural fusion of Indian, Israeli, and Western music.