英文版
Moorish Spain
Douban
Richard Fletcher publishing house: University of California Press 2006 - 5
Beginning in the year 711 and continuing for nearly a thousand years, the Islamic presence survived in Spain, at times flourishing, and at other times dwindling into warring fiefdoms. But the culture and science thereby brought to Spain, including long-buried knowledge from Greece, largely forgotten during Europe's Dark Ages, was to have an enduring impact on the country as it emerged into the modern era. In this gracefully written history, Richard Fletcher reveals the Moorish culture in all its fascinating disparity and gives us history at its best: here is vivid storytelling by a renowned scholar.
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July 10, 2018
看完了。很喜欢。简明扼要覆盖了历史经济文化,伊斯兰各种分支的争斗,和基督教小国间的关系。不是很同意作者最后的判词。虽然同意他说西方文化历来太美化摩尔人,但是感觉他强调的摩尔人统治时期的问题并不比别的帝国更糟,而他们创建的文化和他们对异族的宽容确实是非常独特的。//很有趣。看到一半,Party Kings那一章,里面提到有文艺范儿的摩尔人King跟手下玩的游戏好耳熟,一个是"联句“(Improvising second lines)一个是”曲水流觞“。鉴于发生时代是十世纪,我猜是跟咱们学哒!
伊斯兰 历史 西班牙 摩尔人 英文
July 21, 2018 Review 摩尔人的伊比利亚 - a review of Moorish Spain
Those Who Leave and Those Who Stay
Douban
★ 9.2 21 ratings
Elena Ferrante translator: Ann Goldstein publishing house: Europa Editions 2014 - 9
Soon to be an HBO series, book three in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times) In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond. Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.