2013 film by Yuya Ishii

After learning her boyfriend and colleague was already in a relationship and about to marry another colleague, Takako quits her job and falls into a slump. Her uncle, Satoru, offers her a job and room in his used bookstore in Jinbocho. Despite her initial lack of interest, Takako is slowly drawn into the world of books through contact with the customers who frequent the store.

Minako (TANAKA Yuko), begins her day running up and down the hills of her hometown delivering milk door to door. When that's done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (KISHIBE Ittoku), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children's affairs section of the local municipal office. Though he insists that he wants nothing more than an "ordinary" existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.

A chronicle of the life of Yasui Santetsu, a 17th century master of go who turned his attention to astronomy and created a new calendar for Japan. Based on the life of Santetsu Yasui (December 27, 1639-November 1, 1715), appointed as the first official astronomer in the Edo Period and would go on to create the Jokyo calendar at the imperial request.

Ichiko bakes a cake for an end-of-year party with her friends. In the depths of winter, making mochi and curry keeps the people of Komori warm. Later, spring brings thoughts of her absent mother as well as rice planting and sakura, and she begins to think of leaving Komori behind again.

Hanatani Village in the valley of Tokushima Prefecture is going to be submerged when a dam is constructed. In order to preserve the beauty of the place for future generations, the villagers decide to take photographs of all the families in the village. Kenichi, the only photographer in the village, is put in charge of the project. He calls his son Takashi, an aspiring photographer, to help him with the task. Takashi is puzzled since his father and he are not at all close, but as they visit each family in turn and Takashi sees his father working, Takashi's feelings towards his father begin to change.

Fleeing heartbreak in the big city, Ichiko returns to Komori, her rural hometown. She battles summer's rain and humidity, bakes her own bread, grows hothouse tomatoes and tills the fields. During autumn, the time for pickling and preserving fish and sweet potatoes, Ichiko begins reaping rice and recalls her departure five years before.

人生到了四五十岁，似乎就不再期待恋爱了？吉野千明（小泉今日子 饰），45岁，单身，职业是电视剧的制片人。有不错的收入，有亲近的朋友，却对恋爱不再抱有希望。觉得自己将要孤老下去的千明考虑到养老，花费自己的全部积蓄，在古都镰仓买下了一座旧宅。在考察镰仓的时候，遇上了当地观光推进科的工作人员，50岁的长仓和平（中井贵一 饰）。二人如同汤姆和杰瑞，结下了孽缘。碰巧，千明的邻居就是长仓一家，由和平的弟弟真平（坂口宪二 饰）经营着咖啡店。治愈系的真平，让千明重新燃起恋爱之心，和长仓家也越走越近。除了真平和长平，还有啰嗦的小妹典子（饭岛直子 饰）和怕见生人的万里子（内田有纪 饰），趣事不断上演。
45岁，人生行将过半，成了别人口中的“欧巴桑”。恋爱一词让人胆怯难为情却仍旧货真价实的美好。下一次恋爱，把它当成倒数第二次恋爱，就算是“欧巴桑”的未来，仍旧有期待。

2015 film by Jun'ichi Ishikawa

1996 film by Masayuki Suo

In pre-war Japan, a government censor tries to make the writer for a theater troupe alter his comedic script. As they work with and against each other, the script ends up developing in unexpected ways.

In one long Friday evening, Takeshi Miyata, a straight-arrow businessman, will encounter a number of people (some only fleetingly) who have intertwining fates.

2019 film directed by Masayuki Suzuki

2001 film by Shinobu Yaguchi

2014 Japanese film directed by Shinobu Yaguchi

2019 film by Hideki Takeuchi

On a gloomy Monday morning, my week begins. Although I (Bakarhythm) am sleepy, I put on my make-up and I leave home for work at a bank. I take the subway filled with passengers and get off on the nearest subway station from work. I meet Maki Fujikawa (Kaho) at that subway station. She is my closest colleague at work. While talking with each other, we get to our workplace.

Ryoro Kurojima (Sadao Abe) is the director of a Tokyo apology center. His job is to teach others how to apologize. Ryoro Kurojima solves problems by using his apology techniques on anything from simple arbitration to a national crisis.

An effervescent musical about one of the most unlikely couples seen on screen: two Otaku intent on hiding their nerdiness from their colleagues!

2019 film directed by Katsuo Fukuzawa