俄罗斯
How Not to Network a Nation Douban Goodreads
author: Benjamin Peters publishing house: The MIT Press 2016 - 3 other title: How Not to Network a Nation: The Uneasy History of the Soviet Internet
Between 1959 and 1989, Soviet scientists and officials made numerous attempts to network their nation—to construct a nationwide computer network. None of these attempts succeeded, and the enterprise had been abandoned by the time the Soviet Union fell apart. Meanwhile, ARPANET, the American precursor to the Internet, went online in 1969. Why did the Soviet network, with top-level scientists and patriotic incentives, fail while the American network succeeded? In How Not to Network a Nation, Benjamin Peters reverses the usual cold war dualities and argues that the American ARPANET took shape thanks to well-managed state subsidies and collaborative research environments and the Soviet network projects stumbled because of unregulated competition among self-interested institutions, bureaucrats, and others. The capitalists behaved like socialists while the socialists behaved like capitalists.
After examining the midcentury rise of cybernetics, the science of self-governing systems, and the emergence in the Soviet Union of economic cybernetics, Peters complicates this uneasy role reversal while chronicling the various Soviet attempts to build a “unified information network.” Drawing on previously unknown archival and historical materials, he focuses on the final, and most ambitious of these projects, the All-State Automated System of Management (OGAS), and its principal promoter, Viktor M. Glushkov. Peters describes the rise and fall of OGAS—its theoretical and practical reach, its vision of a national economy managed by network, the bureaucratic obstacles it encountered, and the institutional stalemate that killed it. Finally, he considers the implications of the Soviet experience for today’s networked world.
Endorsements
“Benjamin Peters’s book is not only a scintillating explanation of why the Soviet Internet failed to materialize but also a first-rate sociopolitical investigative report and a delicious tale of how Soviet efforts to manage a command economy left them without either command or an economy.”
—Todd Gitlin, Professor and Chair, PhD Program in Communications, Columbia University; author of Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives
“Peters offers a compelling account of the Soviet Union’s failed attempts to construct their own Internet during the Cold War period. How Not to Network a Nation fills an important gap in the Internet’s history, highlighting the ways in which generativity and openness have been essential to networked innovation.”
—Jonathan Zittrain, Professor of Law and Computer Science, Harvard University; Director, Berkman Center for Internet & Society
“As early as 1962, cybernetics experts in the Soviet Union proposed a complex, large-scale computer network. It fit with a socialist vision but not with bureaucratic politics and a faltering command economy. It was never realized, but the story sheds light both on Soviet history and on the social conditions that shape computing and communications networks. It is a previously unknown story, now elegantly told by Benjamin Peters together with a thoughtful analysis that makes the early history of computing seem full of possibilities not obvious.”
—Craig Calhoun, FBA, Director and President, London School of Economics and Political Science
Awards
Honorable Mention, 2017 PROSE Awards, History of Science, Medicine and Technology category
Prokofiev: Piano Concertos 2 & 3 Douban
★ 10.0 (5 ratings) Evgeny Kissin
release date 2009-05-04 publisher: EMI Classics
Kissin reaches new peaks …The second concerto, with its jagged rhythms and spiky brilliance, can easily become a showcase for empty virtuosity but Kissin found in it beauty, poetry and hidden depths. …The fluency of his passagework was as breathtaking as ever. …The Philharmonia under Vladimir Ashkenazy was on top form, matching Kissin in tenacity, agility and dynamism.”
London’s Evening Standard
For his third EMI Classics release, Evgeny Kissin has turned to repertoire from his native Russia, Sergei Prokofiev’s Piano Concertos Nos. 2 & 3. The performances were recorded live at the Royal Festival Hall in January 2008 with Vladimir Ashkenazy conducting the Philharmonia Orchestra. This is Kissin’s first recording of Prokofiev’s Concerto No 2.
Evgeny Kissin made his concerto debut in Russia at the age of ten and caused an international sensation three years later with the release of his recording of Chopin’s 2 Piano Concertos. Kissin proceeded to record the major concerto repertoire whilst still in his teenage years.
The collaboration between Evgeny Kissin and Vladimir Ashkenazy is an inspired choice. In addition to his renown as a conductor, Russian-born Vladimir Ashkenazy is one of the finest pianists of his generation and a champion of the Russian piano repertoire. He has performed all five of Prokofiev’s piano concertos on many occasions. In 2000, he was named Conductor Laureate of the Philharmonia Orchestra.
Evgeny Kissin was born in Moscow in 1971. He could play the piano by ear and improvise from the time he was two. At the age of six, he entered Moscow’s Gnessin School of Music for gifted children, where he studied with Anna Pavlovna Kantor, who has remained his only teacher. In 1982, aged ten, he made his concerto debut in Mozart’s Piano Concerto K466 and, a year later, his solo recital debut.
Already at the age of 12, Kissin’s technique was remarkably accomplished and his emotional response to the music was also startlingly mature. He performed outside Russia for the first time in 1985 and made his first tour of Japan the following year. 1990 saw Kissin’s Proms debut and his North American debut with the New York Philharmonic and Zubin Mehta. His Carnegie Hall recital debut opened the Hall’s centennial season a week later.
Evgeny Kissin’s diary for 2009 features an extensive European/American/Asian recital tour, in which Kissin performs works by Prokofiev and Chopin in 25 major cities in Spain, Portugal, Switzerland, Luxembourg, Italy, France, Germany, Austria, China and South Korea.
红色骑兵军 Douban Goodreads
КОНΑΡМИЯ
★ 9.4 (13 ratings) author: [俄]伊萨克·巴别尔 translator: 戴骢 publishing house: 人民文学出版社 2012 - 5
一九二〇年,二十六岁的巴别尔以战地记者的身份,跟随布琼尼统帅的苏维埃红军第一骑兵军进攻波兰。战争历时三个月。巴别尔目击了欧洲历史上,也是人类历史上,最后一次大规模的空前惨烈的骑兵会战。几年之后,他根据这次征战经历,陆续创作了三十多篇短小精悍的作品,有战地速写,也有军旅故事,这就是一九二六年出版的《红色骑兵军》。
这部在全球流行八十年、禁而不绝的奇书,是一曲曾经震撼世界的战争绝唱。它既是一位犹太书生有关文明与暴力、征服与抵抗的鲜活记录,也是一部霸气十足、豪气冲天、剽悍粗犷的哥萨克骑兵将士的精彩列传。
我们 Douban
★ 7.8 (104 ratings) author: [俄] 尤金·扎米亚金 translator: 殷杲 publishing house: 江苏人民出版社 2005 - 10
作为第一部反乌托邦作品,《我们》针对的是极权主义的种种弊端。全书采用笔记形式,假借生活在未来世界中的一个模范公民之口,戏拟了一个高度数字化、采用集中统一管理的“联众国”中各色人等的生活和心态。
在这个攀上了“人类文明的最高峰”的联众国,所有公民一律被冠以数字为名。主人公便叫“D-503号”。D-503号是一名联众国培养成人的数学家,他对联众国满怀忠诚,特地记起了笔记,想借之赞颂威哉壮哉的联众国。
怎料,联众国再发达文明,也仍旧奈何不了残留的人性。某个美艳过人的女性号码I-330突然出现,完全震撼了D-503号的纯洁心灵。在I-330的引诱下,D-503号一步步解放了本性,由小说开始时恨不能化身为机器的极端忠诚分子渐渐转变为有恨有爱,有血有肉有“灵魂”的凡人。不过,事情远没有这么简单。I-330之所以接近D-503号,自有她的秘密计划。作品的结局是出乎意料、震撼人心的。
《我们》的写作风格直接影响了后来的《1984》、《美丽新世界》等反乌托邦作品。