2003 reissue of the Japanese progressive rock act's 1979 album. Epic.

Pilgrimage of the Soul is the 11th studio album in the 22-year career of Japanese experimental rock legends, MONO. Recorded and mixed – cautiously, anxiously, yet optimistically – during the height of the COVID-19 pandemic in the summer of 2020, Pilgrimage of the Soul is aptly named as it not only represents the peaks and valleys where MONO are now as they enter their third decade, but also charts their long, steady journey to this time and place. Continuing the subtle but profound creative progression in the MONO canon that began with Nowhere Now Here (2019), Pilgrimage of the Soul is the most dynamic MONO album to date (and that’s saying a lot). But where MONO’s foundation was built on the well-established interplay of whisper quiet and devastatingly loud, Pilgrimage of the Soul crafts its magic with mesmerizing new electronic instrumentation and textures, and – perhaps most notably – faster tempos that are clearly influenced by disco and techno. It all galvanizes as the most unexpected MONO album to date – replete with surprises and as awash in splendor as anything this band has ever done.

宇多田光第八张新专辑《BADモード（BAD MODE）》确定明年2月23日发行实体唱片！数字专辑则率先于1月19日发行并同时举办线上演唱会《Hikaru Utada Live Sessions from Air Studios》！
新专将收录日剧最爱主题曲《君に夢中》、Find Love、One Last Kiss、Face My Fears、Time、PINK BLOOD等先行单曲！

Original soundtrack for Japanese animated feature. The music is performed by Seatbelts and featuring Keyboards, synthesizer manipulate, drums, bass, guitar percussion, voices, saxophone, trombone, flute and tuba. 17 tracks.

由蘋果女王椎名林檎(Vo.)、浮雲(Gt.)、龜田誠治（Ba.）、刄田綴色（Dr.）和伊澤一葉（Kb.）五人所組成的東京事變，歷經解散後於2020閏年元旦再生，並無預警推出新作「未被選中的國民」，震撼歌壇。一向創意豐富又令人驚喜的東京事變也迅速推出收錄了電影劇場版『名偵探柯南：緋紅的彈丸』主題曲「永遠的不在場證明」的EP『NEWS』，並不負眾望推出線上演唱會影像化作品『2020.7.24閏vision特番NEWS FLASH』，向廣大粉絲呈現東京事變獨有的\華麗服裝VS舞台效果影音饗宴。

Firmly placed as both progenitor and progressor within their field, MONO is like no other artist - visceral, engrossing and showing no signs of decay after two decades spent creating waves of beautiful and expansive rock music. Many an artist lays claim to setting the template - or many have this claim placed upon them - but this Japanese artist has long-since simply set their own template. Listening to MONO is like entering another world, where the majesty of the noise embraces you and the delicacy of the space around it breathes warmly in your ear. A.A. Williams came from nowhere. An EP arrived in January 2019, and a debut show at the prestigious Roadburn Festival three months later confirmed what this first taste of music had suggested: this is a special artist. The woman in black: one arm aloft after the delicate yet decisive strum of a chord, a stillness in the room focused on the graceful soaring of a unique voice. To arrive so fully formed is a feat in itself; to take the audience's breath away with such immediacy is something else entirely. As soon as MONO's Takaakira `Taka' Goto heard the music of A.A. Williams, an unwavering resonance was triggered. For A.A. Williams, the appreciation was emphatically mutual. A musical connection developed into a collaboration; introductions were made, ideas exchanged. At the end of MONO's 2019 summer tour, these ideas were committed to tape in London and the result is `Exit in Darkness' - a mesmeric coming together of two artists from opposite ends of the globe whose creative approach could not have melded more eloquently.