“管啸天GuanXiaotian”是脏手指乐队主唱管啸天的个人音乐项目，主要的合作音乐人有沈帜（卧轨的火车），PZ（晕盖），邬雨杰（也朋）。

2019年末、配信限定で「何なんw」「もうええわ」がリリースされると、アーバンなサウンドに乗った岡山弁の歌詞(一人称が「ワシ」)が世間の度肝を抜き、サブスク上位へランクイン、プレイリスターからの賞賛など、たちまちシーンのど真ん中へ浮上した藤井 風。 同曲のMusic VideoがYouTubeへ公開されると、耳の早いリスナーだけでなく、様々なジャンルのクリエイター陣も彼の才能に気づき始め、話題となった。 作詞作曲は全曲「藤井 風」。サウンドプロデュースには「Tokyo Recordings」の主宰として数々のアーティストをプロデュースする「Yaffle」氏を迎え、ファーストアルバムにして2020年を代表する名盤が誕生した。

成都梦幻流行双人组合Deep Water，继2019年发布首张作品《Diving》后，今日带着他们的最新EP《Sugar》在2020情人节发布，为每个孤单失落的人带来一份甜蜜而温馨的陪伴。 Deep Water即浪漫温柔本身，不停吟唱着或悲或喜的爱情赞歌。新EP中的三首歌即可被看作一部关于爱情的三幕剧。 设计：中介 制作人：Deep Water 录音／混音／母带：段轩

林志峰，藝名林強，出生於台灣彰化縣彰化市，歌手、電影演員、DJ、作詞家、作曲家、電影配樂製作人，於中學時代舉家搬至台中市中區居住。林強以台語歌曲〈向前走〉一曲成名，以搖滾樂編曲，打破了台語歌曲長期以來的悲情曲風，被視為是新臺語歌運動中的代表作品之一

"Glow In The Dark" and "Waiting For You" were recorded and mixed by Joey Oaxaca. "Inverted Skies" was recorded and mixed by Pascal Stevenson and Andrew Mackelvie."Gravity Well" was recorded and mixed by Guy Valdez. "I Go" was recorded by Gina Negrini. All songs mastered by Joey Oaxaca, except "I Go". We are extremely grateful to Joey Oaxaca, Pascal Stevenson, Andrew Mackelvie, Joe Trainor, and Sophie Negrini. All songs written by Mo Dotti. Mo Dotti is Gina Negrini (vocals and guitar), Guy Valdez (guitar), Brian Rodriguez (bass guitar), and Shelly Schimek (drums).

2020: the year the Earth stood still for many of us. At least Kieran Hebden aka Four Tet has managed to stay productive. Amid the near-constant livestreams broadcasted from his home — which frequently featured a thrilling mixture of age-old classics and synthesis magic neatly matched by the bucolic setting of leafy trees that surround his house — he was evidently cooking up the slow-burning, meditative tones that would later become Parallel. Months of confinement can’t help but make Parallel seem like an album of nostalgia for faraway worlds, and Hebden’s deeply felt sentimentality rings through its 10 tracks, each numbered like recollections in a quarantine diary. The first entry is an extended piece; kosmische textures and rain droplet rhythms unfurl in a vast 27-minute suite, the construct later giving way under the weight of a soaring drone. You get a real impression of time’s palpable dilation with errant voice messages and recordings of life’s activity. He ends the album on a similar note of reflection, the electronics stripped away to reveal a beautifully lively piano tinkering. While deep ambient music informs much of Parallel, Hebden quickens his pace with rolling electronic percussion and livewire synth leads recalling the vivacity of house, later rediscovering the cadences of his track ‘Baby’ in the crisp snares and reams of vocal samples on ‘Parallel 4’. Naturally, Parallel is another striking LP from Four Tet, and after the year we’ve had, it’s exactly what we need.

丰江舟纪念铁盒之《94-99 苍蝇 丰江舟未发行》磁带版即将发行～ 十三首未发表（未收录专辑）历史作品！红黑俩款磁带。

Kieran Hebden (born 1977), best known by the stage name Four Tet, is an English musician. Hebden first came to prominence as a member of the band Fridge before establishing himself as a solo artist.

After two feverishly received albums as King Krule, plus another low-key outing under his own name, this extraordinarily gifted 25-year-old from Peckham in South London adds further depth and substance to his oeuvre with another wondrous long-player called ‘Man Alive!’. It arrives packed full of his trademark sonic ambition and compositional skill, as well as the now-familiar corrosive lyricism and lurid social observation.

在长期创作的过程中我们发现对于律动的需求越来越强烈，这些需求也源自于我们听过或能吸引影响我们的音色。开始写这张专辑前都还没有明确的方向，在各种不断尝试时，先有了「游离」这首歌框架的构建，然后开始编曲填词，正如歌名和歌词写的那样，刚开始的尝试对于我们来说还有很多不确定的因素，也有些忐忑，但内心已经很笃定接下来的一切——变化已经开始了，更多的是想表达对生命中一些未知的感受和对心中信念的坚持，我们就把当时的心态都写了进去，结果出来的效果让我们自己挺意外，「游离」是「谁的世界」这张专辑音乐方向的转折点， 「日安」在编曲上也有比较大的改变，我们不再使用以前传统的方式，转而运用了很多音色采样，像有船坞的吱嘎声，海水冲刷的声音，还有鼓的编配也做了一些突破性的尝试，总体上是想营造一种在看似平静的生活之下却有着跌宕迷幻的色彩。还有「林中小屋」这首歌动机产生是从一个比较戏剧的编曲框架开始，然后李静从一部电影里吸取到歌词灵感，又结合了一些寓言故事，像农夫与蛇讲述友情中的背叛与原谅,一个比较有意思的地方，其中的音色和编曲有我们很多年前写的一首叫坚果大战的影子，应该是我们早期潜意识里的一个音色需求元素表达 整张专辑的情感看起来疏离却又很热烈，充满力量的和声呐喊，还有几分超现实主义的荒诞。但是这些都不重要，它就是我们把梦境跟现实结合起来的一个幻想世界，一种尝试，一种爆发，对生活的一个自我认识的发声。

The last performance of Beijing's avant psych rock band not in catalog. not in catalog was active in 2016-2017. One studio album, 20 more concerts and 10 more alienated songs. 4 songs in this cassette were new composed after former studio album's recording. not in catalog are: abing - guitar lodliet - drums zhao cong - bass guitar zhu wenbo - guitar, saxophone, voice recorded by zhu wenbo at fruityspace, September 24, 2017 mixed and mastered by abing credits released March 14, 2020

《WUHAN2020》是白纸扇在2020新冠疫情期间创作一张充满思考与暖度的EP。与从前那令人心乱如麻，荷尔蒙狂飙的AV大久保不同，如今的陆炎唱起了温柔的誓言和浪漫的意象，他曾经几乎是一片浪潮翻涌的苦涩汪洋，如今随着年岁潮汐的挟裹，逐渐幻化成城市上空飘荡的丝绒被单，如同《方舟2号》的轻轻地黑暗，深深的忧愁，清晨的雷声隐隐作响，轻盈的骑士造访别人的青春，潮湿而焦虑。《爱的守护》是一首适合从dj台播放出来的霓虹闪烁情歌，纵情忘我的复古合成器，时髦惬意的舒适律动，像无所事事的青年肉身，深夜炎夏街头的汽水，性的炙热和爱的不清醒。陆炎在用词语覆盖词语，情绪搅拌情绪，欲望索取欲望，“毒蛇苹果不停变着新花样，诱惑渐渐变得不可阻挡。” 文/上官喆 听《爱的守护》，陆炎的声音总让我想起变形金刚里霸天虎的机器鸟变身的声音，吱吱咔咔一阵后，声波（机器鸟学名）开始给正派们意想不到的一击。一种机械的，刚硬的声线组出一些柔情的旋律，在脑子里带来下坠和靠后的体感，怎么讲，就是总让你察觉后脑勺的存在，这或许有待玄学科学家的验证，我先提出案例。同时他的声音又是一种正义的感觉，像我第一次追捧他们时听的那首《复员》，那次我给出的评价极其的高，声称他为摇滚界的屠洪刚，这是一种地道的，实打实的夸赞，正义，容不下阴谋诡计，就是这么正面刚的听感让我在深南大道上开到了100迈。另外，委实向广大群众推荐陆炎的《方舟2号》，这才是新冠纪元里该有的创作，毫不花哨的传统创作，沉思，希望，飘摇，信心，相对于被人诟病的《方舱医院真神奇》显得诚恳务实，后者简直是基于某种当代艺术逻辑的创作，脱离群众的老派图谱，有如一只刷了漆的臭袜子，很好的封存了各种信息，我们不需要这样的公益歌曲，对，《方舟2号》理应成为一首人人传颂的公益歌曲，为中国歌唱界正名。 文/李燎 制作人：李平 编曲：白纸扇 录音：黄彦翔、许海@银河树录音室 混音/母带：李平 封面：龚剑 厂牌：赤瞳音乐 母带版权归属：太合麦田（天津）音乐有限公司 词曲版权代理：北京大石音乐版权有限公司