Monk's Dream is the first album jazz musician Thelonious Monk released on Columbia Records. It was issued in 1963. [1] "Bye-Ya" and "Bolivar Blues" were recorded on October 31, 1962; "Body and Soul" and "Bright Mississippi" on November 1; "Sweet and Lovely", "Just a Gigolo" and "Monk's Dream" on November 2; and "Five Spot Blues" on November 6. "Bright Mississippi" is the only track on the album that Monk had not previously recorded. "Bolivar Blues" was originally titled "Ba-lue Bolivar Ba-lues-are", and had been on Monk's 1957 Riverside album, Brilliant Corners. "Five Spot Blues" was originally called "Blues Five Spot" and had first appeared on the album Misterioso, which was recorded live at the Five Spot Cafe in New York in 1958 and released on Riverside. "Monk's Dream", "Bye-Ya", and "Sweet and Lovely" had also been previously recorded by Monk for Prestige Records at a session ten years earlier.

BILL EVANS - piano SCOTT LAFARO - bass PAUL MOTIAN - drums Recorded live at the Village Vanguard New York; June 25, 1961.

Time Further Out continues the Dave Brubeck Quartet's exploration of unusual time signatures that began on their 1959 album Time Out. The tracks are ordered by the number of beats per bar, starting with "It's a Raggy Waltz" and "Bluette" in 3/4; "Charles Matthew Hallelujah", a tribute to his newborn son, in 4/4; "Far More Blue" and "Far More Drums" in 5/4; "Maori Blues" in 6/4; "Unsquare Dance" in 7/4; "Bru's Boogie Woogie" in 8/8; and concluding with "Blue Shadows in the Street" in 9/8. The time signatures are listed on the album's cover, where they are referred to as "tempos". Like Time Out, Time Further Out's cover features a work of modern art: a painting by Catalan-Spanish artist Joan Miró.

William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording.

Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio, and is considered one of his most difficult compositions

Recorded June 16–17, 1964 CBS 30th Street Studio, New York City Dave Brubeck - piano Paul Desmond - sax Eugene Wright - bass Joe Morello - drums

Bitches Brew is a studio double album by jazz musician Miles Davis, released in June of 1970 on Columbia Records.[1] Recording sessions took place at Columbia's 30th Street Studio over the course of three days in August of 1969. The album continued Davis' experimentation of electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Often cited as one of Davis' best-selling albums and masterpieces, Bitches Brew marked a turning point in modern jazz. Upon release, it received mixed criticism from fans and critics, alike, due to the album's unconventional style and revolutionary sound. Later on, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.[2] In 1998, Columbia Records released The Complete Bitches Brew Sessions, a four-disc box set that included the original album as well as ensuing studio sessions through February 1970.

With material from 1946 to 1991, this handsome box set reveals the enormous breadth of Brubeck's interests, accomplishments, and collaborations. There are tracks, for example, with Louis Armstrong, Jimmy Rushing, Gerry Mulligan, and Carmen McRae. There's even a duo with Charles Mingus. Also here is the full range of Brubeck's studied structures, involved harmonies, and elements unusual to jazz, including expansive time signatures and the use of fugue form and 12-tone theory. Included, of course, are such signature hits as "Blue Rondo a la Turk" and "Take Five." Brubeck came up playing hillbilly, swing, and Dixieland, and at college studied modern composition. All of that--and little constraint--informed his complex, idiosyncratic style. The package includes an 80-page booklet with his biography, rare photographs, and descriptions of every track. --Peter Monaghan

Recorded：December 9, 1964 Studio：Van Gelder Studio, Englewood Cliffs The John Coltrane Quartet[edit] John Coltrane – bandleader, liner notes, vocals, tenor saxophone, soprano saxophone[40] Jimmy Garrison – double bass Elvin Jones – drums, gong, timpani McCoy Tyner – piano Additional personnel[edit] Archie Shepp – tenor saxophone on alternate takes of "Acknowledgement" Art Davis – double bass on alternate takes of "Acknowledgement" Rudy Van Gelder – engineering and mastering Bob Thiele – production and cover photo[41] George Gray/Viceroy – cover design Victor Kalin – illustration Joe Lebow – liner design

Recorded February 22, 1963 Dave Brubeck - piano Paul Desmond - alto saxophone Eugene Wright - double bass Joe Morello - drums

Music for an imaginary ballet by pianist Misha Alperin, performed by the trio and the Norwegian Chamber Orchestra. The theme is a medieval rural wedding, inspired partly by the films of Sergei Paradjanov, and partly by Alperin's experience playing in Moldavian wedding bands. There's an oddly appropriate sense of Aaron Copland-ish prairie hoedown to some of the sections, and while reed-warbler Sergey Starostin's bird-calls remain an aquired taste, the strings are thrilling.

mama!milk . . . . . 生駒祐子 : アコーディオン 清水恒輔 : コントラバス ゲストミュージシャン . . . . . ガクサトウ : テルミン 井登友一 : フルート, トロンボーン トウヤマタケオ : ピアノ（ ※トウヤマタケオ楽団 ) 栗原務 : ドラム ( ※double famous, little creatures ) 録音, マスタリング . . . . . 林 皇志 ( Sience Audio Recording ), 中田 宏, 田中 航太 アートディレクション, デザイン . . . . . 植原亮輔 ( DRAFT / D-Bros ), 飯田　郁 ( DRAFT / D-Bros ) A&R . . . . . 富田和樹

French only CD/DVD (PAL/Region 0) pressing on Blue Note features a the definitive anthology with 20 tracks including 'I Fall in Love to Easily', 'My Funny Valentine', 'But Not For Me' and more. The bonus DVD is a documentary 'Chet's Romance' (10 minutes) directed Bertrand FŠvre is exclusive to this release. Subtitle information unavailable at press time. Blue Note. 2006. * Please note you will need an All Code DVD player to view.

18 of the finest by the original African power diva, all at a fantastic low price! Featuring a varied repertoire that includes both classic songs and well-known hits, this collection is ideal introduction to anyone that's ever been curious about Simone, as well as an ear-opener for those that were of the opinion that Erykah Badu and Lauryn Hill weren't influenced by anyone of their predecessors. Includes 'My Baby Just Cares For Me', 'He's Got The Whole World In His Hands', 'Don't Smoke In Bed' and 'I Loves You Porgy'. 2000 release standard jewel case.