Da Capo is the second album by American rock group Love, released in January 1967 by Elektra Records. The bulk of Da Capo was recorded between September 27 and October 2, 1966. "7 and 7 Is" was recorded on June 20, and had been released as a single in July of 1966 backed with "No. Fourteen", an outtake from their debut album.

William John Evans was an American jazz pianist and composer who mostly played in trios. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today.

Forever Changes is the third album by American rock band Love, released by Elektra Records in November 1967. In 2003, Rolling Stone magazine ranked Forever Changes 40th in its list of the 500 greatest albums of all time.The album was inducted into the Grammy Hall of Fame in 2008. It was entered into the National Recording Registry in May 2012.

美国二人组 Simon & Garfunkel 于 1968 年发行的第四张专辑，是他们最优秀的专辑之一，此为 2001 年重发行重制版（罗伊）

Strange Little Girls is a concept album released by singer-songwriter Tori Amos in 2001. The album's 12 tracks are covers of songs written and originally performed by men, reinterpreted by Amos from a female point of view.

Suzanne Vega celebrated the 25th anniversary of her album Solitude Standing with a live concert at London's Barbican on October 16, 2012. The live recording was originally available through the Concerts Live site, but will now be given a general release in Europe on February 18. The concert is broken into two halves. The first is the anniversary performance of Solitude Standing in its entirety. The second half was performances of some of Vega's best known music from the other albums released throughout her career. At this time, there are no announcements of a U.S. release; however, the album should be available through Amazon as an import.

For many pop-music cynics, excess can be neatly summed up in three things: live albums, double-CD's, and Tori Amos records. Damned if To Venus and Back doesn't hit the trifecta. But perhaps Amos is just trying to prove what we've always suspected: that her muse possesses a sly, ironic wit and has been frantically trying to give us a wink while Tori whipped up her heady cocktail of quiet Sturm, desperate Drang, and angst in the panties. There's teasing moments on this double-dose of Tori's love affair with her own melodic and mystical dramaturgy to support that notion, even in the disc of powerful new studio recordings that inaugurates this set. Dubbing a song "Glory of the 80's" is burlesque enough, but yearning to have oneself cloned as Kim Carnes at its climax is simply inspired. Amos is to Kate Bush's distaff mysticism what Mark McGwire was to Roger Maris; she hasn't so much broken the mold as willfully hammered it into her own image. After Bush hit the snooze-bar on her career in the late `80s, Amos boldly stepped into the fray, building a body of work that demanded to be taken seriously, even while the thrift-store chic set were laughing up their tattered sleeves at her ambitious chutzpah. They're not laughing now; in fact, many may find Venus to be a deliciously guilty pleasure. Amos supporters have long maintained that the key to understanding her intrigue lies in her live performances. Disc two boldly states their case as Amos coos, whoops, and warbles through a hit-sprinkled set, her shrewd, sorely undervalued band hanging with every nuance and turn of phrase. Cynics are from Mars; Tori is from Venus--that's just the way her galaxy crumbles. Jerry McCulley

1996 reissue on Warner Brothers of th late singer- songwriter's 1972 live album for the label, recorded in Los Angeles in 1971. Features seven tracks, including 'Move WithMe' and 'Nighthawkin''.

Richie Furay has written and sung some of Americanas biggest songs including Buffalo Springfield s Kind Woman, Sad Memory, Good Time Boy, Sit Down I Think I Love You, and Do I Have to Come Right Out and Say It; Poco s Pickin Up The Pieces, C mon, and A Good Feelin' to Know; as well as Souther Hillman Furay s Fallin' in Love. After leaving Souther Hilman Furay, Richie went on a spiritual journey which led him in 1983 to became senior pastor of the Calvary Chapel in Broomfield, Colorado, a non-sectarian Christian church in the Denver area. Richie continued to tour with his own band and also carved out a very successful career in Christian Music. Today Hand In Hand finds that Richie back is to his Americana routes, as he was just elected into the Colorado Music Hall Of Fame. His new album features the lead single We Were The Dreamers, which takes the listener back to Richie s days fronting Poco. The album also features Keb Mo on the song Someday, with guest vocals by Neil Young and Kenny Loggins on Kind Woman.

No Doubt is an American rock band from Anaheim, California, formed in 1986. Since 1989, the band has consisted of lead vocalist, Gwen Stefani; bassist, saxophonist, and keyboardist, Tony Kanal; guitarist and keyboardist, Tom Dumont; and drummer, Adrian Young.

Monica Zetterlund 和 Bill Evans 於1964 年於 Stockholm 的錄音

The story of these Commodore and Decca recordings - timeless tunes waxed between 1939 and 1950 - is the story of Billie Holiday and Milt Gabler. It is the story of a singer and a producer and their creative, line-crossing partnership in a day when societal and racial lines were sharply drawn. And, like all tales involving legends of increasing stature, it is a story that is proudly retold - especially among family. "They had a bond together that I think was extraordinary," says Billy Crystal, Gabler's nephew and compiler of this collection, "because she knew that she did her best work with him. And I know he felt really proud of what he had done with her. Billie Holiday was Milt's love."

Mathis James Reed was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences.

Featuring, Guitar, Vocals – João Gilberto (tracks: 8) Featuring, Piano – Antonio Carlos Jobim (tracks: 8, 15), Bill Evans (tracks: 7), Chick Corea (tracks: 6), Oscar Peterson (tracks: 2) Tenor Saxophone – Stan Getz (tracks: All tracks) Vocals – Astrud Gilberto (tracks: 4)