Recorded：December 9, 1964
Studio：Van Gelder Studio, Englewood Cliffs
The John Coltrane Quartet[edit]
John Coltrane – bandleader, liner notes, vocals, tenor saxophone, soprano saxophone[40]
Jimmy Garrison – double bass
Elvin Jones – drums, gong, timpani
McCoy Tyner – piano
Additional personnel[edit]
Archie Shepp – tenor saxophone on alternate takes of "Acknowledgement"
Art Davis – double bass on alternate takes of "Acknowledgement"
Rudy Van Gelder – engineering and mastering
Bob Thiele – production and cover photo[41]
George Gray/Viceroy – cover design
Victor Kalin – illustration
Joe Lebow – liner design

Full performer name: Art Blakey & The Jazz Messengers.
The Rudy Van Gelder Edition of MOANIN' includes an essay by Bob Blumenthal.
Art Blakey & The Jazz Messengers: Art Blakey (drums); Benny Golson (tenor saxophone); Lee Morgan (trumpet); Bobby Timmons (piano); Jymie Merritt (bass).
Producer: Alfred Lion.
Reissue producer: Michael Cuscuna.
Recorded at the Van Gelder Studio, Hackensack, New Jersey on October 30, 1958. Originally released on Blue Note (4003). Includes liner notes by Leonard Feather and Bob Blumenthal.
Digitally remastered using 24-bit technology by Rudy Van Gelder (Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
If you simply can only have one Art Blakey and the Jazz Messengers disc (and why would you stop there?), it absolutely must be MOANIN'. This 1958 Blue Note date is the cream of the early Messengers' studio sessions. The group of this period featured the wailing Lee Morgan (trumpet), the swinging Benny Golson (sax) and the soulful Bobby Timmons (piano) with longtime bassist Jymie Merritt by Blakey's side. All of the pieces fell into place here to create one of the most hard-swinging, blues-inflected records in jazz history.
Timmons' classic title cut sets the pace as it's laid-back call-and-response chorus and swinging bridge will get in your soul and start your head bobbing. Golson's bouncing "Are You Real" and the subtle "Along Came Betty" feature that golden Messengers ensemble sound that can't be matched as Blakey drives his men mercilessly. The most dynamic tracks, of course, are the drum feature "The Drum Thunder Suite," a Blakey tour-de-force, and the powerful "Blues March" featuring Art's signature shuffle groove. A delightful reading of the standard "Come Rain Or Come Shine" caps it all off. This is the one to get first.

Composed and orchestrated by Justin Hurwitz, the soundtrack to the critically acclaimed film La La Land is available here on vinyl. Features vocal performances from the film's stars Emma Stone and Ryan Gosling, with lyrics written by Pasek and Paul.

百老汇音乐剧《亚历山大·汉米尔顿》（HAMILTON An American Musical）的录音专辑。该剧在外百老汇上演时就横扫当年所有颁奖典礼，受到纽约时报首席剧评人本·布兰列（Ben Brantley）的高度认可。当它在百老汇剧院上演时，成为了2015-16季度最抢眼、票最抢手的剧目。因为这部剧是sing-through（从头到尾都是歌曲，类似《悲惨世界》），此专辑涵盖了完整的第一幕和第二幕。所有卡司（包括swing和主演的替补）都参与了录制。
以下介绍引自该剧的豆瓣条目（
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亚历山大·汉密尔顿（Alexander Hamilton，1757年1月11日 - 1804年7月12日）是美国的开国元勋之一，也是美国的第一任财政部长。出生在加勒比海的小岛、在纽约国王学院接受教育，志愿参军，在独立战争中得到华盛顿赏识成为他的副手，在 Yorktown 战役中领兵对抗英军。建国后他主张建立强大的中央政府和中央军队。他左右了前三届总统的选举。他一手创立的金融机制使美国快速地在战后实现经济繁荣。Hamilton 也是美国第一个传出桃色丑闻的公职人员。49岁时与当时的副总统 Aaron Burr 决斗时放弃开枪机会，次日丧生。
这部音乐剧严格遵照历史，讲述 Hamilton 政治生涯中的几件大事，他的战友和政敌、他与妻子 Eliza 和长子 Philip 的深厚感情以及他犯下的错误。历史人物 George Washington、Thomas Jefferson & James Madison 等在剧中轮流出场。剧中音乐以Hip-hop为主，穿插了Jazz，R&B, Tin Pan Alley 等多种风格的歌曲。