Before the Doctor can settle down to married life, he must face one last confrontation with his deadly enemy of certain death - the Master.

With the 50th anniversary of Doctor Who about to film, the 'Classic' Doctors are keen to be involved. But do they manage it?

Clara Oswald gets into an argument with the TARDIS after the TARDIS plays a practical joke on her in the shower and then makes her bedroom disappear. After revealing to Clara that she is far from being the first girl the Doctor has "brought home", the TARDIS plays another trick on Clara that has her seeing double, and triple, and quadruple... Clara continues to be at odds with the TARDIS. (TV: The Rings of Akhaten, Hide) The TARDIS, in response to Clara's statement asking if the TARDIS is upset because the Doctor has brought a girl home for the night, is shown images of a number of past companions (in this case: Ace, Martha Jones, Nyssa, Peri Brown, Romana I and Romana II, Rose Tyler, Sarah Jane Smith and Amy Pond). Clara takes particular note of Amy's legs. The TARDIS previously gave a similar slide show to Amy herself, with Amy making a similar remark with regards to Leela. (TV: Meanwhile in the TARDIS) Ace and Nyssa are shown for the first time in the revived series. As Clara is unaware of past companions prior to the TARDIS revealing them to her, this story has to take place prior to the events of TV: The Name of the Doctor. Clara says that the TARDIS created a holographic leopard while she was in the bathroom. The TARDIS previously created a holographic voice interface of Clara to argue with Clara. (TV: Hide) Although several episodes in Series 7 indicate that Clara is not a full-time resident of the TARDIS, she does nonetheless have a bedroom aboard the TARDIS. (TV: The Crimson Horror, et al) Once again, the Doctor is nowhere to be found as his companion beds down for the night. (TV: Bad Night) As this story appears to take place over at least several nights, his absence is unexplained.

"Space" Amy is trying to get the Doctor's attention while he fixes the TARDIS. She discovers that Rory is helping the Doctor by installing thermal couplings underneath the glass floor of the TARDIS. Rory and Amy then start a small argument, when the TARDIS suddenly shakes and the lights go out. The Doctor asks Rory if he dropped a thermal coupling, which Rory admits to and apologizes for doing. Amy then apologizes as well, and, at the Doctor's confusion, explains that Rory was looking up her skirt through the glass floor when he dropped the thermal coupling. The Doctor then notes that they have landed through "emergency materialization" which should have landed the TARDIS in the safest space available. The lights come on, revealing another TARDIS inside the control room - the TARDIS has materialized inside itself. The Doctor experimentally walks through the door of the TARDIS inside the control room and instantly walks back into the control room through the door of the outer TARDIS. The Doctor tells Rory and Amy that they are trapped in a "space loop" and that nothing can enter or exit the TARDIS ever again. Despite the Doctor's words, another Amy enters through the TARDIS outer door saying "Okay kids, this is where it gets complicated." "Time" Continuing from the ending of "Space", the other Amy reveals that she is from a few moments in the future, and is able to come into the current outer TARDIS because "the exterior shell of the TARDIS has drifted forwards in time". The other Amy knows what to say and do because, from her perspective, she is repeating what she heard herself say earlier on. The Doctor sends the current Amy into the TARDIS within the current TARDIS, in order to "maintain the timeline". The two Amys take a moment to flirt with each other before the current one departs, much to the Doctor's exasperation. However, not long after the current Amy has left, Rory and Amy enter through the door of outer TARDIS, explaining that the Doctor, from their perspective, just sent them into the inner TARDIS. The current Doctor promptly sends the current Rory and now-current Amy through the inner TARDIS. The Doctor then explains that he will set up a "controlled temporal implosion" in order to "reset the TARDIS", but in order to do so he must know which lever to use on the control panel. Moments after he speaks, another Doctor enters though the outer TARDIS door and tells him to use "the wibbly lever", which he quickly operates, then steps into the inner TARDIS to tell his past self which lever to use. The inner TARDIS dematerialises while the outer TARDIS (being the same TARDIS) does the same, and the Doctor assures Amy and Rory that they are now back in "normal flight", and then advises Amy to "put some trousers on."

貌似就是这个： 2007红鼻子日慈善专场大表演 Comic Relief 2007: The Big One DT和CT扮师生，CT阿姨的毒舌吓死了个人~~

It is the short film Traffic Warden from 2004 which was written and directed by Donald Rice and co-stars Sophie Hunter. 在线：

2008 film by Jérémy Clapin

A simple, domestic love story about a man who takes his skin off for his girlfriend, and why it probably wasn't the best idea...

本部描写音乐大师彼得·伊里奇·柴可夫斯基传奇一生的音乐传记动画短片，由定格动画大师巴瑞·普维斯执导编剧完成。 圆月下，一扇微开的门里，走出年迈的柴可夫斯基。他仿佛进入了重温他生命中，描摹他人生中荣辱的画作中一样，历历在目。他脱去帽子，虔诚地祷告。揭开围布，他开始了神奇的演奏。手指轻巧的在空中弹奏着，如流水般细腻流畅的钢琴声。投影中老去的旧时合影照片。此刻就是他独自一人的奢华演奏会。他撕毁了乐谱，手持一朵玫瑰，跳起了舞。投影中的女人是他深爱的人。暗掉的灯光，他匍匐在地上。很快，他起身再次弹奏起他的乐曲，台下掌声雷动。然而，当灯光再次闪耀的时候，他却如此的举足无措。玫瑰花瓣飘舞的舞台上，终于奏响了他人生的最终篇章。可一切都落幕了，他默默的走进来时的屋中，都是幻梦。

The Tenth Doctor meets one of his previous incarnations.

Harris Tindall is a pencil sharpener. He is the last descendant of a family fully dedicated to this artistic tradition. Each day, the sharpener adjusts his pencil leads depending on his clients' personality and feelings. When a nosy journalist decides to shoot a documentary on this peculiar craftsman, Harris suddenly unveils himself.

A young girl who treated her pets as comrades and liked to play with construction blocks, experiences her life changing after the dissolution of the Soviet Union.

She and Her Cat details the life of a cat, entirely from the cat's perspective, as it passes time with its owner, a young woman.

2003 animated short film directed by Yoshiaki Kawajiri

我想探讨虚假的快乐和真实的痛苦之间的关系，我们在这个消费和欲望时代生活的真正意义。我们在宇宙中正在快速的消耗自己，我们还能快乐多久？动画中的乐园小岛是人们心灵的避难所？还是人们真正寻找的天堂？还是一场世界末日前放纵的狂欢聚会？不同观众可能会有不同的答案。

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

一则温婉动人的床上故事.The film does well to show us that closeness and initial flush of love, gradually changing and being stretched; again it is nothing that other shorts have not done before, but this doesn't mean that it isn't also well done here too. The music is a little on-the-nose at times, but mostly it works and adds to the feelings through the delivery. As a whole, it may well have a narrative approach that is familiar but the gimmick of the delivery gives it a fresh feel, and, most importantly, the ebb and flow of the relationship is well presented so that it is relatable and realistic.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.