新专4单

ジェイソン・ムラーズのニュー・アルバム!! 何度もグラミー賞を受賞してきた名プロデューサーであるジョー・チカレリ(ザ・ホワイト・ストライプス他)をプロデューサーに迎え制作された本作は、2008年にリリースされた名盤『ウィ・シング。ウィ・ダンス。ウィ・スティール・シングス。』以来のリリースとなる、ジェイソンの通算4作目となるスタジオ・アルバム。米iTunes TOP CHARTS・SINGLESで1位を獲得し、既に名曲との声が高い1stシングル「アイ・ウォント・ギヴ・アップ」収録!! 映画監督としても有名なマーク・ペリングトン(ブルース・スプリングスティーン、U2、パール・ジャム)が監督をつとめた「アイ・ウォント・ギヴ・アップ」のミュージック・ビデオも完成している。解説・歌詞・対訳付き。CDエクストラ仕様。 ボーナス・トラック: 日本盤ボーナス・トラック2曲収録

现在的青年，愤怒的多，关怀得少，文艺的多，文化却少。 929不是这样。 从第一张专辑里我们就听见了，寻求安身立命答案的“渺小”，描写八掌溪事件的“下游的老人”，以及晦涩中仍充满希望的“飞翔”。他们不只关注自身发生的变化无常，更关怀社会发生的各种事件。 终于，929就要发行他们的第二张专辑“也许像星星”了。 还依稀记得第一次听见929唱着“渺小”时，主唱志宁与贝斯手嘟嘟的青涩模样。之后，929陆续加入两位新团员，吉他兼直笛手黄玠（创作歌手）与键盘手小龟（乐团“丝袜小姐”的主唱），四位在独立乐界颇具知名度的好友携手合作，两度受台北之音Hit Fm之邀，完成“找不到”与“也许像星星”两首精彩作品，这两首歌曲不只在电台大受好评，更成为929现场演出时备受期待的重点歌曲，四人组合的929于是成形。 主唱志宁在退伍后，全力投入父亲诗人吴晟“甜蜜的负荷—吴晟诗诵与诗歌”专辑制作及宣传工作，之后，才启动929新专辑的录制工作，由于“也许像星星”单曲合作愉快，新专辑仍交由黄小桢录音制作。专辑中当然收录了 “也许像星星“和“找不到”这两首歌曲，前者是全新完整乐团编制摇滚版，后者则是重新录制混音版本，新的版本赋予歌曲更为憾人的情绪与能量。相较于第一张专辑的内省沉静，第二张专辑则加入了更多青春明亮的愉悦色彩，像是“生活炸弹”、“早起去爬山”和“胖胖女生三部曲之大学荒唐时”三首歌曲，就算是“也许像星星”、“找不到”和“花花世界”这样检视自身与世界关连的歌曲，编曲也是精彩丰富，毫不沉闷。志宁常坦言很少情歌创作，但这次我们一共收录了“圆圈圈”、“棉花糖”和“漩涡”三首情歌，黄小桢出色的制作功力让向来内向含蓄的志宁终于可以放声大唱情歌，非常感人。对于环境议题特别关注的929，在新专辑中藉由“贡寮你好吗？”这首歌曲，清楚表达了他们反核四的立场，没有哭天抢地的煽情呐喊，但你一定可以在音乐中清楚听见他们对于美好环境与家园的渴望。 这次，929以全新组合，带来全新专辑，并且放弃独立乐团常见走唱式的宣传，要直接给你两场完整的演唱会，编制完整丰富（鼓手、管乐、合音），音响、灯光与影像，缺一不可。场地也避过一般live house，选择与929艺文气息更为契合的草坪与展演厅，要你无拘无束，尽情感受929音乐中的美好与感动。

好妹妹乐队《春生》专辑 每首歌都是一个故事，这才是这张诚意专辑能给你带来的别样音乐 体验。每首歌都是一段成长，伴随着一句句唱词都能找到自己的影子。民谣的魅力，音乐的美妙，尽在好妹妹乐队首张创作+自选专辑 《春生》 首播主打歌《冬》写在2011年初的西安。考研的失败，友人 的离别，使得秦昊有感而发，迷茫孤寂的冬夜，直击内心柔软的悲伤。 即兴创作歌曲《相思赋予谁》词来自知错老师，古风的词曲，是这张专辑中风格较为独特地一首歌。说来巧合知错老师在一个午后随手写成的歌词，据说只花了15分钟。交与秦昊看了一遍，就直接拿吉他开始哼旋律了，哼了一遍就把旋律写出来了。歌曲表达的是一个洗净铅华的伶人在年老时追忆青春时风光无限的生活，无处诉钟情的凄凉。这正是无限瞎想才能带来无限的可能。作为歌手勇于挑战自己才是对自己最好的交代。 关于写歌，秦昊总是有自己独到的方式、天气、朋友、地点、食物这些都成了他歌曲中的主角。这才是现在的城市旅人生活的私人日记。在专辑制作过程中，秦昊和张小厚在北京和南京之间反复地往返。《你飞到城市另一边》就是写在在专辑制作和录制的过程中。秦昊说："这首歌是在从北京到南京的高铁上写出来的曲，因为坐车实在是太无聊了。由于曲风太过诡异，词写了一半就写不下去了，然后到南京之后把词写完，请到了姚谦老师帮我念了对白，因为想到他以前也在江美琪的《恋人心中有一首诗》中有很多念白，这首歌的歌词很难得的写得也比较像诗。"这便成了这首歌的可爱之处吧。 好妹妹乐队摒弃商业炒作，潜心将自己最好的音乐诚意呈现。2012完全独立专辑《春生》七首原创外加一首翻唱歌曲。只为献给你，妳，还有你。

Chet Lam is a Hong Kong-based independent "city-folk" singer-songwriter. He is the elder brother of singer Eman Lam.

The second single off the critically acclaimed singer/songwriter's 2000 album, ' Bachelor No. 2'. It's backed here with her cover of the Harry Nilsson-penned Three Dog Night hit 'One', off the 'Magnolia' soundtrack as well as previously unreleased versions of two songs from 'Bachelor No. 2', 'Ghost World' (Acoustic Version) & 'Nothing Is Good Enough' (Instrumental). 2001 release.

Mraz is currently working on a fifth studio album, with pop-rock all-girl band Raining Jane, tentatively titled Yes, to be released 15 July 2014.

Justin Vernon began recording as Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings and, to a certain extent, Bonnie "Prince" Billy. Pronounced 'bohn eevair', it is French for "good winter" which is spelled wrong deliberately. This debut CD is centered around Justin Vernon, who is the primary force behind Bon Iver, as he moved to a remote cabin in the woods of Northwestern Wisconsin at the onset of winter, alone for three months. From this solitary time emerged a bold, uninhibited new musical focus of all his personal trouble, lack of perspective, heartache, longing, love, loss, and guilt that had been stockpiled over the past six years into songs. The NY Times called this record "irresistible", and it was given a "Recommended" rating by Pitchfork. 9 tracks. Jagjaguwar Records. 2008.

Husband and wife Deb Talan and Steve Tannen are returning with Sirens, their first full-length release in five years, dropping April 28. "This was a helluva a year for us Weepies. Frightening dire diagnoses, hospitals, and helping angels everywhere, but it seemed like maybe this was also the end of everything -- like the journey was over," Steven Tannen tells Billboard about the past few years, which included Talan's breast cancer diagnosis. "Sirens were mermaids that led sailors to their doom with their sweet voices. It's also a reference to an ambulance siren, and together they summed up the feeling of the year: otherworldly, hopeful, terrible," Tannen explains about the album's title. "This album is a record of that time for us, when all of that was front and center. Deb sings 'for me, for you, for me, for you, for you, for you, for you' as an echo of the wee-ooo wee-ooo of an ambulance siren. Then the cello comes in with a super-low sad tone, the piano does a higher and more beautiful echo -- but it's all way underneath, and the backstory is way underneath -- you can't really speak of it."

City Music is an airplane descending over frozen lakes into Chicago. City Music is riding the Q Train out to Coney Island to smell the ocean and a morning in Philadelphia where greats cranes reconfigure the buildings like an endless puzzle. City Music is a quiet afternoon moment on a bench in Baltimore, a highway in Seattle at night where the distant houses look like tiny flames and a bottle of red wine being drained on a bridge in Paris. City Music is a bus pulling into St. Louis at dawn where the arch looks like a metal rainbow reflecting the days early sunlight.... City Music is also the new album by Kevin Morby. Full of listless wanderlust, it’s a collection inspired by and devoted to the metropolitan experience across America and beyond by a songwriter cast from his own mould. As he puts it: “It is a mix-tape, a fever dream, a love letter dedicated to those cities that I cannot get rid of, to those cities that are all inside of me.” His fourth album, City Music works as a counterpart to Morby’s acclaimed 2016 release Singing Saw, an autobiographical set that reflected the solitude and landscape in which it was recorded. It was imagined as “an old bookshelf with a young Bob and Joni staring back at me, blank and timeless. They live here, in this left side of my brain, smoking cigarettes and playing acoustic guitars while lying on an unmade bed.” And now follows City Music, the yang to its yin, the heads to its tails. It is an collection crafted using the other side of its creator’s brain, the jumping off point perhaps best once again encapsulated by an image. “Here, Lou Reed and Patti Smith stare out at the listener,” explains Morby. “Stretched out on a living room floor they are somewhere in mid-70s Manhattan, also smoking cigarettes.” It finds Morby exploring similar themes of solitude, but this time framed by a window of an uptown apartment that looks down upon an international urban landscape “exposed like a giant bleeding wound.” Morby rose to prominence as bassist in Woods, with who he recorded seven albums on Woodsist Records (Kurt Vile, The Oh Sees, Real Estate) while also forming The Babies with Cassie Ramone of Vivian Girls. Two albums and a clutch of classic singles with the latter followed. Morby’s 2013 debut solo work Harlem River was a homage to New York and featured contributions from artists including Cate Le Bon and Tim Presley (of White Fence), while 2014’s Still Life garnered universal critical praise. “It’s easy to picture Morby with a wineskin under his arm,” noted a Pitchfork review. “His every worldly possession hitched to his back, an eye constantly fixed on some faraway point on the horizon.” Recording at Panoramic Studios, a central Californian home-turned-recording studio, City Music saw Morby joined once again by former The Babies cohorts Megan Duffy (guitar) and Justin Sullivan (drums). Here the vocals were at recorded night, in darkness, overlooking a Pacific Ocean illuminated only by the stars, the wash and whisper of the ebbing tidal a distant soundtrack. Six weeks of European touring had left the trio speaking a secret language that only a band can speak. “The language of a musical family,” explains Morby. “There was an outdoor shower with no curtain and deer ran through the front yard during the meals we cooked for each other...” The record was completed with Richard Swift in Oregon (producer of Foxygen, sometime member of The Black Keys). From the widescreen opening of ‘Come To Me Now’ through the bubblegum stomp of the Ramones-eulogising ‘1-2-3-4’ (which also references late poet Jim Carroll’s litany of friends lost, ‘People Who Died’), a stripped-back and wistful cover of ‘Caught In My Eye’ by nihilistic LA punk wrecking crew Germs and on to Leonard Cohen-evoking closer ‘Downtown’s Lights’, City Music reads like a selection of musical postcards composed and posted in the moment. It is a forensic and poetic examination of a modern America in love with the myth of itself. At the big beating heart of these songs is the voice and conscience of the city. All cities. We see them viewed from differing angles; from down in the gutter, and drifting up into the celestial firmament. “I am walking through a Chinatown in a major American city and now I am a guitar part taking place in my head,” offers Morby by a way of a commentary for the album’s inception. “It falls around me like rain, dancing with the neon lights coming off of the signs of the restaurants and bars. Now I am a lamp full of hot air floating away, looking down. The city is beautiful like one million candles with different sized flames, moving in their own directions. A line finds me and grabbing it I hold on tight. I sing to myself, ‘Oh, that city music, oh that city sound...’” Here the album gives voice to the all those cities speaking the same universal language of chaos and commerce and culture. It views the city as an Oz-like experience, with your host cast as Dorothy, the Scarecrow, the Tin Man and the Cowardly Lion, a narrator by turns innocent, awestruck, fearful and fearless. Where a world once black and white is now rainbow coloured. “I am a city and I have many moods,” it says via its human conduit. “I am dangerous and I am gorgeous. Like a proud forest made of metal and brick I am constantly changing shape, growing bigger and smaller all at the same time. I hold you but you do not hold me....” City Music. Let it hold you.

UK budget-price compilation for the Celtic pop act featuring 13 tracks. 2002.

Jason Mraz带着他的新专辑<Know>回归了！专辑中包含了先前发布的单曲<Have It All>，<Unlonely>和<More Than Friends（feat.Meghan Trainor）>。这是Jason Mraz的第6张录音室专辑，充满了明亮以及正能量的声音……

本专辑网络发行免费下载地址： 艺术家：李志 专辑：《工体东路没有人》 厂牌：MicroMu 编号：MMDLLP012 (录音版权所有：MicroMu厂牌/红T音乐） 录音时间：2009年01月11日 9PM - 11PM 录音地点：愚公移山 制作人：杨杰（茄子），MicroMu 录音师：杨杰（茄子） 混音及母带处理：杨杰（茄子） MicroMu音乐厂牌录制，制作音乐，并通过 以免费下载的方式发行我们自己制作的这些音乐。我们统计下载数量，并通过网站的赞助分成支付音乐人版税。所以，请不要把MicroMu的音乐转传至网盘或p2p网络，如果喜欢我们的音乐，请向朋友推荐MicroMu网站。更多的人来这里下载音乐，意味着更多的赞助收入和音乐人更多的收益，以及创作更多音乐的可能。谢谢。 李志鸣谢：巨头文化，万晓利，老狼，梁瀚晨，林玮，张玮玮，汪亦萌，宋婕，雨薇，杨凝，潘修龙，李欣，乔小刀，口袋音乐，王科，陈洁，亲爱的群友。

20 track 1991 retrospective featuring 11 of the folk duo'sbiggest U.S. top 40 hits, 1965-1970: 'The Sound Of Silence','Homeward Bound', 'I Am A Rock', 'A Hazy Shade Of Winter','At The Zoo', 'Scarborough Fair/ Canticle', 'Mrs. Robinson','The Boxer', 'Bridge Over Troubled Water', 'Cecilia' and 'ElCondor Pasa'. Sony.