Does a dead man have the right to become a father? Do parents, who lost their son, have the right to become grandparents after his death? In Israel, the desire for offspring has taken on an extra dimension. In His Image follows three mothers who lost a son during his military service and are now trying to have something of him live on in a posthumous grandchild, using semen taken immediately after his death.
Filmmaker Tami Ravid doesn’t ignore the ethical aspects of this phenomenon, but she follows the three families, each in their own phase of this emotional process, with compassion and without judgment. Haderet and her husband lost their son in 2004. After years of hesitation, his wife, now remarried, decided that she didn’t want to have a child by her deceased husband. But Haderet fought a lengthy legal battle to obtain her son’s sperm. Ludmila shows off her granddaughter, who was born 15 years after the death of her biological father. For Tzipi and the intended mother of her grandchild, Inbal, it’s a tense time, as Inbal tries to conceive via IVF.

The Raven is a touching and exciting portrait of one of Israel's most contradictory figures. Born in Odessa, Jabotinsky was a brilliant writer and passionate spokesperson for Russia's ethnic minorities. Eventually refocusing his energies and skills to the Zionist cause, he established the controversial Revisionist Party. While Jabotinsky is often memorialized as a key founder of the Israeli far right, director Ayelet Ofarim presents a more complex portrait of his dynamic life and character, complimenting readings stunning animation and wonderful narration.

The story of the abduction and attempted rescue of the late soldier Nahshon Waxman is documented step by step.

Shortly before her passing, Golda Meir was interviewed for Israeli television. After shooting ended, the cameras kept rolling, recording an intimate talk with the first and only woman to ever rule Israel. As she lit one cigarette after the other, Golda spoke freely, pleading her case for her term as Prime Minister – five turbulent years that secured her place in history, albeit at a high personal cost.
Based on these never-before seen materials, testimonies of supporters and opponents and rare archival footage, GOLDA tells the story of Meir’s dramatic premiership – from her surprising rise to power and iconic international stature as “queen of the Jewish people”, to her tragic and lonely demise.

The movie plays out like a political thriller or a noir-like spy novel. An Israeli documentary filmmaker sets out to discover the man who, during World War II, stole his grandfather’s identity, spending a lifetime having denied his own. A compelling journey straight into the heart of the darkness that devoured 20th century Europe, which unfolds a drama of survival, betrayal and reconciliation, only to finally blossom into an extraordinary love story.

Rabbi Meir Kahane began his career in the USA, where he founded the Jewish Defense League. As the league’s violent activities turned into terrorism, he was forced to leave America. In Israel, he became the most radical politician the state has ever known. He united the right and the left against him, and was banned by the media. Today, thirty years after he was barred from Israeli parliament, Kahanism has seeped into Israeli society, and Kahane’s prophecy about the divide between Judaism and democracy is echoed in the halls of the Knesset.

A psychological thriller, INCITEMENT follows the year leading to the assassination of Israel's Prime Minister Yitzhak Rabin, from the point of view of the assassin. The film details, for the first time, the forces that act upon the assassin, including the religious and political incitement, the personal and the interpersonal turmoil. It is a psychological portrait of a political assassin seeking to kill democracy. It is also a portrait of a torn society on the brink of civil war.

2020 film directed by Amos Gitai

2019 film directed by Elia Suleiman

" Delisle's books are] some of the most effective and fully realized travel writing out there." --NPR
Acclaimed graphic memoirist Guy Delisle returns with his strongest work yet, a thoughtful and moving travelogue about life in Israel. Delisle and his family spent a year in East Jerusalem as part of his wife's work with the nongovernmental organization Doctors Without Borders. They were there for the short but brutal Gaza War, a three-week-long military strike that resulted in more than a thousand Palestinian deaths. In his interactions with the emergency medical team sent in by Doctors Without Borders, Delisle eloquently plumbs the depths of the conflict.
Some of the most moving moments in "Jerusalem "are the interactions between Delisle and Palestinian art students as they explain the motivations for their work. Interspersed with these simply told, affecting stories of suffering, Delisle deftly and often drolly recounts the quotidian: crossing checkpoints, going kosher for Passover, and befriending other stay-at-home dads with NGO-employed wives.
"Jerusalem "evinces Delisle's renewed fascination with architecture and landscape as political and apolitical, with studies of highways, villages, and olive groves recurring alongside depictions of the newly erected West Bank Barrier and illegal Israeli settlements. His drawn line is both sensitive and fair, assuming nothing and drawing everything. "Jerusalem "showcases once more Delisle's mastery of the travelogue.

In a two-part investigation BBC Arabic goes deep inside the divided city of Hebron in the West Bank, the only place where Palestinian residents live alongside Jewish settlers. This second film follows a unique project in which Palestinian teenagers are taught how to use video cameras to capture suspected abuses of human rights in the streets around them.

The holy city of Hebron is the most divided in the West Bank, the only place where Palestinian residents live among Jewish settlers. It’s a scene of raw tensions and countless killings. In March 2016 human rights activist Emad Abushamsiya filmed the shooting of a wounded Palestinian by the Israeli soldier Elor Azaria. The video went viral, landing Azaria with a manslaughter conviction and turning Abushamsiya into a figure of hate for the Israeli right. As this film shows, he received dozens of death threats, his house was firebombed and he was harassed continually. The pressure became too much for his eldest son, splitting the family apart.

Abushamsiya’s response was to assert the importance of non-violent resistance and the necessity of submitting to the rule of law. He formed a group called the Palestinian Human Rights Defenders and began training a group of local teenage activists, some as young as 12, to use video cameras in order to document alleged human rights abuses. His ultimate ambition – to alter the course of the Israeli occupation – may or may not be realised, but as this film shows, the video camera has given him and his young trainees a new sense of power and purpose. We follow Abushamsiya as he prepares his team for the intense reality of confronting violence with video cameras. The film includes several extended examples of their work, revealing the hostility between the two communities with rare immediacy.

The director embarks on a journey to reveal the story behind the legendary Café Nagler, owned by her family during the 1920s in Berlin, and finds that historical truths can be overrated.

A student documents his life as he decided to live in the woods for 18 months.

1982年，导演在约旦河以西的屯垦区拍摄以巴冲突中的士兵、政治人物与平民，完成《战地日记》，从此流亡他乡。此后两地动荡依旧，35年后，他回访旧地，在这场超过一世纪的复杂冲突中，来回寻找一个乌托邦之梦。导演为2004 TIDF焦点影人。

The Real Fauda is a 2018 BBC documentary film that explores the background reality of the TV Series Fauda ('Chaos') to find the source of the Israeli TV thriller's popularity in Arab countries. The documentary was filmed with exclusive behind the scenes access to season 2 of Fauda, and for the first time, real access to the group that the hit series is based on.

Now a major motion picture, this remarkable classic recounts, moment by moment, the spellbinding process that gave birth to the state of Israel. Collins and Lapierre weave a brilliant tapestry of shattered hopes, fierce pride, and breathtaking valor as the Arabs, Jews, and British collide in their fight for control of Jerusalem. "O Jerusalem!" meticulously re-creates this historic struggle. Collins and Lapierre penetrate the battle from the inside, exploring each party's interests, intentions, and concessions as the city of all of their dreams teeters on the brink of destruction. From the Jewish fighters and their heroic commanders to the charismatic Arab chieftain whose death in battle doomed his cause but inspired a generation of Palestinians, "O Jerusalem!" tells the three-dimensional story of this high-stakes, emotional conflict. Now with a new introduction by Dominique Lapierre, "O Jerusalem!" remains, as ever, a towering testament to the fiery dawn of Israel and an unforgettable tale of faith and violence, of betrayal and indomitable courage.

Naomi, an Israeli Mossad agent, is sent to Germany to protect Mona, a Lebanese informant recovering from plastic surgery to assume her new identity. Together for two weeks in a quiet apartment in Hamburg, the relationship that develops between the two women is soon exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned, choices are made, and their fate takes a surprising turn.