往往習慣為了保護自己而隱藏起來 卻否定了釋放自己是一個最好的選擇 所以這一次佛跳牆不只要唱給你聽 還要把更多色彩給你看！！！ 我們往往習慣為了保護自己而隱藏起來 卻否定了釋放自己是一個最好的選擇 佛跳牆 Buddha Jump 在2011年是由主唱阿妮、鼓手千千、鍵盤手牙牙、吉他手理事長、吉他手豪豪、貝斯手奧迪，6位團員所組成。同年發行了第一張同名專輯【佛跳牆 Buddha Jump】，專輯推出後，因鼓手千千高唱從軍樂、團員們各自成家立業，在沉寂一年多後，於2012年底推出了EP【WHO U R】。時隔三年，6位團員終於再次聚首，繼續秉持著玩音樂態度，在沒有限制，完全自由的狀態下，完成了第二張專輯【給你看】。 第二張專輯【讓你看】10首詞曲都由主唱阿妮創作，編曲和製作則是佛跳牆不定時會召集練團、開會，大家在錄音室裡一起Jam出來的，這次專輯的創作視角和力度幾乎都專注在環境與自身的拉扯之中，希望透過更多不同的創作內容、有律動的節奏與喜歡佛跳牆的朋友們有更多的互動。 這一次佛跳牆不只要給你聽 還要給你看！！！ 整張專輯的風格，有別於上一張專輯較暗黑、搖滾，反而呈現前所未有的跳躍感，曲風融入了80、90年代的funky、disco，不再張牙舞爪，而是呈現一種微成熟，團員們都笑說：「可能是大家都邁入30大關吧！」。所以這次專輯的曲風和視覺都由單一、黑暗，轉向為多元、色彩，要給樂迷不只聽的享受，在視覺上更要讓大家為之驚艷！ 這次的專輯封面與造型，為了搭配專輯中的復古曲風，6位團員特別利用90年代，人人為之瘋狂的「3D球員卡」光柵效果的方式來呈現，希望帶著大家一起重回那個年代。從第一張黑白色系「混雜重疊面孔」的專輯封面，到這次彩色「3D」的專輯封面，與用復古造型呈現的宣傳短片等巧思，都只是為了讓音樂創作增添更多直接的視覺。所以不需要再揣測、懷疑、否定些什麼！就讓佛跳牆的音樂，帶著你對他們既有印象的同時，盡情的享受他們的另一面，因為這樣…佛跳牆才完整！！！ 佛跳牆烹製程序嚴格，歷經三年精心熬製而成 再次出輯，隆重獻禮，為粉絲端出心血結晶

《A Thousand Hearts》是一张值得等待的专辑，由Cara Dillon自己的音乐公司Charcoal Records与Sony音乐合作完成。Cara Dillon在上一张专辑《Hill of Thieves》之后，蛰伏五年的新作，将传统与现代进行了完美的融合。

The Zella Day EP is the debut EP of Zella Day.

The title of This Will Destroy You’s new album, Another Language, feels almost like an inside joke. Over three albums and a handful of EPs across the last decade, the Texas band has turned their expansive, instrumental songs into a communicative form of expression. What’s being expressed, exactly? That’s up to you, really. The songs’ epic, ethereal drifting serve as a Rorschach test for your inner psyche. If you’re having an optimistic day, they might feel uplifting and empowering. If you are depressed, they might make you want to crawl into a dark hole of self-loathing and Cinnabon. “Invitation” from their new album is a four-minute choose-your-own-emotion track that can speak to you however you want. It’s in another language.

When Melbourne singer songwriter Tamas Wells released his debut album ‘A Mark on the Pane’ Inpress Magazine described it as ‘one of the year’s most beautiful records’ and it reached number 16 in Australia’s AIR charts. It also received much praise internationally - with Savio Records in Italy declaring that it was ‘destined to become a cult record for many’. Yet not long after the 2004 release, Wells left Australia - moving to the isolated country of Myanmar (Burma) to take up a long term position with an aid organization. That could have been the end of the story. But instead, he continued to write and record - and after three subsequent albums Wells has sold tens of thousands of records, signed label deals in Europe, Japan, China and Korea, headlined shows in Paris, Tokyo, Sydney and Shanghai and enjoyed a period in the international charts in Japan (HMV Shibuya) - all while remaining relatively unknown in his home city. His songs have also been used in a number of films including Australian producer Marc Furmie’s award winning ‘Dark Horse’ and ‘The Houses there Wear Verandahs Out of Shyness’ from Italian film producer Fabrizio Polpettini. Polpettini also collaborated in making the stunning film clip for Wells' 2011 song ‘Thirty People Away’ - which was filmed in Paris and stars French actor Denis Lavant. On the Volatility of the Mind In 2012, Wells returned from Myanmar and in various homes around Melbourne began work on a new studio album. While previous recordings have drawn on Wells’ ‘beautifully broken’ use of acoustic guitar and piano (Daily Telegraph), the new album takes a different path. As Wells says, ‘I am a believer in using the instruments you have around you, and while I was writing these songs I found an old Casio synthesizer at my parent’s house and a friend had left his electric guitar at my house. So the songs started to focus on melodies, jangly guitar parts and dreamy synthesizer instrumentals’. In the project, Wells also collaborated for the first time with Melbourne producer Nick Huggins (Kid Sam, Two Bright Lakes) and drew on the songwriting smarts of Mark Lang (Skipping Girl Vinegar). The result is ‘On the Volatility of the Mind’ - which will be released internationally in March 2014 (and in Australia through Popboomerang Records). Wells will tour internationally in May and June 2014.

戲品 慢嚼 楊丞琳 最到位的一張專輯 雙主打 雙導演 雙攝影 雙造型 雙城市 一體兩面 用成長反芻的音樂之路，楊丞琳不再被框住 給她一段旅程，她會讓你看見、聽見，心裡迴盪已久的聲音 兩個城市間的游離　從個性到感性　從簡單到複雜 從內心出發 楊丞琳的視野 停駐在什麼地方?　找尋著什麼樣的自己? 又在別人眼裡看到什麼樣的楊丞琳? 給楊丞琳十二小時的時差 十四小時飛行里程 她給你 她的蛻變 2014年聽聽她的十首新作品 每首歌曲像每個記憶畫面的停格 一格…一格…停留…屏息…品味楊丞琳的細微末節 有時候冷漠 自持著走完應該選擇的優雅 有時候瘋狂 瘋狂的想用隨心所欲 換一個真實的笑容 長大…簡單…也不簡單 雖然 我們都不是懂得什麼是愛 才開始去愛 但我們可以 開始學著去懂楊丞琳 開始懂愛與不愛的雙面戲 楊丞琳追求音樂上的極致完美 音樂人無意間 窺視楊丞琳私密情感