Man met slapend kind op een kerkbank, in Mexico, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #Mexican #VanDerElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
edvanderelsken
![The image is a black and white photograph depicting an intimate family moment. In the foreground, there's a man sitting on what appears to be church pews, cradling a baby wrapped in a cloth with floral patterns over his lap. Beside him sits another child wearing striped pajamas, attentively looking towards someone outside of the frame. The setting suggests they are inside a religious building, as indicated by the design and materials visible around them.
In the background to the right, there is an out-of-focus figure that seems like part of this family group but cannot be clearly identified due to lack of focus on their face or body shape.
The photograph captures a candid snapshot of everyday life with attention drawn primarily towards the seated man's interaction with his children. The overall mood conveyed by the image is one of quiet domesticity and familial closeness, set against an environment that suggests community gatherings such as church services were common social settings for families during this time period in Mexico.
The photograph carries historical significance, capturing a slice of life from mid-20th century urban environments, specifically within Mexican culture. It's likely taken by Ed van der Elsken given the reference provided, who is known for his street photography and depiction of everyday scenes with an artistic touch that captures both formali [...]](/proxy/post_attachment/404453/576599d1d4.jpeg "The image is a black and white photograph depicting an intimate family moment. In the foreground, there's a man sitting on what appears to be church pews, cradling a baby wrapped in a cloth with floral patterns over his lap. Beside him sits another child wearing striped pajamas, attentively looking towards someone outside of the frame. The setting suggests they are inside a religious building, as indicated by the design and materials visible around them.
In the background to the right, there is an out-of-focus figure that seems like part of this family group but cannot be clearly identified due to lack of focus on their face or body shape.
The photograph captures a candid snapshot of everyday life with attention drawn primarily towards the seated man's interaction with his children. The overall mood conveyed by the image is one of quiet domesticity and familial closeness, set against an environment that suggests community gatherings such as church services were common social settings for families during this time period in Mexico.
The photograph carries historical significance, capturing a slice of life from mid-20th century urban environments, specifically within Mexican culture. It's likely taken by Ed van der Elsken given the reference provided, who is known for his street photography and depiction of everyday scenes with an artistic touch that captures both formali [...]")
Stierengevecht in het Plaza de Toros México, in Mexico-Stad, Ed van der Elsken, 1960
#Mexico-Stad #EdvanderElsken #PlazadeTorosMéxico #fotografie #photography #EdVanDerElsken #EdvanderElsken
Kunstschilder werkt aan een muurschildering in Mexico-Stad, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image displays a black and white photograph of an artist at work on a large mural. The mural is complex, featuring various figures in historical or political scenes with flags and banners prominent elements.
In the foreground, there's a seated individual focused intently on his sketchbook beside him is a typewriter, suggesting meticulous preparation for painting details into the scene. Adjacent to this person stands another figure atop a scaffold, actively working on the mural, holding what appears to be a brush or pen tool and pointing towards parts of the artwork.
The workspace includes an assortment of tools such as paintbrushes scattered around and papers strewn across surfaces indicating intense work in progress. A ladder provides access for higher sections of the wall which are being painted by multiple artists.
The mural itself is highly detailed, with a wide range of characters depicted; some appear to be engaged in dialogue while others stand alone or grouped together. The background features mountainous landscapes and dense foliage that add depth to the scene portrayed on the mural. Various flags bearing inscriptions flutter within this backdrop enhancing the historical context suggested by the artwork.
Overall, it captures a moment from an art project with multiple contributors working simultaneously under bright artificial lighting which casts stark sh [...]](/proxy/post_attachment/405784/d883eca6e5.jpeg "The image displays a black and white photograph of an artist at work on a large mural. The mural is complex, featuring various figures in historical or political scenes with flags and banners prominent elements.
In the foreground, there's a seated individual focused intently on his sketchbook beside him is a typewriter, suggesting meticulous preparation for painting details into the scene. Adjacent to this person stands another figure atop a scaffold, actively working on the mural, holding what appears to be a brush or pen tool and pointing towards parts of the artwork.
The workspace includes an assortment of tools such as paintbrushes scattered around and papers strewn across surfaces indicating intense work in progress. A ladder provides access for higher sections of the wall which are being painted by multiple artists.
The mural itself is highly detailed, with a wide range of characters depicted; some appear to be engaged in dialogue while others stand alone or grouped together. The background features mountainous landscapes and dense foliage that add depth to the scene portrayed on the mural. Various flags bearing inscriptions flutter within this backdrop enhancing the historical context suggested by the artwork.
Overall, it captures a moment from an art project with multiple contributors working simultaneously under bright artificial lighting which casts stark sh [...]")
Tekening van een traditioneel geklede Mexicaanse man, in Mexico, Ed van der Elsken, 1960
#Tekeningvaneen #Mexicaanse #Mexico #EdvanderElsken #Mexican #Spanish #OREJERAS #NARIGUERA #BEZOTE #DARDOS #ATLATLLANZADADOS #LAJORCAS #SANDALIAS5 #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image is a black and white photograph of an illustration depicting the traditional attire of a male figure, likely representing ancient Mexican culture. The individual stands facing forward with their head turned slightly to display various items labeled in Spanish as part of this cultural representation.
Starting from the top, we see 'OREJERAS' which refers to earrings; followed by 'PINTURA FACIAL,' indicating face paint or tattoos around the eyes; and above that is a headdress identified as 'NARIGUERA.' Moving down his torso, labeled pieces include 'BEZOTE,' possibly a collar bone ornamentation, with 'COLLAR' directly below it. The figure's chest features an ornate piece of clothing called a 'BRAZALETE.'
The midsection reveals two weapons: one is identified as 'DARDOS,' which means darts or arrows, and the other labeled item appears to be part of a weapon system known as "ATLATL LANZADADOS," commonly referred to as an atlatl with dart projectiles.
His lower body shows more traditional garments like 'MAXFLATL' for breechcloths or loincloths. The right leg is adorned with what seems to be protective knee pads labeled 'LAJORCAS.' His feet are dressed in sandals, and the left foot has a specific component marked as "SANDALIAS5."
The illustration provides an educational look at traditional Mexican attire from this era, offering insight into cultural practices such as [...]](/proxy/post_attachment/406659/e65b36505f.jpeg "The image is a black and white photograph of an illustration depicting the traditional attire of a male figure, likely representing ancient Mexican culture. The individual stands facing forward with their head turned slightly to display various items labeled in Spanish as part of this cultural representation.
Starting from the top, we see 'OREJERAS' which refers to earrings; followed by 'PINTURA FACIAL,' indicating face paint or tattoos around the eyes; and above that is a headdress identified as 'NARIGUERA.' Moving down his torso, labeled pieces include 'BEZOTE,' possibly a collar bone ornamentation, with 'COLLAR' directly below it. The figure's chest features an ornate piece of clothing called a 'BRAZALETE.'
The midsection reveals two weapons: one is identified as 'DARDOS,' which means darts or arrows, and the other labeled item appears to be part of a weapon system known as \"ATLATL LANZADADOS,\" commonly referred to as an atlatl with dart projectiles.
His lower body shows more traditional garments like 'MAXFLATL' for breechcloths or loincloths. The right leg is adorned with what seems to be protective knee pads labeled 'LAJORCAS.' His feet are dressed in sandals, and the left foot has a specific component marked as \"SANDALIAS5.\"
The illustration provides an educational look at traditional Mexican attire from this era, offering insight into cultural practices such as [...]")
Straatmuzikanten in Mexico, Ed van der Elsken, 1960
#Straatmuzikanten #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Fotoreproductie van een tekening van een treinramp op 14 augustus 1902 in Cholula, Mexico, Ed van der Elsken, 1960
#Cholula #Mexico #EdvanderElsken #Spanish #Hahindo #JuanaTimida #CHOLULA #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a black and white photograph of an illustrated scene, likely from the early 20th century. In the foreground, there's handwritten text in Spanish on what appears to be a page with a decorative border at its top. The handwriting is somewhat faded but includes phrases such as "Hahindo benido á pasiar," mentioning events related to a train station and individuals named Juana Timida y Juanita del Mariano Ruiles.
The central part of the photograph shows an illustration of a steam locomotive on tracks with smoke emerging from its chimney, indicating motion. The engine car has several windows and is connected by a chain link to another similar carriage behind it. There are barrels or kegs lying beside the track at the bottom left corner, suggesting some industrial activity.
In the background stands a white building labeled "CHOLULA," likely representing Cholula in Mexico where this incident took place according to historical records mentioned on its side. The word appears above an open door of the structure and is written in bold capital letters.
The illustration captures what seems to be a train crash or derailment with one carriage lying askew, implying that it has derailed from the track. Debris can be seen scattered around the railway tracks near this derailing car, indicating disruption caused by the incident.
Overall, the image portrays an historical e [...]](/proxy/post_attachment/412631/25d0e4b406.jpeg "The image depicts a black and white photograph of an illustrated scene, likely from the early 20th century. In the foreground, there's handwritten text in Spanish on what appears to be a page with a decorative border at its top. The handwriting is somewhat faded but includes phrases such as \"Hahindo benido á pasiar,\" mentioning events related to a train station and individuals named Juana Timida y Juanita del Mariano Ruiles.
The central part of the photograph shows an illustration of a steam locomotive on tracks with smoke emerging from its chimney, indicating motion. The engine car has several windows and is connected by a chain link to another similar carriage behind it. There are barrels or kegs lying beside the track at the bottom left corner, suggesting some industrial activity.
In the background stands a white building labeled \"CHOLULA,\" likely representing Cholula in Mexico where this incident took place according to historical records mentioned on its side. The word appears above an open door of the structure and is written in bold capital letters.
The illustration captures what seems to be a train crash or derailment with one carriage lying askew, implying that it has derailed from the track. Debris can be seen scattered around the railway tracks near this derailing car, indicating disruption caused by the incident.
Overall, the image portrays an historical e [...]")
Stenen sculptuur tegen de gevel van het gebouw van de Secretaría de Infraestructura, Comunicaciones y Transportes in Mexico-Stad, Ed van der Elsken, 1960
#Transportes #Mexico-Stad #EdvanderElsken #Aztec #MexicoCity #fotografie #photography #EdVanDerElsken #EdvanderElsken
Schilderij van een geboeide man, aan een muur in Mexico, Ed van der Elsken, 1960
#Schilderijvaneen #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Stierengevecht in het Plaza de Toros México, in Mexico-Stad, Ed van der Elsken, 1960
#Mexico-Stad #EdvanderElsken #PepsiCola #fotografie #photography #EdVanDerElsken #EdvanderElsken
Fragment van een muurschildering in Mexico, tijdens het schilderen, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a black and white sketch or drawing of several individuals engaged in what appears to be the signing of an important document. The group is comprised mainly of men dressed in formal 19th-century attire, including suits with waistcoats and ties for some, while others wear more traditional garments that suggest cultural significance, possibly indigenous or regional dress from a specific country.
In the foreground, there's a central figure standing and holding an inkwell and pen, pointing at the document which lies on the table in front of them. This person is flanked by two seated individuals; one seems to be receiving the paper while the other holds it steady with his hand. Behind this trio are additional men: some stand behind others who sit or lie down, indicating a crowded scene possibly depicting an important assembly.
The background features various architectural elements such as windows and wooden beams, suggesting that they might be in a makeshift structure like a scaffold for painting murals rather than inside a formal building. The sketch is detailed with clear lines delineating the figures' clothing textures, musculature, expressions of concentration or anticipation on their faces, conveying a sense of gravity to this event.
There's also an incomplete wooden frame around what seems to be part of the mural that they are working on, indicating [...]](/proxy/post_attachment/419857/82a2288e89.jpeg "The image depicts a black and white sketch or drawing of several individuals engaged in what appears to be the signing of an important document. The group is comprised mainly of men dressed in formal 19th-century attire, including suits with waistcoats and ties for some, while others wear more traditional garments that suggest cultural significance, possibly indigenous or regional dress from a specific country.
In the foreground, there's a central figure standing and holding an inkwell and pen, pointing at the document which lies on the table in front of them. This person is flanked by two seated individuals; one seems to be receiving the paper while the other holds it steady with his hand. Behind this trio are additional men: some stand behind others who sit or lie down, indicating a crowded scene possibly depicting an important assembly.
The background features various architectural elements such as windows and wooden beams, suggesting that they might be in a makeshift structure like a scaffold for painting murals rather than inside a formal building. The sketch is detailed with clear lines delineating the figures' clothing textures, musculature, expressions of concentration or anticipation on their faces, conveying a sense of gravity to this event.
There's also an incomplete wooden frame around what seems to be part of the mural that they are working on, indicating [...]")
Mannen met verentooien, in Mexico, Ed van der Elsken, 1960
#Mannen #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Muurschildering in Mexico, Ed van der Elsken, 1960
#Muurschildering #Mexico #EdvanderElsken #European #KätheKollwitz #MaxBeckmann #VanDerElskens #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image is a black and white photograph of a densely packed, dark-toned mural. The artwork appears to be an expressionist piece depicting numerous figures in various poses and states of activity or emotion. Some individuals are wearing period costumes reminiscent of European history, while others wear more modern attire. There's a mix of adults and children, with some looking at each other, engaging in conversation, or performing tasks such as holding a baby. The scene is dynamic, with no single figure dominating the composition; instead, it captures what seems like an everyday life moment from multiple angles simultaneously.
Notable features include expressive lines that emphasize movement and tension within the crowd, as well as contrasts between light and dark areas to add depth to the figures. Some individuals are partially obscured by others or framed in shadows, suggesting a sense of anonymity or perhaps commentary on societal roles and interactions. The background is less detailed but includes elements like trees and architectural structures, which provide context for an outdoor setting.
This mural could be seen as representing social issues, historical narratives, or the everyday life struggles of people from different walks of life, rendered in a style that prioritizes emotion over realistic representation. It's reminiscent of works by artists such as Käthe K [...]](/proxy/post_attachment/421628/60e1677ce0.jpeg "The image is a black and white photograph of a densely packed, dark-toned mural. The artwork appears to be an expressionist piece depicting numerous figures in various poses and states of activity or emotion. Some individuals are wearing period costumes reminiscent of European history, while others wear more modern attire. There's a mix of adults and children, with some looking at each other, engaging in conversation, or performing tasks such as holding a baby. The scene is dynamic, with no single figure dominating the composition; instead, it captures what seems like an everyday life moment from multiple angles simultaneously.
Notable features include expressive lines that emphasize movement and tension within the crowd, as well as contrasts between light and dark areas to add depth to the figures. Some individuals are partially obscured by others or framed in shadows, suggesting a sense of anonymity or perhaps commentary on societal roles and interactions. The background is less detailed but includes elements like trees and architectural structures, which provide context for an outdoor setting.
This mural could be seen as representing social issues, historical narratives, or the everyday life struggles of people from different walks of life, rendered in a style that prioritizes emotion over realistic representation. It's reminiscent of works by artists such as Käthe K [...]")
Tolteekse beeldhouwwerken in Tula, Mexico, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #Toltec #Guatemala #Elsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a series of stone sculptures known as "tuffheads" or "tufa heads," which are part of the Toltec heritage in Mexico. These figures were created by the Toltec civilization, which flourished between approximately 900 and 1200 AD along what is now the border area that divides Mexico from Guatemala.
The sculptures have a solemn expression with prominent features such as elongated noses, deep-set eyes, wide foreheads, and tall hats or headgear. They are carved in an angular style reminiscent of Maya art but were created by Toltec artisans who incorporated their unique artistic traditions into these works.
This particular photograph is credited to Ed van der Elsken from his collection titled "Tolteekse beeldhouwwerken in Tula, Mexico." The image captures the stark contrast between the dark figures and the lighter sky behind them. Van der Elsken's work often explored themes of travel, culture, and architecture across different regions.
The black-and-white nature of the photograph emphasizes texture and form over color, which can be particularly effective for highlighting details in such sculptures. The setting appears to be an open field or desert-like environment, suggesting that these figures may have been part of a larger ceremonial site where they played significant roles within Toltec religious practices and societal rituals.
Overall, this image provide [...]](/proxy/post_attachment/420996/3ae6a2fef0.jpeg "The image depicts a series of stone sculptures known as \"tuffheads\" or \"tufa heads,\" which are part of the Toltec heritage in Mexico. These figures were created by the Toltec civilization, which flourished between approximately 900 and 1200 AD along what is now the border area that divides Mexico from Guatemala.
The sculptures have a solemn expression with prominent features such as elongated noses, deep-set eyes, wide foreheads, and tall hats or headgear. They are carved in an angular style reminiscent of Maya art but were created by Toltec artisans who incorporated their unique artistic traditions into these works.
This particular photograph is credited to Ed van der Elsken from his collection titled \"Tolteekse beeldhouwwerken in Tula, Mexico.\" The image captures the stark contrast between the dark figures and the lighter sky behind them. Van der Elsken's work often explored themes of travel, culture, and architecture across different regions.
The black-and-white nature of the photograph emphasizes texture and form over color, which can be particularly effective for highlighting details in such sculptures. The setting appears to be an open field or desert-like environment, suggesting that these figures may have been part of a larger ceremonial site where they played significant roles within Toltec religious practices and societal rituals.
Overall, this image provide [...]")
Bestuursvergadering NOS, Ed van der Elsken, 1982
#EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image is a black and white photograph depicting an indoor scene, likely taken during the daytime as light streams through windows in the background. Three individuals are seated at desks arranged around what appears to be a central table or podium with microphones attached, suggesting they might be involved in some sort of formal meeting or hearing.
On the left side, one person is focused on writing something down; their right hand holds a pen and rests atop papers while their head tilts slightly downward. The individual wears glasses, has dark hair, and appears to wear a suit with a tie. To the center-right stands another participant covering their face with both hands in what could be an expression of stress or fatigue.
On the far right is someone who seems engaged with documents on the table; they appear more casually dressed compared to the others, wearing glasses, dark pants, and possibly sneakers instead of formal shoes.
The room has curtains drawn back partially at windows revealing a view outside. The desks are covered in papers, cups likely containing coffee or tea, indicating an extended session. A microphone stand is visible near each person's desk, hinting that they might be speaking to someone not pictured here or addressing the audience beyond this image frame.
Overall, it captures a moment of solemnity and effort among individuals involved in discus [...]](/proxy/post_attachment/422374/56f04b3e02.jpeg "The image is a black and white photograph depicting an indoor scene, likely taken during the daytime as light streams through windows in the background. Three individuals are seated at desks arranged around what appears to be a central table or podium with microphones attached, suggesting they might be involved in some sort of formal meeting or hearing.
On the left side, one person is focused on writing something down; their right hand holds a pen and rests atop papers while their head tilts slightly downward. The individual wears glasses, has dark hair, and appears to wear a suit with a tie. To the center-right stands another participant covering their face with both hands in what could be an expression of stress or fatigue.
On the far right is someone who seems engaged with documents on the table; they appear more casually dressed compared to the others, wearing glasses, dark pants, and possibly sneakers instead of formal shoes.
The room has curtains drawn back partially at windows revealing a view outside. The desks are covered in papers, cups likely containing coffee or tea, indicating an extended session. A microphone stand is visible near each person's desk, hinting that they might be speaking to someone not pictured here or addressing the audience beyond this image frame.
Overall, it captures a moment of solemnity and effort among individuals involved in discus [...]")
Decorcentrum van de NOS, constructiewerkplaats, Ed van der Elsken, 1982
#EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
