Straatgezicht tijdens een marktdag in een dorp ten zuiden van Oaxaca, Mexico, Ed van der Elsken, 1960
#Oaxaca #Mexico #EdvanderElsken #Cerveceria #Mexican #fotografie #photography #EdVanDerElsken #EdvanderElsken
edvanderelsken
Gerda van der Elsken te paard, in Mexico, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a rural scene captured in black and white. It shows an open field with sparse vegetation, under a partly cloudy sky which suggests it might be either early morning or late afternoon due to the softness of light. A group of horses is present; some are standing while others appear to be grazing on grass. The most notable subject is a person riding one of the white horses in the foreground, suggesting movement through the field. This rider wears casual clothing and a hat for sun protection, indicating outdoor activity possibly related to farming or rural livelihoods.
Around them, there are several other individuals who seem engaged with various tasks. Some people stand close by the grazing animals, while others walk along a dirt path that cuts across the scene. The presence of sheep in the field indicates pastoral activities such as shepherding. In the background, more trees and possibly distant hills or mountains can be seen under an expansive sky.
The photograph captures life on a farm with individuals immersed in their daily chores, conveying a sense of everyday rural existence during mid-20th century Mexico based on its historical context provided by the reference link which mentions "Ed van der Elsken" from that time and place. The overall composition provides insight into agricultural practices, animal husbandry, and rural life within this specific [...]](/proxy/post_attachment/384284/99eb428ac1.jpeg "The image depicts a rural scene captured in black and white. It shows an open field with sparse vegetation, under a partly cloudy sky which suggests it might be either early morning or late afternoon due to the softness of light. A group of horses is present; some are standing while others appear to be grazing on grass. The most notable subject is a person riding one of the white horses in the foreground, suggesting movement through the field. This rider wears casual clothing and a hat for sun protection, indicating outdoor activity possibly related to farming or rural livelihoods.
Around them, there are several other individuals who seem engaged with various tasks. Some people stand close by the grazing animals, while others walk along a dirt path that cuts across the scene. The presence of sheep in the field indicates pastoral activities such as shepherding. In the background, more trees and possibly distant hills or mountains can be seen under an expansive sky.
The photograph captures life on a farm with individuals immersed in their daily chores, conveying a sense of everyday rural existence during mid-20th century Mexico based on its historical context provided by the reference link which mentions \"Ed van der Elsken\" from that time and place. The overall composition provides insight into agricultural practices, animal husbandry, and rural life within this specific [...]")
Stoffenwinkel in Mexico, Ed van der Elsken, 1960
#Stoffenwinkel #Mexico #EdvanderElsken #Mexican #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image is a black and white photograph depicting an indoor market scene, likely in Mexico based on the context provided. The setting appears to be a fabric store or section within a larger marketplace with various textiles displayed for sale.
In the foreground, there's a large cart loaded with folded fabrics of different patterns and textures, indicating a variety available for purchase. Behind this display are shelves stacked high with additional textiles in an organized manner. Various signs hang above, one prominently displaying "MEXICAN BOUTIQUE" which suggests that these items might be specifically sourced or designed to reflect Mexican culture.
Several individuals can be seen within the scene; on the left side of the photo stands a woman dressed modestly in what appears to be traditional attire with an apron. She is reaching out, possibly examining one of the fabrics for sale. To her right and further back are more people browsing through the goods or conversing.
On the far right edge of the image, another person wearing a wide-brimmed hat stands near similar displays, perhaps engaged in shopping activity as well. The overall ambiance suggests a busy marketplace where commerce and cultural expression intertwine.
Additional information about this particular photograph can be found on its associated webpage at https://images.loener.nl/EdvdElsken/full/6484/6484 [...]](/proxy/post_attachment/385705/6dd453cfdc.jpeg "The image is a black and white photograph depicting an indoor market scene, likely in Mexico based on the context provided. The setting appears to be a fabric store or section within a larger marketplace with various textiles displayed for sale.
In the foreground, there's a large cart loaded with folded fabrics of different patterns and textures, indicating a variety available for purchase. Behind this display are shelves stacked high with additional textiles in an organized manner. Various signs hang above, one prominently displaying \"MEXICAN BOUTIQUE\" which suggests that these items might be specifically sourced or designed to reflect Mexican culture.
Several individuals can be seen within the scene; on the left side of the photo stands a woman dressed modestly in what appears to be traditional attire with an apron. She is reaching out, possibly examining one of the fabrics for sale. To her right and further back are more people browsing through the goods or conversing.
On the far right edge of the image, another person wearing a wide-brimmed hat stands near similar displays, perhaps engaged in shopping activity as well. The overall ambiance suggests a busy marketplace where commerce and cultural expression intertwine.
Additional information about this particular photograph can be found on its associated webpage at https://images.loener.nl/EdvdElsken/full/6484/6484 [...]")
Muurschildering van Diego Rivera in de kapel van de Universidad Autónoma Chapingo in Texcoco, Mexico, Ed van der Elsken, 1960
#AutónomaChapingo #Texcoco #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Man met een kalf, in Mexico, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Houtsnijwerk van Diego Rivera in de deur van een kapel bij de Universidad Autónoma Chapingo in Texcoco, Mexico, Ed van der Elsken, 1960
#AutónomaChapingo #Texcoco #Mexico #EdvanderElsken #LOSMALOS #DiegoRiveras #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a relief sculpture in black and white. It features two figures, possibly of historical or allegorical significance, given their stylized nature. The figure on the left appears to be wearing a wide-brimmed hat and is holding what seems like rolled-up documents with both hands. Above this character's head is an inscription that reads "ESTOS SON." Another word follows below it, partially obscured but suggestive of continuation or context.
The right-hand figure also wears a brimmed hat, has glasses on their forehead, and appears to be speaking or gesturing towards the left figure. Their expression seems earnest or assertive. Above this character's head is another part of an inscription that reads "LOS MALOS." Another word follows below it but remains incomplete in the image.
Both figures are adorned with intricate patterns on what could represent their attire, and they seem to be set against a backdrop with various symbols or emblems embedded into its surface. The overall craftsmanship indicates a work rich in detail and possibly symbolic meaning, reflecting themes of justice, social commentary, or historical narrative.
The bottom part of the sculpture includes more text that is partially obscured by shadowing but suggests "AGRICULTURA" which might be connected to agriculture as indicated further below with additional words like "TIJODE" and "EL ING." The [...]](/proxy/post_attachment/387304/272a2edb3a.jpeg "The image depicts a relief sculpture in black and white. It features two figures, possibly of historical or allegorical significance, given their stylized nature. The figure on the left appears to be wearing a wide-brimmed hat and is holding what seems like rolled-up documents with both hands. Above this character's head is an inscription that reads \"ESTOS SON.\" Another word follows below it, partially obscured but suggestive of continuation or context.
The right-hand figure also wears a brimmed hat, has glasses on their forehead, and appears to be speaking or gesturing towards the left figure. Their expression seems earnest or assertive. Above this character's head is another part of an inscription that reads \"LOS MALOS.\" Another word follows below it but remains incomplete in the image.
Both figures are adorned with intricate patterns on what could represent their attire, and they seem to be set against a backdrop with various symbols or emblems embedded into its surface. The overall craftsmanship indicates a work rich in detail and possibly symbolic meaning, reflecting themes of justice, social commentary, or historical narrative.
The bottom part of the sculpture includes more text that is partially obscured by shadowing but suggests \"AGRICULTURA\" which might be connected to agriculture as indicated further below with additional words like \"TIJODE\" and \"EL ING.\" The [...]")
Olmeeks stenen hoofd in Mexico, Ed van der Elsken, 1960
#Olmeeks #Mexico #EdvanderElsken #Olmeek #OlmeckStoneHead #fotografie #photography #EdVanDerElsken #EdvanderElsken
Fotoreproductie van een detail van de muurschildering 'Sueño de una tarde dominical en la Alameda Central' door Diego Rivera, in het Versailles Restaurant van het Hotel Del Prado in Mexico-stad, Ed van der Elsken, 1960
#DiegoRivera #Mexico-stad #EdvanderElsken #first #FridaKahlo #Mexican #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a black and white sketch or drawing with four stylized human figures. The first figure on the left is wearing a top hat, glasses, and has facial hair, suggesting an older man in formal attire. Next to him stands another male character dressed as if he's part of a naval crew, holding what appears to be a telescope or binoculars.
The central female figure has dark eyebrows, prominent cheekbones, and wears earrings; she is depicted with a contemplative expression, possibly representing the artist Frida Kahlo based on her distinctive features. To the right stands another female character adorned in a flowing dress resembling traditional Mexican attire, holding what looks like a skull mask or decorative piece.
Behind these figures are ornate decorations that resemble part of an interior setting, including floral arrangements and draped fabrics, contributing to a scene rich with cultural symbolism. The overall composition is reminiscent of surrealist elements blended with folk art influences, possibly indicating themes related to identity, culture, and perhaps the contrast between life and death or reality and imagination.
In terms of visual accessibility, it's essential to note that this image is not in color due to its monochromatic nature; therefore, any reference to colors would be misleading. The sketch style relies heavily on shading and line work to [...]](/proxy/post_attachment/388560/e4bc1de653.jpeg "The image depicts a black and white sketch or drawing with four stylized human figures. The first figure on the left is wearing a top hat, glasses, and has facial hair, suggesting an older man in formal attire. Next to him stands another male character dressed as if he's part of a naval crew, holding what appears to be a telescope or binoculars.
The central female figure has dark eyebrows, prominent cheekbones, and wears earrings; she is depicted with a contemplative expression, possibly representing the artist Frida Kahlo based on her distinctive features. To the right stands another female character adorned in a flowing dress resembling traditional Mexican attire, holding what looks like a skull mask or decorative piece.
Behind these figures are ornate decorations that resemble part of an interior setting, including floral arrangements and draped fabrics, contributing to a scene rich with cultural symbolism. The overall composition is reminiscent of surrealist elements blended with folk art influences, possibly indicating themes related to identity, culture, and perhaps the contrast between life and death or reality and imagination.
In terms of visual accessibility, it's essential to note that this image is not in color due to its monochromatic nature; therefore, any reference to colors would be misleading. The sketch style relies heavily on shading and line work to [...]")
Sculptuur in Mexico, Ed van der Elsken, 1960
#Sculptuur #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a close-up of two hands gently holding what appears to be an ancient, weathered clay figurine. The hands are large and prominent against the dark background, suggesting they belong to an adult with well-defined knuckles indicating mature age or significant effort in gripping something delicate.
The figure being held resembles human facial features—two eyes closed as if in repose, a nose, mouth, and chin that suggest it is designed to mimic human likeness. The clay's texture looks rough and eroded over time, hinting at its antiquity. It has been shaped with considerable care yet shows signs of wear.
The contrast between the dark background and hands emphasizes their form and details—the wrinkles on the fingers, particularly visible knuckles, and the overall shape convey a sense of reverence or significance in handling such an object. The monochrome tone gives it a timeless quality, focusing attention solely on the tactile interaction rather than colors which might suggest context.
There is no direct indication of location or cultural context within this frame, leaving much to interpretation regarding what these hands represent and why they are holding something that could be art from ancient civilizations like those in Mesoamerica. However, it evokes themes related to archaeology, history, preservation, humanism, or perhaps even a poignant commentary o [...]](/proxy/post_attachment/389147/1abe4e2694.jpeg "The image depicts a close-up of two hands gently holding what appears to be an ancient, weathered clay figurine. The hands are large and prominent against the dark background, suggesting they belong to an adult with well-defined knuckles indicating mature age or significant effort in gripping something delicate.
The figure being held resembles human facial features—two eyes closed as if in repose, a nose, mouth, and chin that suggest it is designed to mimic human likeness. The clay's texture looks rough and eroded over time, hinting at its antiquity. It has been shaped with considerable care yet shows signs of wear.
The contrast between the dark background and hands emphasizes their form and details—the wrinkles on the fingers, particularly visible knuckles, and the overall shape convey a sense of reverence or significance in handling such an object. The monochrome tone gives it a timeless quality, focusing attention solely on the tactile interaction rather than colors which might suggest context.
There is no direct indication of location or cultural context within this frame, leaving much to interpretation regarding what these hands represent and why they are holding something that could be art from ancient civilizations like those in Mesoamerica. However, it evokes themes related to archaeology, history, preservation, humanism, or perhaps even a poignant commentary o [...]")
Precolumbiaans beeld in het museum voor antropologie [tegenwoordig volkenkundig museum] in Mexico-Stad, Ed van der Elsken, 1960
#EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Wand in de Parroquia de San Juan Bautista in Catemaco, Mexico, Ed van der Elsken, 1960
#Catemaco #Mexico #EdvanderElsken #ESATencionSrs #Peregrinos #Spanish #SanPelayos #SanPelagrosas #LaSantísimaVirgen #LatinAmerican #fotografie #photography #EdVanDerElsken #EdvanderElsken
Wassen beelden van een blinde bedelaar en zijn dochter, Mexico, Ed van der Elsken, 1960
#Wassenbeeldenvaneen #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Straatgezicht tijdens een marktdag in een dorp ten zuiden van Oaxaca, Mexico, Ed van der Elsken, 1960
#Oaxaca #Mexico #EdvanderElsken #LatinAmerica #fotografie #photography #EdVanDerElsken #EdvanderElsken
Vader en kind poseren voor een geschilderde achtergrond in Mexico, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #Mexican #Recollect #DíadelosMuertos #fotografie #photography #EdVanDerElsken #EdvanderElsken
Wand in de Parroquia de San Juan Bautista in Catemaco, Mexico, Ed van der Elsken, 1960
#Catemaco #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Twee jongens met gestolen wieldoppen in Mexico-Stad, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #MexicoCity #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image captures a bustling street scene from what appears to be the mid-20th century. Two young boys are crossing the road, one carrying a tray and the other holding a plate with food items on it. They seem focused on their task of delivering or selling something that could potentially earn them some money for their family.
The surroundings include an array of parked cars from what looks like the 1950s to early '60s era, indicating this photo might have been taken during those decades. On the right side stands a building with multiple signs; prominently displayed is one advertising "Diesel" parts, suggesting it could be an automotive repair or sales shop.
In the background, there's another establishment that reads as though it deals in tires and perhaps other auto-related items, indicated by rows of large circular objects hanging on the wall. The street has tram tracks running through it, pointing to a city with public transportation infrastructure.
The overall atmosphere is busy yet ordinary for what seems like an urban working-class environment. It's important to note that while this image captures a slice-of-life moment in Mexico City during 1960s, any further interpretation or speculation about the individuals' experiences would be speculative and not based on concrete evidence from the photo itself.
As per your instructions, I've provided detailed descriptions [...]](/proxy/post_attachment/396869/4e38b1ac32.jpeg "The image captures a bustling street scene from what appears to be the mid-20th century. Two young boys are crossing the road, one carrying a tray and the other holding a plate with food items on it. They seem focused on their task of delivering or selling something that could potentially earn them some money for their family.
The surroundings include an array of parked cars from what looks like the 1950s to early '60s era, indicating this photo might have been taken during those decades. On the right side stands a building with multiple signs; prominently displayed is one advertising \"Diesel\" parts, suggesting it could be an automotive repair or sales shop.
In the background, there's another establishment that reads as though it deals in tires and perhaps other auto-related items, indicated by rows of large circular objects hanging on the wall. The street has tram tracks running through it, pointing to a city with public transportation infrastructure.
The overall atmosphere is busy yet ordinary for what seems like an urban working-class environment. It's important to note that while this image captures a slice-of-life moment in Mexico City during 1960s, any further interpretation or speculation about the individuals' experiences would be speculative and not based on concrete evidence from the photo itself.
As per your instructions, I've provided detailed descriptions [...]")
Tolteeks beeldhouwwerk in Tula, Mexico, Ed van der Elsken, 1960
#Tolteeks #Mexico #EdvanderElsken #Toltec #Mexican #fotografie #photography #EdVanDerElsken #EdvanderElsken
Straatgezicht tijdens een marktdag in een dorp ten zuiden van Oaxaca, Mexico, Ed van der Elsken, 1960
#Oaxaca #Mexico #EdvanderElsken #European #Spanish #Noyola #fotografie #photography #EdVanDerElsken #EdvanderElsken
Stenen sculptuur, in Mexico, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #Mayan #fotografie #photography #EdVanDerElsken #EdvanderElsken
Stenen sculptuur in Mexico, Ed van der Elsken, 1960
#Stenen #Mexico #EdvanderElsken #Mexican #Elsken #SouthAmerica #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image displays a monochromatic photograph of an ancient stone statue. The sculpture is crafted in the form of what appears to be a child, with rounded shoulders and hips, standing on two legs. Its head is slightly tilted downwards towards its torso, and it has protruding ears that seem large for the body size. There are visible marks or texturing across different parts of the figure's surface, indicating wear over time or intentional design features.
The statue stands against a plain background which contrasts with the rough texture of the stone sculpture itself. The photograph captures details such as cracks and patches on its surface, suggesting age and exposure to elements. Notably, there are circular indentations in what seems like an armrest area near one side of the figure's body, possibly for functional or aesthetic reasons.
The image is labeled with a title that suggests it may be part of a collection or exhibition focused on stone sculptures from Mexico dated 1960 as mentioned. However, without further context provided within this single image, additional specifics about the sculpture’s provenance, significance in Mexican culture, and its exact historical period remain undefined based solely on visual information.
This statue is not to be confused with other works by Ed van der Elsken from his travels around Asia or Mexico where he documented street scenes [...]](/proxy/post_attachment/401139/606910ba97.jpeg "The image displays a monochromatic photograph of an ancient stone statue. The sculpture is crafted in the form of what appears to be a child, with rounded shoulders and hips, standing on two legs. Its head is slightly tilted downwards towards its torso, and it has protruding ears that seem large for the body size. There are visible marks or texturing across different parts of the figure's surface, indicating wear over time or intentional design features.
The statue stands against a plain background which contrasts with the rough texture of the stone sculpture itself. The photograph captures details such as cracks and patches on its surface, suggesting age and exposure to elements. Notably, there are circular indentations in what seems like an armrest area near one side of the figure's body, possibly for functional or aesthetic reasons.
The image is labeled with a title that suggests it may be part of a collection or exhibition focused on stone sculptures from Mexico dated 1960 as mentioned. However, without further context provided within this single image, additional specifics about the sculpture’s provenance, significance in Mexican culture, and its exact historical period remain undefined based solely on visual information.
This statue is not to be confused with other works by Ed van der Elsken from his travels around Asia or Mexico where he documented street scenes [...]")
Kruisbeeld in Mexico, Ed van der Elsken, 1960
#Kruisbeeld #Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Fragment van de muurschildering 'El hombre controlador del universo' door Diego Rivera in het Paleis voor Schone Kunsten in Mexico-Stad, Ed van der Elsken, 1960
#Elhombre #DiegoRivera #voorSchoneKunsten #Mexico #EdvanderElsken #DiegoRiveras #Rivera #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image is a black and white photograph of Diego Rivera's mural "El hombre controlador del universo" (Man Controller of the Universe), which appears to be printed on paper or canvas. The artwork depicts various figures in what seems like an industrial setting, with machines and mechanical elements prominent throughout. Central to the composition is a large machine that looks both biological and technological—a complex organ-like structure with intricate details—surrounded by multiple human forms interacting with it.
The upper portion of the mural shows individuals focused on their tasks, possibly working within this grand mechanism. The right side features a group of figures gathered around another man who appears to be addressing or instructing them. Their expressions are varied, suggesting concern and discussion. On the left, an individual is holding what seems like a large clock or gauge with multiple dials.
The mural contains abstract swirls and circular patterns that suggest movement and complexity within this scene. The overall composition conveys themes of control, industry, and perhaps the relationship between humans and technology during Rivera's time period.
Rivera was known for his murals which often depicted social issues such as industrialization, labor rights, and critiques of capitalism. This particular work reflects those interests through its portray [...]](/proxy/post_attachment/402308/1e089d3423.jpeg "The image is a black and white photograph of Diego Rivera's mural \"El hombre controlador del universo\" (Man Controller of the Universe), which appears to be printed on paper or canvas. The artwork depicts various figures in what seems like an industrial setting, with machines and mechanical elements prominent throughout. Central to the composition is a large machine that looks both biological and technological—a complex organ-like structure with intricate details—surrounded by multiple human forms interacting with it.
The upper portion of the mural shows individuals focused on their tasks, possibly working within this grand mechanism. The right side features a group of figures gathered around another man who appears to be addressing or instructing them. Their expressions are varied, suggesting concern and discussion. On the left, an individual is holding what seems like a large clock or gauge with multiple dials.
The mural contains abstract swirls and circular patterns that suggest movement and complexity within this scene. The overall composition conveys themes of control, industry, and perhaps the relationship between humans and technology during Rivera's time period.
Rivera was known for his murals which often depicted social issues such as industrialization, labor rights, and critiques of capitalism. This particular work reflects those interests through its portray [...]")
Houten sculpturen van de drie koningen, in Mexico, Ed van der Elsken, 1960
#Houten #Mexico #EdvanderElsken #Kings #theThreeKings #fotografie #photography #EdVanDerElsken #EdvanderElsken
![The image depicts a black and white photograph of three figures dressed in elaborate costumes, standing side by side. The central figure appears to be an elderly person with long gray hair and beard, wearing what seems like a crown or headpiece made from straw-like materials, accompanied by a similarly themed staff. To the left is another figure in costume resembling a mythical creature with horns that taper into pointed tips; this character holds a large rod-like object, possibly a scepter. On the right stands yet another individual adorned in attire and accessories suggesting folklore influences, including what appears to be hair made from straw or fibers, contributing to an overall theme of medieval fantasy or historical reenactment.
The costumes are detailed, with textures that mimic natural materials such as wood, fur, and plant life, indicating they might represent the Three Wise Men (or Kings) in a theatrical production. The background is plain, focusing all attention on the figures themselves. There's no discernible setting beyond this; it seems like a staged photograph rather than capturing an actual event or location.
Additional information about this image can be found through Houten sculpturen van de drie koningen (Wooden sculptures of the Three Kings), in Mexico by Ed van der Elsken from 1960, which suggests that these figures might represent traditional de [...]](/proxy/post_attachment/402869/584f5649c3.jpeg "The image depicts a black and white photograph of three figures dressed in elaborate costumes, standing side by side. The central figure appears to be an elderly person with long gray hair and beard, wearing what seems like a crown or headpiece made from straw-like materials, accompanied by a similarly themed staff. To the left is another figure in costume resembling a mythical creature with horns that taper into pointed tips; this character holds a large rod-like object, possibly a scepter. On the right stands yet another individual adorned in attire and accessories suggesting folklore influences, including what appears to be hair made from straw or fibers, contributing to an overall theme of medieval fantasy or historical reenactment.
The costumes are detailed, with textures that mimic natural materials such as wood, fur, and plant life, indicating they might represent the Three Wise Men (or Kings) in a theatrical production. The background is plain, focusing all attention on the figures themselves. There's no discernible setting beyond this; it seems like a staged photograph rather than capturing an actual event or location.
Additional information about this image can be found through Houten sculpturen van de drie koningen (Wooden sculptures of the Three Kings), in Mexico by Ed van der Elsken from 1960, which suggests that these figures might represent traditional de [...]")
Fotoreproductie van een schildering van ridders in harnas, te paard, in Mexico, Ed van der Elsken, 1960
#Mexico #EdvanderElsken #fotografie #photography #EdVanDerElsken #EdvanderElsken
Mannen met verentooien, in Mexico, Ed van der Elsken, 1960
#Mannen #Mexico #EdvanderElsken #verentooien #fotografie #photography #EdVanDerElsken #EdvanderElsken
