★ 10座格莱美奖得主 史上最年轻格莱美最佳专辑殊荣肯定 ★ 坐拥5项吉尼斯世界纪录，21项公告牌音乐奖，19座全美音乐奖，11座乡村音乐协会奖，1座艾美奖，1座全英音乐奖等共计275项奖项肯定，入围提名高达590项 ★ 缔造全球1.3亿单曲下载，专辑销量破4000万张的惊人成绩，成为迄今止最畅销音乐作品的保持者之一 阔别三年， Taylor Swift第六张录音专辑《Reputation》11月10日全球发行。 专辑除Taylor一手监制外，再邀三座格莱美得主的御用搭档Jack Antonoff，金曲制单机Max Martin及Shellback等实力音乐人联袂操刀。 8月24日，Taylor Swift首支回归单曲“Look What You Made Me Do”一经释出即轰动全球并宣布Taylor Swift第六张专辑《Reputation》回归消息。首单“LWYMMD”横扫全球99国iTunes榜单冠军，刷新了美国iTunes女歌手登顶速度新纪录。发行当日凭借惊人流媒体量刷新了全球Spotify单日收听历史新绩。稳居Billboard单曲榜榜首之位的“LWYMMD”，成为了继“Shake It Off”，“Blank Space”，“Bad Blood”，“We Are Never Ever Getting Back Together”之后，Taylor的第五支公告牌单曲榜冠军作品。首单创造的惊人成绩仍刷新不断，正式版MV也以首日4300万次观看写下单日点击最高记录。 随后的第二支单曲一改之前“暗黑”格调，一曲兼备electro pop及industrial pop风格的“…Ready For It?”作为宣传单曲于9月3日发行，后定档为第二支主打单曲。首周空降Billboard公告牌No.4并写下Taylor音乐史册中的第22支入围Billboard Hot 100 Top 10记录。 回归后的Taylor并不仅以“霸气”诠释新作，随后两支新单让全球乐迷重识亲和力十足的Pop Queen。两首甜蜜新单“Gorgeous”，“Call It What You Want”分别于10月20日及11月2日先后问世，风格更具Radio friendly特性，抹去最初锐气，为整张专辑增加柔情一面。 作为全球最为瞩目的音乐人之一，Taylor Swift凭借5支公告牌单曲榜冠军作品，22支Top 10全球热单，4张连冠Billboard专辑，成为史上最为成功的音乐人之一。首张个人专辑《Speak Now》(2010)空降Billboard专辑榜首位，其热单“Mean”令Taylor成功拿下两座格莱奖杯。第四张录音室专辑《Red》（2012）再度盛产燃爆全球热单“We Are Never Ever Getting Back Together”及 “I Knew You Were Trouble”。上一张流行主调的《1989》（2014）凭借"Shake It Off", "Blank Space", "Bad Blood"三首霸榜美国，加拿大，澳大利亚的榜首单曲，令Taylor揽入三座格莱美奖杯，并使其成为最年轻且首位拥有两次“年度专辑”嘉奖的女性艺人。 三年之久，历经全身心投入及精心雕琢，Taylor Swift将已《Reputation》为名，开启主流音乐新纪元。

Alice Phoebe Lou’s fiercely independent approach to her music has given the singer songwriter a creative confidence that shines through in her captivating vocals and stripped back music. Born in South Africa and having developed her ethereal indie-folk sound busking the streets of Berlin, Alice has caught the ears of a community of music lovers the world over with her honest storytelling and raw, beautiful voice. Producer Noah Georgeson directed the recording sessions for over two weeks, helping Alice’s find the constellation of each song that felt right for her. Him and Samur (engineer) had immediately synergy with the band which made the days creating the album flow with ease. They helped each musician track their best performances. The final part of recording the album saw Alice and Noah honing down her vocals at Seahorse Studio in LA. Noah Georgeson also mixed the album.

Big Thief's music, rooted in the songs of Adrianne Lenker, paints in vivid tones "the process of harnessing pain, loss, and love, while simultaneously letting go, looking into your own eyes through someone else's, and being okay with the inevitability of death," says Adrianne. Masterpiece, Big Thief's debut album, is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne's voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks "the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they're grounded in simple things." Adrianne met her longtime musical partner, guitarist and singer, Buck Meek, in Brooklyn a few years ago, and they quickly formed a creative bond tempered by the experience of traveling and performing for months on end in old dive bars, yards, barns, and basements together. They recorded a pair of duo albums (A-Sides and B-Sides), and Adrianne showcased her songs on a solo album, Hours Were The Birds. Now, as a full rock and roll band, with Buck on guitar, Max Oleartchik on bass, and James Krivchenia on drums, they bring a steady wildness, giving the songs an even deeper layer of nostalgia. "These guys feel like a pack of wolves at my back," says Adrianne, "they make the songs howl and bark with a fierce tenderness that gives me courage." After spending last July in an old house that they turned into a studio on Lake Champlain with producer Andrew Sarlo, the resulting collection soars on what Big Thief fan Sharon Van Etten calls "...a real journey, with intelligent stories and twist-and-turn melodies."

Out in the Storm, Katie Crutchfield’s fourth album as Waxahatchee and the follow-up to her Merge debut Ivy Tripp, is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both her songwriting and her life. The album was tracked at Miner Street Recordings in Philadelphia with John Agnello, a producer, recording engineer, and mixer known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth. Agnello and Crutchfield worked together for most of December 2016, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date.

蘇偉安是雀斑樂團的吉他手，除了和雀斑樂團一起走過了15年，也在家中用簡單的器材錄製自己的作品demo，在Soundcloud上意興闌珊地分享，但得到VOOID的洪申豪等人大大關注，2016底開始以個人名義演出，2017正式成軍everfor，團員包括蘇偉博、杜易修、李亮瑩。 everfor的音樂形式上反映蘇偉安的音樂喜好，像是日本的neo acoustic、city pop，歐美的新浪潮音樂與獨立搖滾，以及台灣90年代的流行歌曲。但是單純的初衷引來他反覆自我質疑：「我為什麼要寫歌？這樣寫真的沒有問題嗎？」 「當你在無人島時，一切所作所為又代表什麼？」 整張專輯的視角幾乎都是從淡水的家中出發，從一直下雨的〈海洋綠〉踏出家門，手無足蹈地在〈我家附近〉散步，〈時空幻境〉中愛的是自己，〈合體〉後發現也有愛人的能力。應是整張專輯最重要的歌曲〈朋友圈〉，描寫自我的無助感因為團員及朋友們的支持，讓蘇偉安勇於將這些私密的情感與大家分享。我們都要感謝這群人，這張乍聽輕鬆寫意、一切聽來有點復古時尚的音樂，隱隱藏著一些人生體悟。

您好！2018年愚人节之际，为您奉献首张同名全长专辑，动物园钉子户乐队的情意之作。 简单顺畅的旋律，回旋不停的噪音，每一个音符的残响都包裹了大家全部的爱与真诚，只为您。

成团一年后的桃子假象Peach Illusion，从二人计划变成四人行，带来这张名为「百分百」的全长专辑，以「心动的甜度」为主题，每首歌有她的甜度。 歌里唱着关于永恒、怦然和暧昧，关于安静的等候、被占据的浪漫和爱滋生的地方，关于最绚烂的一刻，关于失去与不可得，关于不曾改变的风景，关于平淡无奇外的乐趣… 心动的甜度，究竟是百分百的浓烈？或是残留嘴边的想念？ 在馥郁的桃味气泡里，伸手触及你未满与被填满的空间。 在那些无可救药的喜欢里，我看到了你，也看到了自己。 主唱 / 和声：圈圈 吉他/键盘 / 小号 / 和声：C.c 贝斯：Shax 鼓：娜影 小提琴：陈阳 粤语独白：泡泡 词 / 曲 / 翻译：圈圈 编曲 / 录音：C.c 录音棚：巢场Studio 混音 / 母带：马唯昀 设计：李春银桑 特别感谢：马哥、鸭子、生煎唱片、琪琪音像、牛奶、阿泽、阿杰、晓五、舒大卫、小飞、JL、Siso、牛肉、颗颗、炯炯和所有帮助过这张专辑的朋友们。 One year after the eponymous debut EP released, Nayoung and Shax join the game of peach, change Peach Illusion from duets to full band. Finishing composition, arrangement and recording in summer, girls and boys bring this Full Album「100%」together in autumn of 2019. The theme of 「100%」is Sweetness of Love, Peach Illusion give every songs interpretation on its sweetness in this album. Those stories about eternity, flipped, ambiguous, waiting, romantic, blossom, flame, balloon, haunting, hysteria...you will see at night with the songs. Sweetness of LOVE is concentration of 100%? or sense of déjà vu blowing over your cheeks? Illusion we saw through the bottle with Peach soda. The blank of your heart is filled / almost filled. Incurable crush. It is a mirror. Vocal / Background Vocal: Quanquan Guitar / Synth / Cornet / Background Vocal: C.c Bass: Shax Drum: Nayoung Violin: Young Monologue in Cantonese: Bubbles Lyrics / Composition / Translation: Quanquan Arrangement / Recorder: C.c Recording Studio: Net Studio Mixing / Master Tape: Matt Design: Li chun yin sang Special thanks to Joe, Wayne, Qiii Snacks Records, SJ Records, Kalyn Yang, Aze, A-Jay, X-Five, Shudawei, Corioli, JL, Siso, Beef, Ke ke, Jiong jiong and all the friends who helped this album.

假假條的第一张录音室专辑。 他们是一支来自中华人民共和国的朋克乐队；同时也是曾为世界闻名的Radiohead和Hole制作过Pablo Honey和Live Through This这两张金唱片的美帝传奇制作人Sean Slade做过的第一支中国乐队。 在《時代在召喚》这张专辑中，他们博引诸多流派，自成一体；有时如同误入了样板戏年代和民间白事的地下朋克英雄，有时又好比向神灵哭诉祈求的婴孩，情绪喜怒无常却棱角分明。歌曲里民族乐器的加入非但没让他们沾染上任何“民族摇滚”的气息，反而使其听上去更加奇异，凶险，带有强烈讽刺意味；配上主音歌手神经质的歌词和那凶狠却不失优美的邪气唱腔，更加使得他们成为同龄乐队中的一个异类典范。 你会从他们身上嗅到舌头，苍蝇当年种下的那股朋克种子味儿，又能吃到崔健最早下的那颗“中国式理想主义悲凉蛋果实”。然而抛开这些国际大牌制作人的华丽词藻和先辈们耀眼的摇滚光环，你仍会如你所愿地发现这张专辑所表达出来的愤怒与不知所措；表面上充斥着荒诞的戏剧情节，骨子里透出来的却还是另一种赤裸裸的虚无与绝望；是他们唱着时代曲，哼着救亡歌，顺应着新时代亚洲人民过上的好日子，拼造出来的一副凌厉凄美的图案。