彭薇，生於四川成都，自小源於家學，對水墨鍾情、技藝純熟；現居北京，為北京畫院畫家。藝術對她而言，是一種享受，創作本身即是一種修身養性的過程，因此，她的畫，每每流露出一股與世無爭的靈性和脫俗超凡的格調。 本次展出作品共計約50餘件，諸如《遺石系列》、《遙遠的信件》、《圓滿的旅程》、《好事成雙》、《繡履記》等等，幾乎囊括畫家近十年重要代表作。彭薇創作膽大心細、求新求變，巧妙利用傳統水墨畫的題材及樣式，從各種平面材質的探索，延伸轉換至立體空間的創發，以優雅溫和的方式突破傳統與當代的界線，不僅賦予水墨更自由無束的思維，亦建立了個人獨特的美學風格。

This publication is produced in occasion with Hong Kong artist Leung Kuiting's solo exhibition organised by Hanart TZ Gallery in November and December 2014. Reviewing the artist's painting career ever since the 1960s to the present day, the exhibition and the catalogue contextualises Leung's practices within a wider historical development of Hong Kong art, in particular that of ink art and ink painting in light of the rise of new media art within the decades. Includes a piece of writing by the artist himself, and a biography.

何藩語錄：…【大家記著非萬不要拋棄舊底片。因為它們可能是一個寶藏來的。因為今天你在底片上看不到的東西，十年後因為成長了，人生哲學改變後你可能對同一影像有新的看法。所以我覺得正方形的菲林格式對我的創作非常有用、大家一定要保留所有的底片。】 （原英文訪問，Bobby Lee翻譯）

'Famous Ordinary Things' is a tribute to modest objects developed within Swiss design culture. "Famous" Swiss actors from the creative, artistic, or political field contributed to the book by taking a snapshot of a design item from environment. The resulting images underline the contemporary landscape of home and office interiors in Switzerland and remind us how these objects impact our everyday lives. They present a beautiful kaleidoscopic voyage through nostalgic and progressive visions, whereby the relationship between object and owner is filled with anecdotes and irony. With contributions by Mario Botta, Olaf Breuning, Alain de Botton, Hans Ulrich Obrist, and many others.

大正浪漫を代表し、「宵待草」の作者としても知られる。今なお人々の心を魅了してやまない竹久夢二の世界。

Pop Up book with 10 designed chairs

畫家區凱琳的畫畫記錄

Shibari originates as a Japanese style of BDSM. But lately it has been presented in a form that is out of the sexual bondage. The rope artist (known as rigger) Avaem Tenjou Rika has completed her training in Japan. She has collaborated with many artists to promote Shibari in Hong Kong. There were only females participating in this first time Shibari. The rope bound us so closely where we could feel each others' breath. The intimacy was like sharing secrets between girls. When first being tied up, it was surprisingly relax and comfortable. The rope shaped the body and firmly created different patterns. It became part of the body and grew together with the bones. All the movements was effortless. Rika would softly ask whether the body could handle such tightness while she tied. Gradually the rope changed to a cramp, and the support changed to restriction. Yes the body was tired. No matter how hard to breathe in with the rope, it cannot handle its power anymore. It was time to untie. The moment of untie was a relief, a feeling of reassurance, both for the body and soul. The atmosphere was pretty and sweet. The sense of freedom and fulfilment filled within the mind. First time Shibari is the first issue of the SP photography series. It is a collective works by artists Pang Jing and Siuding, and photographer Simon C.

藝術家彭靖和小丁的創作計劃於2015年從坪洲的「小島靜舍」（www.minim.hk）開始。每月一次的小島聚會，讓我們一邊在海邊小屋享受假期，一邊慵懶地創作。身體是我們的創作主題，我們嘗試超越慣常美學，打破界限，凝聚兩人能量，釋放創意靈感。 《水漾》是「小彭」攝影作品系列的第二冊。紀錄一個炎夏的晚上，我們先在海灘上遇著閃閃雨粉，再回到溫暖的浴缸裡，在粉紅的海裡伴著奇怪的生物。

Vivid Hong Kong is an intensely colourful and kinetic look at daily life in Hong Kong, as captured on an iPhone camera. To create this pioneering collection, photographer Palani Mohan roamed the streets in all weathers and seasons to compile a serendipitous take on the city. By forgoing traditional photographic equipment in favour of an iPhone, Mohan was able to wend his way through the crowds unobtrusively, seizing the everyday, fleeting moments that define the soul of Hong Kong in their purest state and their most evocative and dream-like form. Finalist in 69th POYi s Best Photography Book Award (Pictures of the Year International).

葉偉青是個奇人：他長年累積了對日本動漫特攝的深厚情懷與觸覺， 畫筆卻又融入濃烈的歐美豪邁風格，再兼具製作電腦動畫的立體造型能力。 《香港重機》把本地各種經典機器物事化作幻想機械人，概念說出來很簡單， 但 FELIX 能夠將之一一完美呈現，卻是上述功力的總和。 他這部畫集，我相信香港沒多少人能做出來。 一群冠名「香港」二字的自家機械人，重裝登場!!! 葉偉青引爆奇思妙想，靈感取材自生活常見的本土貼地元素， 加以灌注童年回憶情懷，創作出一系列充滿「港味」的土炮機械角色。 最動人時光的回看 PLUS 最天馬行空的想像!!!

Movie stars from the 80s, from gay icon to decadent abandon; lonesome gaze on strangers and encounters; nude male a la Michelangelo; religious objects of spiritual redemption and desire; meditative landscapes after the photographer's cancer. A perfumed gala of visual senses from the Mishima look of Zhang Yi Mou to a phallic memento mori. The 102 photos in this retrospective transform the gallery into an empire of sensuality that defines the obsession of Julian Lee. The First Retrospective of Julian Lee is an accumulation of Julian s work for the past 30 years. His gay sensibility perfumes his works from the 80 s up to now since he started up as a celebrity photographer for the very Andy Warhol s Interview Magazine look-alike, the Hong Kong City Magazine, the most chic and trend-setting magazine during that period.

本書內容主要分為兩大部份。第一部份介紹這個設計玩具運動的出現。我們將會討論到當中不同的參與者各自的動機和考慮,以及這個運動跟香港文化的關係。並從創意工業的角度來看這個運動,分析設計玩具與商業及消費的關係及互動,同時也探討如何令創意做到工業化的效果。第二部份將以圖片集的 形式逐一介紹眾創作人、設計家的作品。

《圖書館》是智海近年陸續創作的漫畫作品，故事圍繞一座光陸離奇的圖書館，人們困在書海的無窮追憶雄，或是穿梭於焚燒的書地獄仍能輕鬆踏步。 《我和我圣人》收錄了智海十多年來，在海內外各種漫畫合集發表的漫畫短篇，現今首次以繁體中文精選結集。

說到「創作」，說到「藝術」，總令人感到遙不可及。然而我們奔波於公式化的城市之中，忙碌於成就他人的成就，創作卻是尋回自己的途徑。每個人與生俱來便有創作的能力，也有著獨一無二的藝術頭腦，那些感受到藝術「呼召」並一心追尋下去的，最後都蛻變出獨一無二的人生。 透過《畫家宅》，一起來拜訪十五位香港畫家的家，聽他們說自己的故事、自己的創作、自己的喜樂與哀愁，也許會發現，當中一些經歷和心情，你也有共鳴。